Prezentacja Seedance 2.0
Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.
Erstelle ein Video wo Drachenlord Polizist in Nürnberg ist und Streife fährt in einem BMW Kombi und Verbrecher verhaf...
Erstelle ein Video wo Drachenlord Polizist in Nürnberg ist und Streife fährt in einem BMW Kombi und Verbrecher verhaftet und sagt „Ab gehts in den Knast mit euch Haidern!“
aliens destroying brazil
aliens destroying brazil
Make her do a split and turn around.
Make her do a split and turn around.
Ultra-realistic cozy medieval castle library interior at night. Static locked-off camera, no camera movement, no zoom...
Ultra-realistic cozy medieval castle library interior at night. Static locked-off camera, no camera movement, no zoom, no pan, no shake. Large gothic arched windows showing a distant illuminated castle on snowy mountains under moonlight. Warm candlelight inside, stone fireplace in the foreground with realistic fire flames gently flickering and burning. Fire flames move naturally, smooth continuous motion, perfect seamless loop. Bookshelves filled with old books, emerald green velvet sofas, wooden furniture, Persian rug. Calm cozy ambience, cinematic lighting, volumetric light, soft shadows. No people, no text, no logo, no watermark. Hyper-realistic, 4K quality, fantasy realism. 🔁 LOOP INSTRUCTION (IMPORTANT) Seamless loop animation, fire flame motion only, start frame and end frame visually identical, infinite loop, smooth natural fire movement. 🚫 NEGATIVE PROMPT camera movement, zoom, pan, tilt, shake, flicker, sudden motion, people, characters, animals, text, watermark, logo, low quality, blur, noise, cartoon, anime
A photorealistic, cinematic wide shot tracking a young Bangladeshi woman wearing a traditional crimson Jamdani saree ...
A photorealistic, cinematic wide shot tracking a young Bangladeshi woman wearing a traditional crimson Jamdani saree walking slowly down the center of the historic street of Panam Nagar, Sonargaon. The camera follows her from behind at eye level. On both sides of the narrow street stand ancient, crumbling two-story colonial buildings made of red brick with intricate terracotta designs and arched windows. Nature is reclaiming the ruins with green vines growing over the facades. It is golden hour; the warm sunlight casts long, dramatic shadows and highlights the dust motes dancing in the air. The atmosphere is quiet, mysterious, and timeless. 8k resolution, highly detailed textures.
Technical Specifications: Ultra-realistic raw footage mimicking a Nest/Ring driveway camera. Vertical 9:16 aspect rat...
Technical Specifications: Ultra-realistic raw footage mimicking a Nest/Ring driveway camera. Vertical 9:16 aspect ratio. The time is "Golden Hour"—late afternoon with long, dramatic shadows stretching across the scene. The color palette is warm oranges and deep greens. The video quality is sharp but has realistic compression artifacts in the fast-motion areas. Timestamp in the bottom right: "18:12:04" counting to "18:12:19". The Scene (0:00 - Setup for Loop): A suburban sidewalk lined with manicured green hedges. An older lady with silver hair, wearing a knitted cardigan, is walking slowly from right to left. She is walking a Malinois on a loose lead. The dog is trotting calmly, sniffing the air. The Action (0:01–0:15 Continuous): At 0:02, a man in a black windbreaker and baseball cap jogs into the frame from behind them (right side), moving suspiciously fast. He isn't jogging for exercise; his posture is hunched. At 0:04, as he passes the woman, he violently grabs the handle of her tote bag. The bag jerks, pulling the woman off-balance. She drops to one knee. This movement triggers the Malinois instantly. At 0:05, the dog performs a "re-direct." It spins 180 degrees in a fraction of a second. The thief tries to keep running, dragging the bag, but the Malinois launches at his legs. At 0:07, the Takedown. The dog bites the back of the thief’s knee (hamstring area). The physics are brutal: the thief’s leg buckles completely under the pressure. He face-plants onto the concrete sidewalk with a heavy, realistic impact. The tote bag slides out of his hand and skids across the pavement. From 0:08 to 0:13, the "Ground War." The thief rolls over, shouting silently (mouth open wide in shock/pain), trying to punch the dog. The Malinois is faster, shifting its grip from the leg to the wrist of the hand trying to strike. The dog uses its body weight to hold the man down, paws scrambling for traction on the concrete. We see dust kicking up from the struggle. The woman scrambles to her feet, pulling the leash back to restrain the dog, creating a dynamic three-way tension: The thief pulling away, the dog pulling the thief, and the woman pulling the dog. The Loop Reset (0:13–0:15): The thief manages to kick the dog in the chest, creating just enough separation to scramble to his feet and sprint away into the neighbor's yard (background), hopping a low fence. The dog lunges but hits the end of the leash, snapped back by the woman. Ending: The clip ends with the thief gone and the dog straining at the end of the leash, barking silently at the fence, while the woman picks up her bag. The final frame focuses on the dog's intensity before cutting, inviting the viewer to watch the "justice" moment again.
"A 15-second, high-definition, talking-head UGC video. A charismatic Australian man in his mid-30s with short brown h...
"A 15-second, high-definition, talking-head UGC video. A charismatic Australian man in his mid-30s with short brown hair and a white t-shirt speaks directly to the camera with high energy and perfect lip-syncing. Scene 1 (0-4s): [Talking to camera] The man is slightly slouched. He looks into the lens and says, 'G’day guys! If you’re sick of this slouching posture, you’ve gotta see the HETIQ Back Fixation Belt.' He holds up the black, mesh-backed belt with a bright, energetic smile. Scene 2 (4-8s): [Talking while demonstrating] He turns his back to the camera while continuing to speak: 'It’s super easy to put on, just a quick adjustment.' The camera shows a close-up of him securing the straps. He turns back to the camera, pulling the tension straps, and says, 'Watch this...' as his shoulders instantly pull back into perfect alignment. Scene 3 (8-12s): [Talking with relief] Now standing perfectly tall, he looks relieved and confident. He says, 'The support is instant. I feel taller and more confident the second I put it on.' His facial expressions are genuine and full of positive energy. Scene 4 (12-15s): [Final Call to Action] He gives a thumbs-up and a wink, saying, 'It’s an absolute game-changer, mate. Get yours now at HETIQ dot shop!' The video ends on his consistent, smiling face. Final Directives: The man must be actively speaking with realistic mouth movements and facial expressions that match the script. Extreme character consistency is mandatory. No visual artifacts. The lighting is bright and natural, typical of a home-filmed UGC video."
Technical Specifications: Ultra-realistic raw footage mimicking a Nest/Ring driveway camera. Vertical 9:16 aspect rat...
Technical Specifications: Ultra-realistic raw footage mimicking a Nest/Ring driveway camera. Vertical 9:16 aspect ratio. The time is "Golden Hour"—late afternoon with long, dramatic shadows stretching across the scene. The color palette is warm oranges and deep greens. The video quality is sharp but has realistic compression artifacts in the fast-motion areas. Timestamp in the bottom right: "18:12:04" counting to "18:12:19". The Scene (0:00 - Setup for Loop): A suburban sidewalk lined with manicured green hedges. An older lady with silver hair, wearing a knitted cardigan, is walking slowly from right to left. She is walking a Malinois on a loose lead. The dog is trotting calmly, sniffing the air. The Action (0:01–0:15 Continuous): At 0:02, a man in a black windbreaker and baseball cap jogs into the frame from behind them (right side), moving suspiciously fast. He isn't jogging for exercise; his posture is hunched. At 0:04, as he passes the woman, he violently grabs the handle of her tote bag. The bag jerks, pulling the woman off-balance. She drops to one knee. This movement triggers the Malinois instantly. At 0:05, the dog performs a "re-direct." It spins 180 degrees in a fraction of a second. The thief tries to keep running, dragging the bag, but the Malinois launches at his legs. At 0:07, the Takedown. The dog bites the back of the thief’s knee (hamstring area). The physics are brutal: the thief’s leg buckles completely under the pressure. He face-plants onto the concrete sidewalk with a heavy, realistic impact. The tote bag slides out of his hand and skids across the pavement. From 0:08 to 0:13, the "Ground War." The thief rolls over, shouting silently (mouth open wide in shock/pain), trying to punch the dog. The Malinois is faster, shifting its grip from the leg to the wrist of the hand trying to strike. The dog uses its body weight to hold the man down, paws scrambling for traction on the concrete. We see dust kicking up from the struggle. The woman scrambles to her feet, pulling the leash back to restrain the dog, creating a dynamic three-way tension: The thief pulling away, the dog pulling the thief, and the woman pulling the dog. The Loop Reset (0:13–0:15): The thief manages to kick the dog in the chest, creating just enough separation to scramble to his feet and sprint away into the neighbor's yard (background), hopping a low fence. The dog lunges but hits the end of the leash, snapped back by the woman. Ending: The clip ends with the thief gone and the dog straining at the end of the leash, barking silently at the fence, while the woman picks up her bag. The final frame focuses on the dog's intensity before cutting, inviting the viewer to watch the "justice" moment again.
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de con...
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de conferencias de un juzgado, luz natural entrando por una ventana, colores neutros, look documental ligeramente áspero. Sin cortes, sin zoom, sin movimiento de cámara. **Cámara:** cámara de seguridad fija en lo alto de una esquina, plano abierto de una mesa de conferencias con una impresora pequeña encima. **Escena (día):** un **hombre hispano** serio y bien vestido (mediados de 30 a principios de 40) está sentado a la mesa, tenso y en silencio. Un/a abogado/a está sentado/a frente a él, calmado/a y profesional. La impresora está lista junto a una pila de papeles. **Acción (15 segundos, continuo):** La impresora zumba y una sola hoja se desliza hacia afuera. El/la abogado/a toma la hoja, **señala con un toque la parte inferior donde está la línea de firma**, y la desliza por la mesa hacia el hombre. El hombre la mira fijo, exhala lentamente y agarra el borde del papel con una mano—sin celebración, solo alivio aturdido. El/la abogado/a asiente apenas, manteniéndose compuesto/a. **Audio:** ambiente silencioso de sala, motor de la impresora, papel deslizándose, leve crujido de una silla. Sin música. Sin subtítulos. Sin texto en pantalla. spanish language
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de con...
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de conferencias de un juzgado, luz natural entrando por una ventana, colores neutros, look documental ligeramente áspero. Sin cortes, sin zoom, sin movimiento de cámara. **Cámara:** cámara de seguridad fija en lo alto de una esquina, plano abierto de una mesa de conferencias con una impresora pequeña encima. **Escena (día):** un **hombre hispano** serio y bien vestido (mediados de 30 a principios de 40) está sentado a la mesa, tenso y en silencio. Un/a abogado/a está sentado/a frente a él, calmado/a y profesional. La impresora está lista junto a una pila de papeles. **Acción (15 segundos, continuo):** La impresora zumba y una sola hoja se desliza hacia afuera. El/la abogado/a toma la hoja, **señala con un toque la parte inferior donde está la línea de firma**, y la desliza por la mesa hacia el hombre. El hombre la mira fijo, exhala lentamente y agarra el borde del papel con una mano—sin celebración, solo alivio aturdido. El/la abogado/a asiente apenas, manteniéndose compuesto/a. **Audio:** ambiente silencioso de sala, motor de la impresora, papel deslizándose, leve crujido de una silla. Sin música. Sin subtítulos. Sin texto en pantalla. spanish language
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de con...
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de conferencias de un juzgado, luz natural entrando por una ventana, colores neutros, look documental ligeramente áspero. Sin cortes, sin zoom, sin movimiento de cámara. **Cámara:** cámara de seguridad fija en lo alto de una esquina, plano abierto de una mesa de conferencias con una impresora pequeña encima. **Escena (día):** un **hombre hispano** serio y bien vestido (mediados de 30 a principios de 40) está sentado a la mesa, tenso y en silencio. Un/a abogado/a está sentado/a frente a él, calmado/a y profesional. La impresora está lista junto a una pila de papeles. **Acción (15 segundos, continuo):** La impresora zumba y una sola hoja se desliza hacia afuera. El/la abogado/a toma la hoja, **señala con un toque la parte inferior donde está la línea de firma**, y la desliza por la mesa hacia el hombre. El hombre la mira fijo, exhala lentamente y agarra el borde del papel con una mano—sin celebración, solo alivio aturdido. El/la abogado/a asiente apenas, manteniéndose compuesto/a. **Audio:** ambiente silencioso de sala, motor de la impresora, papel deslizándose, leve crujido de una silla. Sin música. Sin subtítulos. Sin texto en pantalla. spanish language
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de con...
**PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS** **Estilo:** metraje realista en una sala de conferencias de un juzgado, luz natural entrando por una ventana, colores neutros, look documental ligeramente áspero. Sin cortes, sin zoom, sin movimiento de cámara. **Cámara:** cámara de seguridad fija en lo alto de una esquina, plano abierto de una mesa de conferencias con una impresora pequeña encima. **Escena (día):** un **hombre hispano** serio y bien vestido (mediados de 30 a principios de 40) está sentado a la mesa, tenso y en silencio. Un/a abogado/a está sentado/a frente a él, calmado/a y profesional. La impresora está lista junto a una pila de papeles. **Acción (15 segundos, continuo):** La impresora zumba y una sola hoja se desliza hacia afuera. El/la abogado/a toma la hoja, **señala con un toque la parte inferior donde está la línea de firma**, y la desliza por la mesa hacia el hombre. El hombre la mira fijo, exhala lentamente y agarra el borde del papel con una mano—sin celebración, solo alivio aturdido. El/la abogado/a asiente apenas, manteniéndose compuesto/a. **Audio:** ambiente silencioso de sala, motor de la impresora, papel deslizándose, leve crujido de una silla. Sin música. Sin subtítulos. Sin texto en pantalla. spanish language
Strona 1717 z 3032