Seedance 2.0 Utstilling
Bla gjennom vellykkede offentlige generasjoner fra fellesskapet og åpne et hvilket som helst element for å inspisere prompten, innstillingene og resultatet.
Logo jump on the table and Ramadan Mubarak background appears in the house and foods too
Logo jump on the table and Ramadan Mubarak background appears in the house and foods too
A single conjoined body of a man and a woman lying down, wearing a partially open black kimono.
A single conjoined body of a man and a woman lying down, wearing a partially open black kimono.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buat video iklan gaya TV komersial modern. Lokasi luar rumah, pagar, halaman, dan lantai atas rumah. Tampilkan WiFi Extender outdoor warna putih dengan 8 antena berdiri kokoh. Animasi gelombang sinyal WiFi menyebar luas dari alat. Perbandingan sebelum dan sesudah: sebelum sinyal lemah (loading, buffering), sesudah sinyal full bar (lancar, cepat). Tampilkan keluarga, CCTV, HP, laptop terhubung lancar. Lighting cerah, clean, profesional, sinematik. Kamera zoom-in ke produk, sudut hero shot [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: Extender Wifi 8 Antena ] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat da
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. ...
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. A white American woman in her early seventies — Carol, plain wool coat, silver hair pinned back, canvas tote on her lap — sits in a lobby chair, hands folded, posture careful and worn down. Across the lobby, a white American man in his mid-fifties — Derek, silver-haired, tailored charcoal suit, broad-shouldered — stands near the reception desk with his arms crossed, head tilted down at her with calm contempt, a smug smirk playing on his lips. Behind the desk, a young white American receptionist watches silently. The lobby is hushed, tension in the stillness. Then the elevator opens. A white American woman in her late thirties — Katherine, dark structured blazer, sharp jaw, hair pulled back tight — walks in with an unhurried stride, a folder in one hand. Katherine — dark structured blazer, sharp jaw, cold eyes — crosses directly to Derek — silver-haired, tailored charcoal suit, broad-shouldered, still smirking — stops two feet away. She holds his gaze. The smirk falters, then dies completely. His eyes widen. He swallows hard. Katherine — dark structured blazer, sharp jaw — says quietly, voice like ice: "She was here yesterday. You told her to go home." A beat. Her expression hardens. "She owns your building." Close-up on Derek — silver-haired, eyes going wide with shock, mouth falling open — as the words hit. His face drains of all color. His hands drop to his sides, trembling. Sweat beads at his temple. His jaw quivers. He tries to speak but no sound comes. Pure panic floods his face — disbelief, then horror, then desperate fear. Katherine — dark structured blazer, sharp jaw, unblinking stare — steps closer until she's inches from his face. Derek — silver-haired, shoulders sagging, suit suddenly too big on him — flinches back. She leans in and says, voice low and venomous: "Now get the hell out of her way." Derek — silver-haired, face pale and wet with sweat — stumbles back, nearly tripping. His breath comes short. Close-up on Carol — plain wool coat, silver hair, canvas tote in her hands — looking straight ahead. Not triumphant. Just steady. Just seen. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism. US short-form drama tone.
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. ...
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. A white American woman in her early seventies — Carol, plain wool coat, silver hair pinned back, canvas tote on her lap — sits in a lobby chair, hands folded, posture careful and worn down. Across the lobby, a white American man in his mid-fifties — Derek, silver-haired, tailored charcoal suit, broad-shouldered — stands near the reception desk with his arms crossed, head tilted down at her with calm contempt, a smug smirk playing on his lips. Behind the desk, a young white American receptionist watches silently. The lobby is hushed, tension in the stillness. Then the elevator opens. A white American woman in her late thirties — Katherine, dark structured blazer, sharp jaw, hair pulled back tight — walks in with an unhurried stride, a folder in one hand. Katherine — dark structured blazer, sharp jaw, cold eyes — crosses directly to Derek — silver-haired, tailored charcoal suit, broad-shouldered, still smirking — stops two feet away. She holds his gaze. The smirk falters, then dies completely. His eyes widen. He swallows hard. Katherine — dark structured blazer, sharp jaw — says quietly, voice like ice: "She was here yesterday. You told her to go home." A beat. Her expression hardens. "She owns your building." Close-up on Derek — silver-haired, eyes going wide with shock, mouth falling open — as the words hit. His face drains of all color. His hands drop to his sides, trembling. Sweat beads at his temple. His jaw quivers. He tries to speak but no sound comes. Pure panic floods his face — disbelief, then horror, then desperate fear. Katherine — dark structured blazer, sharp jaw, unblinking stare — steps closer until she's inches from his face. Derek — silver-haired, shoulders sagging, suit suddenly too big on him — flinches back. She leans in and says, voice low and venomous: "Now get the hell out of her way." Derek — silver-haired, face pale and wet with sweat — stumbles back, nearly tripping. His breath comes short. Close-up on Carol — plain wool coat, silver hair, canvas tote in her hands — looking straight ahead. Not triumphant. Just steady. Just seen. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism. US short-form drama tone.
[FORMAT / QUALITY] Ultra-realistic 4K vertical smartpFORMAT / QUALITY Ultra-realistic 4K vertical smartphone video (9...
[FORMAT / QUALITY] Ultra-realistic 4K vertical smartpFORMAT / QUALITY Ultra-realistic 4K vertical smartphone video (9:16), 10 seconds. Real handheld phone-shot feel with subtle micro-shake. Low-angle perspective. Shallow depth of field. Natural warm daylight color grading. Realistic motion blur. Subtle autofocus breathing with tiny focus hunts on reactions. Crisp fur detail, realistic concrete + beige wall texture. No text, no captions, no logos, no watermark. SCENE SHOT 1 (WALKWAY) Outdoor concrete walkway beside a beige wall in daytime. Warm sunlight, soft shadows. Quiet neighborhood ambience. The wall is clean and slightly textured. PROP (SAFE + COMEDIC): A papery beehive/wasp nest (lightweight paper texture) is present and will end up stuck high on the wall above the walkway. IMPORTANT: No insects visible at any time. SHOT 2 (YARD) Sunny grass yard setting in bright daylight (like the second reference). SUBJECTS (MATCH REFERENCE) Small tan Chihuahua (short coat) — sleepy, innocent face, tiny paws. Large gray bully/pitbull-type dog with white chest patch — protective but easily startled, expressive eyes. EVENT / STORY The Chihuahua (still acting sleepy) causes the “problem” by making the papery nest stick to the wall in a goofy, harmless way. The big gray dog approaches like a hero, realizes it too late, gets scared, and runs away in a funny, non-violent way. Then smash-cut to a wholesome aftermath where both dogs have comically puffy cheeks (safe, not scary) and they’re okay. ACTION (10 seconds — STEP-BY-STEP) 0.0–2.0s Low-angle close shot near the beige wall: the Chihuahua is lying on its side, “sleeping,” peaceful breathing. Camera slowly drifts forward. Calm ambience. In the top of frame, the papery nest is NOT fully attached yet (it’s near the wall, slightly loose / dangling / positioned so it can be “stuck” in the next beat). 2.0–3.5s The Chihuahua “sleep-wiggles” without fully waking: a tiny paw stretch + gentle nose nudge upward toward the wall (super subtle). Comedic safe trick: the nest sticks to the wall as if the Chihuahua accidentally pressed it into place (like soft paper tack / harmless adhesion). No insects. No sting. No danger shown. 3.5–5.0s Large gray dog walks in from the left, like “I’m on duty.” Stops. Looks up and sees the nest now fully stuck high on the wall. Big dog’s face shifts: confident → worried → “oh no.” 5.0–6.3s Big dog takes one cautious step closer… then hears a very brief subtle “bzzz” (0.3–0.5s). No insects visible. Big dog freezes with wide eyes, ears back. 6.3–7.0s Big dog does a funny scared retreat: a quick backward hop + tiny paw scramble on concrete (cartoonish but realistic). Then it runs out of frame (fast but safe), leaving the Chihuahua still “sleeping” like nothing happened. 7.0–7.2s Whip-pan up to the nest for a split second (still no insects), then— 7.2–7.5s Smash-cut / match cut with a tiny “boop” hit to the sunny grass yard. 7.5–10.0s (AFTERMATH MEME SHOT) Close-up, centered: both dogs sit side-by-side facing camera. Both have comically puffy cheeks (safe, mild, cartoonish swelling — not scary). Eyes half-closed like “we messed up.” Big dog slowly blinks. Chihuahua gives a tiny proud smile at the end. End on a loopable frame (same pose). AUDIO Natural outdoor ambience. One brief subtle “bzzz” during the scare moment only (no insects shown). Tiny “boop” hit on smash-cut. No speech, no music. STYLE / CONSTRAINTS (MUST FOLLOW) Wholesome and non-violent. No insects visible, no stinging shown, no pain/crying. Keep consistent dog colors and markings. Realistic movement + meme timing. No text, no logos.hone video (9:16), 10 seconds. True handheld phone feel with subtle micro-shake. Shallow depth of field, gentle autofocus breathing + tiny focus-hunt on sudden reactions. Natural motion blur on quick head turns. Clean natural color grade. Ultra-detailed fur texture + realistic balloon latex reflections + ribbon shimmer. Natural outdoor audio + light wind + comedic squeaks (no music). No text, no captions, no logos, no watermark. [MOOD / VIBE — VERSION 2 (FUNNIER)] Mock-serious “nature documentary” mood. Calm, quiet yard ambience like a peaceful wildlife clip… then an absurd tiny emergency happens. Comedy comes from dramatic pause beats, the Chihuahua acting like a heroic pilot, and the Rottweiler’s bored “I refuse to participate” energy. [SCENE] Quiet backyard in winter/early spring: patchy yellow-green grass, tall wooden privacy fence, leafless trees behind the fence, overcast gray sky. Light wind ambience. Balloons bob gently. Slightly muted winter colors. [SUBJECTS] Large Rottweiler — huge, muscular, black-and-tan markings, serious deadpan face, stands heavy and still, barely reacts. Small Chihuahua — tiny tan/cream coat, big round eyes, overconfident swagger that instantly becomes dramatic panic. [PROPS] Helium balloon bunch: purple, orange, white, blue balloons. Long strings + shiny ribbon tassels fluttering beneath. [EVENT] “Helicopter Tail Panic — Documentary Mode” — Chihuahua steals balloon strings, gets lifted, tail spins like a panic propeller, and the whole moment feels hilariously “important” even though it’s tiny and harmless. [ACTION (10s, step-by-step)] 0.0–1.6s: Low ground-level wide shot. Rottweiler stands center-left, facing camera, perfectly still. Balloons hover above/near it, ribbons fluttering. Calm wind audio. Everything feels serious and quiet. 1.6–2.8s: Chihuahua enters from the right with exaggerated slow-motion swagger (tiny chest out, head high). It grabs the strings confidently. 2.8–3.2s (funny pose): Chihuahua pauses and turns its head toward the camera like “I’ve got this.” Holds the pose a beat too long. 3.2–4.2s: Balloons tug upward. Chihuahua rises only 10–15 cm at first—just a tiny lift. Chihuahua freezes mid-air like it’s pretending nothing is happening. 4.2–4.4s (0.2s silent glitch): Chihuahua’s mouth opens for a scream… NO SOUND for 0.2s. Wide eyes, frozen body. 4.4–5.4s: Sound snaps in: a sharp squeak/yelp. Chihuahua’s tail instantly starts spinning absurdly fast (helicopter blur). Chihuahua begins “air-paddling” with paws like it’s swimming. 5.4–6.8s (extra funny beat): Chihuahua tries to look brave again while tail-propelling—face says “pilot mode,” but paws are flailing and squeaks are rapid. Ribbons flutter like streamers under a tiny “aircraft.” 6.8–7.4s (gentle boop): A balloon softly boops the Chihuahua’s forehead. Chihuahua goes slightly cross-eyed for 0.3s, then squeaks in embarrassed rage while tail keeps helicoptering. 7.4–8.6s: Chihuahua floats upward slowly (about 1–2 meters), legs bicycling, tail still spinning like it believes it controls gravity. 8.6–9.6s (anchor gag): Rottweiler calmly lifts one paw and steps on a trailing ribbon/string like a lazy anchor. Chihuahua stops rising and dangles at a perfect height, still helicopter-tailing and squeaking. 9.6–10.0s: Rottweiler looks back at the camera with a long judgment stare like “problem solved,” while Chihuahua keeps tiny angry squeaks mid-dangle. Clip ends. [CAMERA] Low ground-level wide shot. Subtle handheld shake increases during lift + boop moment. Quick autofocus snap: Rottweiler → Chihuahua grab/pose → tiny lift → silent glitch → tail helicopter → boop → dangling “anchor” reveal. No cuts. [STYLE CONSTRAINTS] Comedic and non-violent. No balloon popping. No injuries, no harm, no choking. No people. No damage. Gentle physics, harmless dangling, silly squeaks only.
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's ru...
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's running forward through a park path, sunlight filtering through trees behind him. His face is filled with panic and fear, eyes wide, breath sharp. DIALOGUE: "Hey! Step away from him!" SCENE 2 (5s): Medium shot, sunlit park path. A barefoot white American girl (12 years old) crouches at eye level with a white American boy (8 years old) seated in a wheelchair. She holds out half an apple toward him with a calm, gentle smile. The boy reaches forward slowly and takes it. DIALOGUE (girl, softly): "You want some? I only bit the one side." SCENE 3 (5s): Wide shot, same park location with golden light through the trees. All three figures in frame: the girl crouched in front of the wheelchair, the boy seated and holding the apple, and the man standing behind the chair with one hand on the handle. The man exhales deeply, shoulders dropping. Tears glisten in his eyes as he watches the two children. No one speaks. The moment is still. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism, U.S. short-form drama tone. Natural lighting, authentic American casting, restrained performances.
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's ru...
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's running forward through a park path, sunlight filtering through trees behind him. His face is filled with panic and fear, eyes wide, breath sharp. DIALOGUE: "Hey! Step away from him!" SCENE 2 (5s): Medium shot, sunlit park path. A barefoot white American girl (12 years old) crouches at eye level with a white American boy (8 years old) seated in a wheelchair. She holds out half an apple toward him with a calm, gentle smile. The boy reaches forward slowly and takes it. DIALOGUE (girl, softly): "You want some? I only bit the one side." SCENE 3 (5s): Wide shot, same park location with golden light through the trees. All three figures in frame: the girl crouched in front of the wheelchair, the boy seated and holding the apple, and the man standing behind the chair with one hand on the handle. The man exhales deeply, shoulders dropping. Tears glisten in his eyes as he watches the two children. No one speaks. The moment is still. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism, U.S. short-form drama tone. Natural lighting, authentic American casting, restrained performances.
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's ru...
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's running forward through a park path, sunlight filtering through trees behind him. His face is filled with panic and fear, eyes wide, breath sharp. DIALOGUE: "Hey! Step away from him!" SCENE 2 (5s): Medium shot, sunlit park path. A barefoot white American girl (12 years old) crouches at eye level with a white American boy (8 years old) seated in a wheelchair. She holds out half an apple toward him with a calm, gentle smile. The boy reaches forward slowly and takes it. DIALOGUE (girl, softly): "You want some? I only bit the one side." SCENE 3 (5s): Wide shot, same park location with golden light through the trees. All three figures in frame: the girl crouched in front of the wheelchair, the boy seated and holding the apple, and the man standing behind the chair with one hand on the handle. The man exhales deeply, shoulders dropping. Tears glisten in his eyes as he watches the two children. No one speaks. The moment is still. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism, U.S. short-form drama tone. Natural lighting, authentic American casting, restrained performances.
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's ru...
SCENE 1 (5s): Close-up shot, camera facing a white American man in his forties wearing a sharp business suit. He's running forward through a park path, sunlight filtering through trees behind him. His face is filled with panic and fear, eyes wide, breath sharp. DIALOGUE: "Hey! Step away from him!" SCENE 2 (5s): Medium shot, sunlit park path. A barefoot white American girl (12 years old) crouches at eye level with a white American boy (8 years old) seated in a wheelchair. She holds out half an apple toward him with a calm, gentle smile. The boy reaches forward slowly and takes it. DIALOGUE (girl, softly): "You want some? I only bit the one side." SCENE 3 (5s): Wide shot, same park location with golden light through the trees. All three figures in frame: the girl crouched in front of the wheelchair, the boy seated and holding the apple, and the man standing behind the chair with one hand on the handle. The man exhales deeply, shoulders dropping. Tears glisten in his eyes as he watches the two children. No one speaks. The moment is still. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism, U.S. short-form drama tone. Natural lighting, authentic American casting, restrained performances.
A dimly lit Philadelphia alley at 11:23 PM, single flickering streetlight casting harsh shadows between dumpsters and...
A dimly lit Philadelphia alley at 11:23 PM, single flickering streetlight casting harsh shadows between dumpsters and brick walls. Marcus Cole (late 50s, gray hair, paint-stained work clothes) stands motionless as six gang members in dark hoodies surround him. Medium shot: Dante (early 30s, leather jacket, gold chains) circles Marcus predatorily while "Teeth" films on his phone, the screen glowing. Close-up: Dante shoves Marcus hard against the brick wall, grabbing his collar. Wide shot: The gang laughs and crowds Marcus against the dumpster while two homeless veterans watch from the shadows. Cut to close-up: Marcus's eyes—calm, calculating, dangerous. Dante sneers: "Maybe we didn't explain clearly enough, old man." Marcus straightens his collar, voice deadly quiet: "You shouldn't have said her name." The camera captures the moment Marcus picks up the paint can, his body language shifting from victim to predator. Dramatic tension builds, distant sirens wail, the flickering light creates an ominous atmosphere. No logos, no brand names, no signage, no watermarks, no text overlays.
A dimly lit Philadelphia alley at 11:23 PM, single flickering streetlight casting harsh shadows between dumpsters and...
A dimly lit Philadelphia alley at 11:23 PM, single flickering streetlight casting harsh shadows between dumpsters and brick walls. Marcus Cole (late 50s, gray hair, paint-stained work clothes) stands motionless as six gang members in dark hoodies surround him. Medium shot: Dante (early 30s, leather jacket, gold chains) circles Marcus predatorily while "Teeth" films on his phone, the screen glowing. Close-up: Dante shoves Marcus hard against the brick wall, grabbing his collar. Wide shot: The gang laughs and crowds Marcus against the dumpster while two homeless veterans watch from the shadows. Cut to close-up: Marcus's eyes—calm, calculating, dangerous. Dante sneers: "Maybe we didn't explain clearly enough, old man." Marcus straightens his collar, voice deadly quiet: "You shouldn't have said her name." The camera captures the moment Marcus picks up the paint can, his body language shifting from victim to predator. Dramatic tension builds, distant sirens wail, the flickering light creates an ominous atmosphere. No logos, no brand names, no signage, no watermarks, no text overlays.
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