시던스 2.0 쇼케이스
커뮤니티에서 성공적인 공개 생성물을 탐색하고, 항목을 열어 프롬프트, 설정 및 출력을 확인하세요.
Create a cinematic, ultra-premium SaaS product video for a company called AI AGENTS — an advanced AI system that cont...
Create a cinematic, ultra-premium SaaS product video for a company called AI AGENTS — an advanced AI system that controls, automates, and executes everything for individuals and businesses. Brand Personality: Silent power. Absolute control. Intelligence without noise. Not friendly. Not playful. Elite. Visual Style: Deep black background. Matte textures. Subtle reflections. Floating interfaces emerging from darkness. Clean glassmorphism UI. White + graphite + soft neon accents. Camera: Slow cinematic push-ins. Macro UI close-ups. Smooth parallax motion. No fast cuts. Music: Dark ambient synth. Low-frequency pulse. Minimal. Futuristic. Typography: Thin modern sans-serif. Wide letter spacing. Fade-in only. No flashy animations. Precision only. Aspect Ratios: 16:9 (Website / YouTube) 9:16 (Reels / Shorts) 1:1 (Social) 🧠 SCENE STRUCTURE Scene 1 — The Problem (0–6s) Pure black screen. A thin light line scans across. Text (center): EVERYTHING IS CHAOS. Scene 2 — Introduction (6–14s) Interfaces appear one by one: Tasks Emails Schedules Data streams They move independently — uncontrolled. Voiceover: “Too many tools. Too many decisions.” Scene 3 — The Shift (14–22s) Everything freezes. A central AI core activates. Text appears: AI AGENTS ONLINE Scene 4 — Power Demonstration (22–38s) One AI Agent takes control: Organizes tasks Replies to emails Schedules meetings Optimizes workflows Executes decisions All motion becomes synchronized. Voiceover: “One system. Total control.” Scene 5 — Intelligence (38–50s) Close-ups of: Predictive actions Autonomous execution Self-optimizing flows Text (minimal): Think less. Execute more. Scene 6 — Authority (50–60s) User silhouette in darkness. The AI works silently in the background. Voiceover: “You don’t manage AI. AI manages everything.” Scene 7 — Brand Lock (60–68s) Logo reveal — metallic, subtle glow. Text below logo: AI AGENTS Subtext: The system that runs everything. Scene 8 — Call to Action (68–75s) Black screen. Text (center): ENTER THE SYSTEM
A slow-motion dolly shot of rain-soaked streets with neon reflections, cinematic and detailed.High-end AAA 3D CGI vid...
A slow-motion dolly shot of rain-soaked streets with neon reflections, cinematic and detailed.High-end AAA 3D CGI video game cinematic cutscene, Unreal Engine 5 style, fully 3D animated characters and environments, NOT live action, NOT real footage, NOT realistic photography. Stylized realistic game characters with expressive faces and smooth keyframe animation. Cinematic camera movement, shallow depth of field, volumetric lighting, soft film grain, realistic shadows, global illumination. Natural body language, emotional facial animation, detailed environments. 4K ultra quality. Dramatic pacing like a story-driven game (The Last of Us / Detroit Become Human style). No anime drawing, no 2D illustration, no cartoon.High-end AAA 3D CGI video game cinematic cutscene, Unreal Engine 5 style, fully 3D animated characters, NOT live action. Louiser: teenage boy with messy dark hair and brown eyes, slim athletic build, emotional but strong, school blazer with loosened striped tie, main protagonist. White: teenage boy with spiky blonde hair and blue eyes, confident posture, loyal best friend, seated beside Louiser. Continuation from classroom lesson scene. The teacher is writing on the blackboard while students quietly take notes. Louiser suddenly feels dizzy. Classroom sound fades into a low ringing tone. His breathing becomes heavier. Louiser looks up from his notebook. The lighting subtly darkens around him. His vision blurs at the edges. Students and desks stretch unnaturally for a moment. From the dark corner of the classroom, a shadowy demonic creature slowly emerges. Tall distorted silhouette, unnatural limbs, glowing faint eyes, slow head tilt. The demon does not attack — it only watches Louiser. Louiser tries to move but cannot. His fingers tremble on the desk. His legs feel frozen. His
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supe...
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supernatural horror, apocalyptic surrealism. Visual: Low-angle shot. The camera is now close to the protagonist, looking up at the swirling, black vortex of clouds ("черной высоты"). It doesn't look like a natural sky—it's a chaotic, oily void. Sharp, glass-like snow begins to fall, not softly, but almost like ash or crystal shards. Action: The protagonist shields their face from the biting snow. As they lower their hand, a figure is seen standing still in the middle distance, a stark black silhouette against the white ice, facing away. It wasn't there a moment ago.
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supe...
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supernatural horror, apocalyptic surrealism. Visual: Low-angle shot. The camera is now close to the protagonist, looking up at the swirling, black vortex of clouds ("черной высоты"). It doesn't look like a natural sky—it's a chaotic, oily void. Sharp, glass-like snow begins to fall, not softly, but almost like ash or crystal shards. Action: The protagonist shields their face from the biting snow. As they lower their hand, a figure is seen standing still in the middle distance, a stark black silhouette against the white ice, facing away. It wasn't there a moment ago.
Realistic, Natural Daily life, No Caption, Human eyes camera view, Highly Close-up Candid face view, at mahal, A hand...
Realistic, Natural Daily life, No Caption, Human eyes camera view, Highly Close-up Candid face view, at mahal, A handsome tall Stylish Iranian stud man, 100% Indian accent, About ordering to servant for war, Clear Candid Reply talk:- \u0939\u092e\u0020\u092e\u0941\u0938\u0932\u092e\u093e\u0928\u094b\u0902\u0020\u0915\u093e\u0020\u0932\u0901\u007e\u0064\u0020\u0906\u0916\u093f\u0930\u0020\u0915\u093f\u0938\u0947\u0020\u0928\u0939\u0940\u0902\u0020\u092a\u0938\u0902\u0926\u003f\u0020\u0906\u091c\u094b\u0020\u091c\u093e\u0915\u0947\u0020\u0938\u093e\u0930\u0947\u0020\u0916\u0942\u092c\u0938\u0942\u0930\u0924\u0020\u092c\u093e\u0926\u0936\u093e\u0939\u094b\u0020\u0915\u094b\u0020\u092c\u0941\u0932\u093e\u0913 ( attitude candid Behaviour, in Mughal look, goatee beard, No echo, Don't Change In Dialogue, Unicode-encoded Text)
Сцена: Красивая Девушка c открытым декольте, видно животик, с открытыми плечами, в коротких шортиках, на заднем фоне ...
Сцена: Красивая Девушка c открытым декольте, видно животик, с открытыми плечами, в коротких шортиках, на заднем фоне дельфины. Речь: Вначале крючек, человек сразу сильно интригует, говорит уверенно и мотивирующе.. Видео: Мотивирующая музыка на фоне. На видео нет текста, только живая речь и жестикуляция, менять ракурсы съемки. Цель: видео должно удерживать внимание до конца за счёт интригующего начала и живой подачи. Текст Озвучка:«Если доход зависит от настроения — это проблема.» Эмоции не должны управлять деньгами. Финансовая система должна работать автоматически. Чем меньше эмоций — тем стабильнее результат. Холодный расчёт всегда выигрывает.
a fusion between jinzo and dark magician girl, grey skin, short black hair and mord sith, in the style of ALFRED KUBI...
a fusion between jinzo and dark magician girl, grey skin, short black hair and mord sith, in the style of ALFRED KUBIN, EGON SCHIELE
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supe...
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supernatural horror, apocalyptic surrealism. Visual: Extreme wide shot of a frozen, post-apocalyptic cityscape at twilight. Jagged, dark ruins of skyscrapers are silhouetted against a bruised, purple-grey sky. The foreground is a vast, chaotic ice field (the "white ice") that seems to swallow the city. A single, small figure (the protagonist) walks slowly away from the city, into the ice. Action: The camera moves imperceptibly slowly, tracking the figure. The ice is not smooth but fractured and treacherous. The "darkness" feels physical, like a mist seeping from the ice. Lighting: Cold, dim, ambient light. Deep shadows in the ice cracks. The only warmth is a faint, sickly glow from the distant, dead city.
[Title: Inmate Attacks Guard in Prison Dayroom] [Scene Description] Setting & Location: An institutional prison or ja...
[Title: Inmate Attacks Guard in Prison Dayroom] [Scene Description] Setting & Location: An institutional prison or jail common area/dayroom. The space features a large, open beige concrete floor, several fixed hexagonal metal tables with red bases, a prominent red metal staircase leading to an upper tier walkway, and vertical red support columns. Cell doors and barred windows line the upper level. Time & Atmosphere: Early morning or late night (timestamp reads 04:45). The atmosphere is tense, chaotic, and starkly institutional. The lighting is functional and harsh, typical of a secured facility. Sensory Details: The scene has a low-fidelity, grainy texture characteristic of surveillance footage. Dominant textures are hard concrete and cold, utilitarian metal. Implied sounds include echoing shouts, rapid movement, and the heavy impact of a physical confrontation. [Action & Narrative] Primary Action: A violent physical confrontation where an inmate repeatedly assaults a correctional officer who is pinned across a hexagonal table. Subject Movement: The officer is draped motionless over the table top. The attacking inmate, wearing light and striped clothing, moves rapidly and aggressively around the table, delivering strikes (punching motions) towards the officer's head and body. Other inmates are seen moving slowly in the background near the stairwell. Implied Story: A sudden and uncontrolled security breach in which an inmate ambushes or assaults a lone officer in the common area, indicating a highly volatile and dangerous situation. [Cinematography & Style] Shot Composition: High-angle, wide surveillance shot, taken from a fixed camera mounted high above the center of the room. The action is centrally framed amidst the surrounding tables. Camera Movement: Completely static camera shot, fixed in position (CCTV perspective). Lighting: Harsh, functional artificial overhead lighting, providing stark, uniform illumination across the dayroom floor. Color Palette & Grade: Desaturated, low-contrast color grade typical of security footage. The palette is dominated by institutional beige/tan (floor), industrial red (columns, stairs), and dark black/blue (uniform). [Core Elements & Keywords] prison, jail, inmate, correctional officer, assault, violence, dayroom, cctv, surveillance footage, institutional, fight, metal tables, high angle
A cinematic logo animation starting from a static 2D logo. The logo 3D-extrudes slightly as a white light sweep trave...
A cinematic logo animation starting from a static 2D logo. The logo 3D-extrudes slightly as a white light sweep travels across its surface from left to right. The background subtly pulses with a soft gradient, and the logo gently settles back into its original flat position. Seamless loop
The scene where I thought I should eat udon Stimulating my appetite
The scene where I thought I should eat udon Stimulating my appetite
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supe...
Style: Superrealistic, full HD, cinematic, desaturated color grading with stark contrasts, heavy use of shadows, supernatural horror, apocalyptic surrealism. Visual: Extreme wide shot of a frozen, post-apocalyptic cityscape at twilight. Jagged, dark ruins of skyscrapers are silhouetted against a bruised, purple-grey sky. The foreground is a vast, chaotic ice field (the "white ice") that seems to swallow the city. A single, small figure (the protagonist) walks slowly away from the city, into the ice. Action: The camera moves imperceptibly slowly, tracking the figure. The ice is not smooth but fractured and treacherous. The "darkness" feels physical, like a mist seeping from the ice. Lighting: Cold, dim, ambient light. Deep shadows in the ice cracks. The only warmth is a faint, sickly glow from the distant, dead city.
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