Prezentacja Seedance 2.0
Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.
Almuerzos De 3$ y 5$ Pastichos Días sábado 4$ el pequeño y 6$ el Grande, Pollo ala Broster los sábados dos presas de ...
Almuerzos De 3$ y 5$ Pastichos Días sábado 4$ el pequeño y 6$ el Grande, Pollo ala Broster los sábados dos presas de pollo papas fritas arepitas y ensalada valor 5$,Todos nuestros menú vienen acompañados del jugo del día, que esperas son los mejores almuerzos son muy sabrosos , que sea cinematográfico dinámico, que el logo sea protagonista
The lights buzzed like insects. She never begged. She just stood there, holding her boy, hoping not to be seen. The m...
The lights buzzed like insects. She never begged. She just stood there, holding her boy, hoping not to be seen. The manager saw her anyway. The doors snapped open. His hand locked on her arm. She hit the ground hard. Concrete split her skin. Warm blood ran down her legs. “Mommy!” No one moved. Cars passed. Engines hummed. She pulled her son close, shaking, fingers clutching the silver necklace— the last thing her husband left behind. Then the night cracked. A deep vibration rolled through the pavement. Not fast. Not rushed. Headlights rose over the hill—dozens, then hundreds— a wall of machines breathing as one. The manager stepped back. A biker dismounted. Didn’t look at him. Didn’t acknowledge him. He knelt, wrapped the boy in his hoodie, and whispered something only the child heard. Then he stood. “You grabbed my brother’s widow.” The manager opened his mouth. The biker leaned closer. “You don’t get to explain.” He turned away. “Gas. Now.” The station filled. Engines boxed the building in. No exits. No witnesses. The manager understood too late— Some hands should never be touched.
A quiet suburban house in daylight. Calm birds chirping. Peaceful neighborhood. Two generic masked federal-style agen...
A quiet suburban house in daylight. Calm birds chirping. Peaceful neighborhood. Two generic masked federal-style agents (plain dark jackets, no logos, no real agency names) stand at the door holding a clipboard and a folder, trying to look serious. One knocks loudly. They whisper to each other: Agent 1 (serious): "I think this is the address." Agent 2 (unsure): "Are you sure? Last time it was the wrong house..." Suddenly — A loud MEOW-HISS combo interrupts them. A fluffy house cat slowly enters frame from the side like a movie villain. Fur puffed up. Tail huge. Eyes locked on them. The agents freeze. Agent 2: "Why is it looking at me like that?" The cat lets out a dramatic hiss and charges at them like a tiny lion. Chaos begins. One agent panics and steps back — Trips on a package — Falls dramatically in slow motion, papers flying everywhere. The other agent yelps and tries to keep composure but the cat jumps and swats at his leg. He panics, half-reaches toward his holster, then thinks better of it and just runs. Both agents retreat fast down the walkway, nearly bumping into each other. One slips again and grabs the other to stay up. They awkwardly shuffle-run away. The cat chases them to the edge of the porch, then stops and proudly sits like a guard. The front door opens slightly. A confused homeowner peeks out: "Whiskers… what did you do now?" The cat calmly walks inside like nothing happened. 🎥 Style Notes for Sora Hyper-realistic movement Slight doorbell cam fisheye lens Natural daylight Papers flying in slow motion for comedy Realistic but funny body physics No injuries, no violence Viral neighborhood humor vibe Perfect for Facebook Reels/TikTok
Um papagaio verde está numa sala, um jovem entra com uma bicicleta e pergunta ao papagaio: "Lôro, Você sabia que meu ...
Um papagaio verde está numa sala, um jovem entra com uma bicicleta e pergunta ao papagaio: "Lôro, Você sabia que meu irmão mais novo anda de bicleta desde os 4 ano?" O papagaio responde: "então, melhor ir atrás dele porque deve está bem longe." OS dois riem
Aspect ratio: 9:16 vertical Length: 15 seconds Style: ultra-realistic smartphone footage, documentary, unstaged Resol...
Aspect ratio: 9:16 vertical Length: 15 seconds Style: ultra-realistic smartphone footage, documentary, unstaged Resolution: 4K Frame rate: 24fps → 120fps slow motion during slip only Audio: diegetic only, no music, no narration PROMPT Hyper-realistic handheld smartphone footage. Feels accidental and unscripted, like someone filming a real moment for Instagram or TikTok. 0–3s HOOK (instant tension — no intro) The video starts mid-movement. Camera already walking forward, slightly shaky. Heavy breathing close to the mic. Boots crunch loudly on compacted snow. The lens quickly tilts down for a split second revealing extremely slick black ice hidden under thin snow — almost reflective. His foot slides a tiny bit. He catches himself. A quiet under-breath whisper: “oh sh—” Immediate danger established. No fade-in. No establishing shot. Start abruptly. 3–9s BUILDING TENSION Camera follows 6–8 feet behind a young man slowly and carefully climbing a steep snowy residential street at dusk. He moves cautiously, very slow steps, testing each foot before committing weight. Slight limping balance corrections. Realistic human hesitation. He wears a dark winter coat with hood up. Visible breath clouds in cold air. In his right hand he carries a small bouquet of flowers wrapped in brown paper. Street feels cold and empty. Apartment buildings on the left. Parked cars buried in snow on both sides. Street lamps cast warm orange halos through dense snowfall. Dark blue-grey winter sky. Snowflakes hit lens occasionally causing blur streaks and water smears. Natural imperfections: • slight autofocus hunting • minor exposure shifts • micro hand shake • subtle motion blur Audio only: boots scraping ice fabric rustle wind distant traffic heavy breathing No music. Make every step feel risky. 9–13s MAIN EVENT (slow motion) His foot steps onto invisible black ice. Sudden full loss of traction. Switch to 120fps slow motion. Foot slides forward unnaturally. Arms flail. Balance gone. Bouquet launches from his hand and spins through falling snow. Petals separate mid-air. Snow particles scatter realistically. Streetlight glow catches the flowers. He falls hard onto icy pavement with real weight and physics. Loud impact. Snow sprays outward. Camera shakes like the filmer reacts instinctively but keeps recording. 13–15s AFTERMATH (retention ending) Back to real-time. He lies still for a second, breath heavy. Snow landing on his coat. Quiet whisper: “…no way…” Hold for 1 beat. Cut. Visual tone requirements Cold blue-grey winter palette Warm sodium streetlight contrast Realistic snow accumulation and footprints True-to-life physics only No cinematic filters No stylization Must feel accidental and authentic
A realistic, handheld POV comedy-drama video filmed from a father’s perspective inside a Scandinavian apartment. Natu...
A realistic, handheld POV comedy-drama video filmed from a father’s perspective inside a Scandinavian apartment. Natural daylight, slight camera shake, authentic home audio. The tone starts warm and quickly escalates into shock and chaos. Scene: It’s a child’s birthday. A wrapped present is opened on the floor. Inside the box is a brand-new PlayStation 5 in original packaging. Dialogue (Swedish): Child (excited at first, then immediately angry, starting to cry): “MEN ÅÅÅÅÅÅHHH! JAG VILL JU HA EN PC!!! EN GAMING PC!!!” Mother (confused, calm): “Ja… men du har ju en PS5 där.” Child (furious, screaming through tears): “ÄR DU HELT JÄVLA DUM I HUVUDET ELLER???? PC! INTE PS!” The child grabs the PS5 box, storms toward the window, and throws it out. The sound of the box disappearing outside. Silence. The mother stands completely frozen in shock, mouth slightly open. The camera (father’s POV) slowly zooms in, breathing audible. Father (angry, controlled, final): “NU RÄCKER DET. IN PÅ DITT RUM.” End on the mother still stunned, the room quiet. No music. Realistic pacing. The humor and shock come from the sudden emotional explosion and the raw realism.
Almuerzos De 3$ y 5$ Pastichos Días sábado 4$ el pequeño y 6$ el Grande, Pollo ala Broster los sábados dos presas de ...
Almuerzos De 3$ y 5$ Pastichos Días sábado 4$ el pequeño y 6$ el Grande, Pollo ala Broster los sábados dos presas de pollo papas fritas arepitas y ensalada valor 5$,Todos nuestros menú vienen acompañados del jugo del día, que esperas son los mejores almuerzos son muy sabrosos , que sea cinematográfico dinámico, que el logo sea protagonista, pero que el vídeo no tenga escritos no tenga fuentes
0-2s Concealer: Dabbing concealer under eyes. Swipe: Brush swipes across the lens. 2-4s Blush: Applying liquid blush ...
0-2s Concealer: Dabbing concealer under eyes. Swipe: Brush swipes across the lens. 2-4s Blush: Applying liquid blush on cheeks. Pop: A quick zoom-in on the cheek. 4-6s Eyeliner: Drawing a sharp wing. Wink: Blink to change the scene. 6-8s Lip Liner: Outlining the lips carefully. Cut: Quick jump cut to the lipstick. 8-10s Lipstick: Filling in the lips with a bold color. Smack: Blow a kiss to the camera. 10-12s Mascara: Brushing up the lashes. Blur: Fast camera shake. 12-15s Final Look: The full glam reveal with a smile. Slow-mo: Hair flip or a confident pose.
Vehicles move on the road. People walk on the street.
Vehicles move on the road. People walk on the street.
Almuerzos De 3$ y 5$ Pastichos Días sábado 4$ el pequeño y 6$ el Grande, Pollo ala Broster los sábados dos presas de ...
Almuerzos De 3$ y 5$ Pastichos Días sábado 4$ el pequeño y 6$ el Grande, Pollo ala Broster los sábados dos presas de pollo papas fritas arepitas y ensalada valor 5$,Todos nuestros menú vienen acompañados del jugo del día, que esperas son los mejores almuerzos son muy sabrosos , que sea cinematográfico dinámico, que el logo sea protagonista
A modern American gas station forecourt at night under harsh LED lights, Detroit. All characters are white American, ...
A modern American gas station forecourt at night under harsh LED lights, Detroit. All characters are white American, realistic and natural. Close-up: A white American woman in worn flannel holds a shivering boy wrapped in a blanket. Behind the glass doors, the manager—a stocky white American man in a polo shirt—storms toward them with rage in his eyes. The automatic doors slide open. He grabs the woman's arm and yanks her. She stumbles, falling hard onto the concrete. Her knees hit the pavement. Blood seeps through her jeans. The boy screams, "Mommy!" Cut to: The woman sitting on the freezing ground, holding her son, completely broken. She touches a silver necklace at her throat. Suddenly, the ground vibrates. A low rumble grows louder. The horizon lights up. A massive wall of motorcycle headlights crests the hill—150 bikes rolling in like thunder. The manager's face goes white. A giant white American biker dismounts slowly. He walks past the manager without looking at him. He kneels in front of the boy and wraps his thermal hoodie around the child. He stands, turns to the manager. Close-up on the manager's trembling hands. The biker says quietly, "You put your hands on my brother's widow?" The manager stammers, "I didn't know—" The biker cuts him off: "We just need some gas." He roars to the crowd, "FILL 'EM UP!" The station floods with bikers. The manager realizes he's surrounded. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, U.S. short-form drama tone.
A realistic 9:16 vertical phone-camera video filmed indoors inside a modern American house during daytime. The camera...
A realistic 9:16 vertical phone-camera video filmed indoors inside a modern American house during daytime. The camera angle is low but slightly higher than floor level, positioned near a wall corner in a bright living room that opens into a hallway. One continuous handheld shot, no cuts, no background music, only natural indoor sound. Soft daylight enters through large windows, creating clear shadows and realistic depth. On a wooden floor near the living room entrance, a small red panda cub sits timidly, body lowered close to the ground, ears pinned back, eyes wide, clearly frightened and vulnerable. In front of the cub, a large British Shorthair cat crouches in an aggressive, dominant posture — body heavy and wide, back slightly arched, shoulders forward, eyes locked intensely on the cub. The cat’s expression is hard, hostile, and predatory. The British Shorthair suddenly raises its paw high and begins slapping the cub’s face forcefully and repeatedly — fast, sharp, angry strikes, clearly aggressive and not playful. Each slap snaps the cub’s head sideways. The cub cries out loudly, letting out sharp, distressed cries, shrinking backward with trembling paws, completely terrified. The British Shorthair leans in closer, continuing the barrage with rapid, dominant paw hits, fully asserting control. After about three seconds of this bullying, a nearby interior door in the living room suddenly swings open hard. A large adult red panda mother explodes into the frame — thick-bodied, muscular, with dense reddish fur, dark eye markings, and a powerful bushy tail held high. Her eyes are wide and blazing with fury. Without hesitation, the red panda mother charges forward and delivers a powerful, lightning-fast paw strike directly to the British Shorthair’s face. The impact snaps the fat cat’s head violently to the side. Instantly, the British Shorthair’s confidence collapses. It recoils hard, body shrinking down, ears flattened tight, tail tucked. The cat crouches low, curling inward, paws pulled close to its chest, completely intimidated and frozen in fear. The red panda mother stands over it in a towering, dominant posture — chest forward, legs stiff, head lowered slightly, eyes locked down with absolute authority. She then shifts her body slightly back toward her cub, positioning herself protectively in front of it. The cub immediately moves closer to her side, calming down at once. FINAL ESCALATION: The red panda mother suddenly turns back toward the British Shorthair and unleashes a rapid series of consecutive paw strikes — one after another — slamming the fat cat’s face repeatedly in quick succession. Each strike is sharp, fast, and dominant, clearly a punishment and warning. The British Shorthair remains completely submissive, barely moving, absorbing the blows without resistance. The red panda mother finishes by standing tall over the cat, breathing steady, ears upright, tail slightly raised. The British Shorthair stays curled and motionless on the floor, utterly defeated. The camera holds steady on the final contrast: the red panda mother’s overwhelming dominance, the protected cub beside her, and the fat British Shorthair in total submission. Subtle handheld shake, realistic animal body language, natural indoor light. The video ends on this intense, authoritative moment.
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