시던스 2.0 쇼케이스
커뮤니티에서 성공적인 공개 생성물을 탐색하고, 항목을 열어 프롬프트, 설정 및 출력을 확인하세요.
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: The protagonist is now closer to the window. He reaches out a trembling hand to touch the blue curtain, which is no longer cloth, but a shimmering, semi-transparent wall of blue energy. Through it, in the apocalyptic landscape, we see a figure. The Figure: A figure that looks like traditional depictions of Christ, but wrong. His robes are tattered and grey, his face is gaunt and sorrowful. He stands perfectly still, holding not a shepherd's staff, but a giant pair of iron shears. He stares directly at the protagonist.
Robocop police vs. Iron Man, brutal battle
Robocop police vs. Iron Man, brutal battle
barefoot boy underwater in a full wetsuit swimming along a coral reef
barefoot boy underwater in a full wetsuit swimming along a coral reef
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: A wide shot of the view from the window. It's not the street from before. It's a desolate, apocalyptic landscape under a pitch-black sky with a single, faint star. A long, straight road made of cracked, dry earth stretches towards a horizon of jagged, impossibly tall mountains. Everything is frozen, including a plume of dust in the distance, stopped mid-explosion.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buat video iklan TV profesional 15 detik untuk produk Hisyifa [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: HISYIFA - Garam Rukyah & Rendam Spritual (Super Premium ] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends] [CRITICAL TIMING: All voiceover/narration MUST complete by second 13. The final 2 seconds (second 14 an
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: A low-angle shot from inside the room, looking towards the window. The protagonist (the "I" in the song) is on his knees in the center of the room, his back to us. He's staring at the window. The perspective makes him look small. Surreal/Horror Element: The "street" isn't just looking; it is a giant eye. The window frame is the iris, and the buildings outside, warped and distorted, form the patterns in the iris. It stares unblinking into the room.
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd ...
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd of white American office workers packed shoulder-to-shoulder, phones raised. Jonathan Whitmore, a white American CEO in his mid-40s wearing a sharp navy suit, stands beside a matte-black portable vault with a glowing keypad, his posture smug and dismissive. Daniel Rivera, a white American boy about 11 in worn jeans and a plain hoodie, barefoot and clutching a frayed cleaning rag, steps forward with controlled nerves while his mother in a janitor uniform tenses behind him. The camera starts on a wide shot of the crowd closing in, then cuts to a tight close-up of Jonathan’s smirk as he points at the boy and says, “If you open it, you get the whole hundred million.” Cut to a close-up of Daniel’s steady eyes and trembling fingers hovering over the keypad as he replies, “Say that again on camera.” The room goes silent, tension spiking under a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd ...
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd of white American office workers packed shoulder-to-shoulder, phones raised. Jonathan Whitmore, a white American CEO in his mid-40s wearing a sharp navy suit, stands beside a matte-black portable vault with a glowing keypad, his posture smug and dismissive. Daniel Rivera, a white American boy about 11 in worn jeans and a plain hoodie, barefoot and clutching a frayed cleaning rag, steps forward with controlled nerves while his mother in a janitor uniform tenses behind him. The camera starts on a wide shot of the crowd closing in, then cuts to a tight close-up of Jonathan’s smirk as he points at the boy and says, “If you open it, you get the whole hundred million.” Cut to a close-up of Daniel’s steady eyes and trembling fingers hovering over the keypad as he replies, “Say that again on camera.” The room goes silent, tension spiking under a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd ...
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd of white American office workers packed shoulder-to-shoulder, phones raised. Jonathan Whitmore, a white American CEO in his mid-40s wearing a sharp navy suit, stands beside a matte-black portable vault with a glowing keypad, his posture smug and dismissive. Daniel Rivera, a white American boy about 11 in worn jeans and a plain hoodie, barefoot and clutching a frayed cleaning rag, steps forward with controlled nerves while his mother in a janitor uniform tenses behind him. The camera starts on a wide shot of the crowd closing in, then cuts to a tight close-up of Jonathan’s smirk as he points at the boy and says, “If you open it, you get the whole hundred million.” Cut to a close-up of Daniel’s steady eyes and trembling fingers hovering over the keypad as he replies, “Say that again on camera.” The room goes silent, tension spiking under a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] "Buatkan video iklan seperti iklan di TV, tampak futuristik, estetik, dengan shoot yang tidak norak. jenis iklan testimoni untuk produk kapsul herbal [RATFIX] dengan [MANFAAT PRODUK menyembuhkan penyakit asam urat dan nyeri sendi] modelnya seorang laki-laki berwajah indonesia berusia 50 tahun sedang menikmati masa tua bahagia sembuh dari asam urat karena produk herbal ratfix." model tidak berbicara, botol jangan terlalu besar dan jangan banyak tulisan dalam video. [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: RATFIX] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS o
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buatkan video Honest Review untuk produk BIMAGRED. Model seorang wanita berusia 55 tahunan berprofesi sebagai PNS. Model memegang botol seperti sedang direkam dengan kamera depan berbicara"Jangan minum Madu Bimagerd jika kamu hobi batal puasa karena GERD. Awalnya saya ragu, ternyata ampuh bikin lambung adem seharian. Sahur tenang, ibadah lancar. Wajib stok untuk Ramadan nanti." Video "High Quality", "Commercial Lighting", dan "4K". Negative : Jangan tampilkan display text apapu [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: Madu Bimagerd] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesi
Can you make a video explaining the biogeochemical cycle of nitrogen? here are some ideas that i know about this, is ...
Can you make a video explaining the biogeochemical cycle of nitrogen? here are some ideas that i know about this, is for a presentation for a class, so make it academical The Four Major Biological Processes 1. Nitrogen Fixation This is the process of converting atmospheric N 2 into biologically usable forms like ammonia (NH 3 ). This is primarily performed by specific bacteria: • Symbiotic bacteria: Such as Rhizobium, which live in the roots of legume plants like soybeans and clover. • Free-living bacteria: Such as cyanobacteria or Azotobacter. • Physical Fixation: Lightning also fixes nitrogen by converting it into nitric oxide, which eventually reaches the soil as nitrates through rain. 2. Ammonification In this stage, living things produce ammonia or ammonium ions (NH 4 + ). This occurs through animal waste (like fish) or when bacteria decompose organic nitrogen wastes from dead organisms. 3. Nitrification Carried out by soil bacteria, this is a two-step process that converts ammonium into forms plants prefer: • Step A: Bacteria like Nitrosomonas convert ammonium into nitrite (NO 2 − ). • Step B: Bacteria like Nitrobacter then oxidize nitrite into nitrate (NO 3 − ), which is a valuable nutrient source for plants. 4. Denitrification To complete the cycle, certain bacteria in the soil convert nitrates back into gaseous forms (N 2 O, NO, and finally N 2 ). This process releases the nitrogen back into the atmosphere, though it can negatively affect agriculture by removing nutrients from the soil
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