Seedance 2.0 Utstilling
Bla gjennom vellykkede offentlige generasjoner fra fellesskapet og åpne et hvilket som helst element for å inspisere prompten, innstillingene og resultatet.
Create a photorealistic, cinematic 9:16 vertical video, 15 seconds, showing a sudden urban flash flood inside a colla...
Create a photorealistic, cinematic 9:16 vertical video, 15 seconds, showing a sudden urban flash flood inside a collapsing apartment building. 0–3s: Shaky handheld shot of a stairwell turning into a waterfall. Water rushes down violently. Cracks appear on walls. Flickering emergency lights. Sound: roaring water, distant sirens. Overlay text (subtle): “The water rose in minutes, not hours.” 3–10s: Rescue team wades through waist-deep water. Debris floats around. Ceiling panels fall. Close-up on a rescuer’s stressed face. Wide shot shows hallway tilting. GoPro POV navigating dark, turbulent water. Realistic water physics, wet clothing, floating furniture, sparks from exposed wiring. 10–14s: Cinematic climate overlay (semi-transparent map) showing February 2026 flood risk in urban areas. Voiceover: “Flash flooding events are now the new normal.” 14–15s: Rescuer reaches trapped resident. Camera shakes violently as building cracks. Cut to black mid-collapse. Final text: “Time is running out.” Style & Effects: Photorealistic lighting, volumetric fog, motion blur, cold blue-gray disaster palette, intense and breathless tone, realistic water and debris simulation, layered sound design (water, groans, sirens, breathing).
Photorealistic handheld vertical video at an active desert construction site near Mojave. Clear deep blue sky, bright...
Photorealistic handheld vertical video at an active desert construction site near Mojave. Clear deep blue sky, bright midday sun, sharp shadows. A tall red lattice crane with cables and a heavy hook hangs in the foreground. Light wind, dust particles, subtle heat haze. Opening 2 seconds: ground-level view of an ironworker in safety vest and hard hat checking steel beams. Ambient construction sounds, distant clanking metal. A sudden deep rumble grows louder. The worker looks up. Camera quickly tilts skyward as an enormous twin-fuselage aircraft enters frame — the Stratolaunch Roc, the world’s largest wingspan aircraft (385 feet). The massive double-body plane flies extremely low overhead, filling the sky. Camera behavior: • handheld documentary style • natural shake and quick operator reaction • fast tilt-up • tracking pan following the aircraft • dynamic zoom-in on engines and landing gear • slight zoom-out to show entire wingspan for scale Slow-motion moment (hero shot): As the aircraft passes directly overhead, switch to 50% slow motion for 2–3 seconds. Crane cables sway, dust lifts off the ground, shadows glide across steel beams, engines thunder. Emphasize size and drama. Return to real-time speed as plane flies away into distance. Ending shot: zoom-out wide composition with crane silhouette foreground and aircraft shrinking toward horizon. Lighting: realistic sunlight, crisp reflections on white fuselage Audio: deep jet rumble, wind rush, rattling metal, no music Look: cinematic news footage, ultra-realistic, natural color grading, motion blur, 4K clarity
Photorealistic vertical video of a construction site in the desert under a bright blue sky. Camera starts at ground l...
Photorealistic vertical video of a construction site in the desert under a bright blue sky. Camera starts at ground level beside a tall red lattice crane with steel cables hanging. Ambient wind and distant machinery sounds. An ironworker in a hard hat looks up as a massive twin-fuselage aircraft suddenly roars overhead — the Stratolaunch Roc, the world’s largest wingspan aircraft (385 feet). The enormous double-body plane dominates the sky, casting a moving shadow across the crane and ground. The cameraman reacts naturally and quickly tilts up, handheld documentary style. Camera follows the aircraft smoothly: • slight shake for realism • slow zoom-in to emphasize scale and engines • track pan as it crosses frame • brief tight zoom on landing gear and twin fuselages • zoom-out to show the full wingspan against the sky • crane hook sways from the wind turbulence Lighting: harsh midday sunlight, crisp shadows, realistic reflections on white fuselage Atmosphere: light dust, subtle heat haze, wind noise Motion blur on fast pass Audio: deep engine rumble, wind rush, distant construction clanks, no music Ending shot: plane shrinking into distance while crane remains foreground silhouette.
Inside a small-town American chapel in the afternoon, muted gray daylight pours through tall frosted windows, turning...
Inside a small-town American chapel in the afternoon, muted gray daylight pours through tall frosted windows, turning the air cold and flat. In one tight, tense scene, Samuel Reed (late 60s, white American, weathered face, worn brown coat, scuffed shoes) rises from the last pew clutching a battered hat, while Paul Sheldon (mid-50s, white American, sharp suit, steel-rim glasses) stands at the front holding a sealed envelope. The camera starts in a wide shot showing rows of well-dressed white American mourners in black, then pushes into a medium shot as Gregory Whitmore (early 40s, white American, expensive black suit, clenched jaw) snaps his head around, eyes narrowing at Samuel. Cut to a close-up of Paul breaking the wax seal with a crisp crack, then a close-up of Samuel’s scarred hands tightening on the hat as whispers swell. Paul lifts his eyes, voice controlled: “Mr. Reed, please stand beside me.” Gregory leans forward, seething, and spits under his breath: “Who the hell is that?” The tension spikes in the silence, underscored by low, ominous strings. No logos, no brand names, no signage, no watermarks, no text overlays.
Inside a small-town American chapel in the afternoon, muted gray daylight pours through tall frosted windows, turning...
Inside a small-town American chapel in the afternoon, muted gray daylight pours through tall frosted windows, turning the air cold and flat. In one tight, tense scene, Samuel Reed (late 60s, white American, weathered face, worn brown coat, scuffed shoes) rises from the last pew clutching a battered hat, while Paul Sheldon (mid-50s, white American, sharp suit, steel-rim glasses) stands at the front holding a sealed envelope. The camera starts in a wide shot showing rows of well-dressed white American mourners in black, then pushes into a medium shot as Gregory Whitmore (early 40s, white American, expensive black suit, clenched jaw) snaps his head around, eyes narrowing at Samuel. Cut to a close-up of Paul breaking the wax seal with a crisp crack, then a close-up of Samuel’s scarred hands tightening on the hat as whispers swell. Paul lifts his eyes, voice controlled: “Mr. Reed, please stand beside me.” Gregory leans forward, seething, and spits under his breath: “Who the hell is that?” The tension spikes in the silence, underscored by low, ominous strings. No logos, no brand names, no signage, no watermarks, no text overlays.
Inside a small-town American chapel in the afternoon, muted gray daylight pours through tall frosted windows, turning...
Inside a small-town American chapel in the afternoon, muted gray daylight pours through tall frosted windows, turning the air cold and flat. In one tight, tense scene, Samuel Reed (late 60s, white American, weathered face, worn brown coat, scuffed shoes) rises from the last pew clutching a battered hat, while Paul Sheldon (mid-50s, white American, sharp suit, steel-rim glasses) stands at the front holding a sealed envelope. The camera starts in a wide shot showing rows of well-dressed white American mourners in black, then pushes into a medium shot as Gregory Whitmore (early 40s, white American, expensive black suit, clenched jaw) snaps his head around, eyes narrowing at Samuel. Cut to a close-up of Paul breaking the wax seal with a crisp crack, then a close-up of Samuel’s scarred hands tightening on the hat as whispers swell. Paul lifts his eyes, voice controlled: “Mr. Reed, please stand beside me.” Gregory leans forward, seething, and spits under his breath: “Who the hell is that?” The tension spikes in the silence, underscored by low, ominous strings. No logos, no brand names, no signage, no watermarks, no text overlays.
Photorealistic vertical video of a construction site in the desert under a bright blue sky. Camera starts at ground l...
Photorealistic vertical video of a construction site in the desert under a bright blue sky. Camera starts at ground level beside a tall red lattice crane with steel cables hanging. Ambient wind and distant machinery sounds. An ironworker in a hard hat looks up as a massive twin-fuselage aircraft suddenly roars overhead — the Stratolaunch Roc, the world’s largest wingspan aircraft (385 feet). The enormous double-body plane dominates the sky, casting a moving shadow across the crane and ground. The cameraman reacts naturally and quickly tilts up, handheld documentary style. Camera follows the aircraft smoothly: • slight shake for realism • slow zoom-in to emphasize scale and engines • track pan as it crosses frame • brief tight zoom on landing gear and twin fuselages • zoom-out to show the full wingspan against the sky • crane hook sways from the wind turbulence Lighting: harsh midday sunlight, crisp shadows, realistic reflections on white fuselage Atmosphere: light dust, subtle heat haze, wind noise Motion blur on fast pass Audio: deep engine rumble, wind rush, distant construction clanks, no music Ending shot: plane shrinking into distance while crane remains foreground silhouette.
On Maple Street, everyone knew Benny. He was a small black-and-white dog with one floppy ear and a habit of sitting p...
On Maple Street, everyone knew Benny. He was a small black-and-white dog with one floppy ear and a habit of sitting proudly on the front steps of the blue house on the corner. Every afternoon, he waited for twelve-year-old Sam to come home from school. The moment Sam turned the corner, Benny would bolt down the steps, nails clicking against the pavement, tail wagging like a flag in a storm. But one Thursday, Benny wasn’t there. Sam slowed down, confused. The front steps were empty. The yard gate—usually latched—swung slightly in the breeze. “Benny?” Sam called. No answering bark. No scratching at the door. No jingling collar. Panic rose fast and sharp. The neighborhood joined the search. Mrs. Alvarez checked her garden shed. Mr. Thompson looked under porches. Sam ran through the park, calling Benny’s name until his throat felt tight and sore. As the sun dipped low, Sam sat on the curb, trying not to cry. The world felt too quiet without the steady tap of paws beside him. Then he heard it. A faint whine. Sam lifted his head. It came again—from across the street, near the old construction lot. He sprinted toward the sound and found Benny stuck behind a stack of wooden pallets, his leash snagged on a nail. His tail thumped wildly the moment he saw Sam. “You scared me,” Sam whispered, kneeling down to untangle him. Benny licked his face as if to say, I’m sorry. I didn’t mean to go far. Sam hugged him tightly, breathing in the familiar smell of grass and sunshine. The world felt right again. That evening, Benny sat on the front steps as usual—but this time, Sam sat beside him, one hand resting firmly on his collar. Just in case.
1. MASTER VISUAL STYLE (use in every AI prompt) Paste this at the end of each scene prompt: Style tag Ultra realistic...
1. MASTER VISUAL STYLE (use in every AI prompt) Paste this at the end of each scene prompt: Style tag Ultra realistic cinematic sports film, emotional storytelling, Uzbekistan landscapes, natural lighting, dramatic camera movement, shallow depth of field, film grain, epic orchestral mood, vertical 9:16, high detail faces, atmospheric realism, slow motion moments, symbolic storytelling. Scene 2 A nation was young… but belief was older than victory. 🟦 Scene 2 — 1994 Asian Games Gold Village celebration. Radio commentary. Uzbek flags. Prompt: Rural Uzbekistan celebration, villagers cheering, boy kicking worn ball, white wolf puppy running beside him, golden sunlight, flags waving, joyful emotional realism.
Video vertical/portrait untuk TikTok berdurasi 15 detik, satu scene dengan gerakan sederhana, fokus pada ekspresi dan...
Video vertical/portrait untuk TikTok berdurasi 15 detik, satu scene dengan gerakan sederhana, fokus pada ekspresi dan aksi, aman untuk TikTok/Instagram Reels. [KONSISTENSI KRITIKAL: Video timelapse HARUS menunjukkan proses membangun Membuat Joran dari bambu dari awal hingga selesai. SANGAT PENTING - hasil akhir HARUS SAMA PERSIS dengan apa yang dibangun di setiap tahap. Jika membangun rumah kayu, hasil akhir HARUS rumah kayu. Jika membangun menara lego, hasil akhir HARUS menara lego. JANGAN sampai berbeda.] Timelapse dengan gerakan cepat tapi smooth. Setiap step-by-step terlihat jelas - mulai dari material awal, proses perakitan, hingga finishing. [AUDIO: Suara ASMR proses kerja - palu, gergaji, mesin, material. TANPA voiceover narasi.] Angle yang konsisten menunjukkan progress jelas. Background lokasi pembangunan yang sama dari awal sampai akhir. [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti
A dimly lit American basement with concrete floors and bare walls. A young white American woman in her thirties lies ...
A dimly lit American basement with concrete floors and bare walls. A young white American woman in her thirties lies on the cold floor, clutching her ribs, breathing shallow and pained. Her face is pale, tear-streaked, determined. One hand stretches toward a shattered smartphone glowing faintly in the shadows. Close-up on her trembling fingers as she pulls the phone closer. The screen cracks are visible, but the call screen shows "Dad" and a timer counting. Her lips barely move as she whispers, "He locked me in." Above her, heavy footsteps cross the ceiling. The camera tilts up toward the locked basement door as the deadbolt scrapes. Her eyes widen. She presses the phone tighter to her ear. A voice from the phone, faint but steady: "Stay awake. I'm coming." Suddenly, a massive BANG from upstairs—wood splintering. Shouts. "Police! Open up!" Her face shifts from fear to shock to fragile hope. Close-up on her eyes as the basement door shakes under impact. Cinematic, grounded realism, harsh shadows, high tension. No logos, no brand names, no watermarks, no text overlays, no subtitles.
Video vertical/portrait untuk TikTok berdurasi 10 detik, satu scene dengan gerakan sederhana, fokus pada ekspresi dan...
Video vertical/portrait untuk TikTok berdurasi 10 detik, satu scene dengan gerakan sederhana, fokus pada ekspresi dan aksi, aman untuk TikTok/Instagram Reels. Seorang pria berusia 25 tahun, pakai jersey mancing, pakai topi, ekspresif sedang olahraga mancing tapi dengan twist lucu: mancing di genangan jalan raya strike ikan banyak. [AUDIO: Hanya suara natural aktivitas olahraga - langkah kaki, nafas terengah, equipment bergerak. Tanpa voiceover narasi jika tidak diperlukan.] Gerakan olahraga yang berlebihan dan kocak. Ekspresi serius tapi situasinya absurd. Background outdoor/gym. [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends]
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