Prezentacja Seedance 2.0
Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their...
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their hind legs upright with human posture with loud funny zumba music from a huge speaker outside a young girl owner home at midnight. The angry girl screamed at the cats to stop but they continue. Raw asmr.
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their...
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their hind legs upright with human posture with loud funny zumba music from a huge speaker outside a young girl owner home at midnight. The angry girl screamed at the cats to stop but they continue. Raw asmr.
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their...
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their hind legs upright with human posture with loud funny zumba music from a huge speaker outside a young girl owner home at midnight. The angry girl screamed at the cats to stop but they continue. Raw asmr.
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their...
A high quality home security camera captures a group of real cats wearing zumba head bands and dancing zumba on their hind legs upright with human posture with loud funny zumba music from a huge speaker outside a young girl owner home at midnight. The angry girl screamed at the cats to stop but they continue. Raw asmr.
Cold open — instant shock: CRASH. Something heavy hits the wall off-screen. Hard cut from black. Harsh overhead light...
Cold open — instant shock: CRASH. Something heavy hits the wall off-screen. Hard cut from black. Harsh overhead light snaps on. Extreme close-up: a trash bag tears open in shaking hands. Clothes spill onto the floor. Margaret (off-screen, voice sharp, breaking): “I said ENOUGH.” Wide shot: A small, modest American apartment living room at night. All characters are white Americans, realistic and natural in appearance. The room is cluttered — takeout boxes, dirty dishes, an unpaused TV still laughing to itself. Whip pan: Margaret — middle-aged, in worn work scrubs — stands rigid, chest heaving, eyes glassy with rage and exhaustion. Cut to couch: James and Chloe, late twenties, freeze mid-laugh. Chloe (confused, nervous laugh): “Wait… what’s wrong with you?” Margaret (low, controlled, terrifyingly calm): “Pack your things. Both of you. Now.” James (standing halfway up): “Margaret, come on. Let’s talk about this.” Margaret (snaps): “No. You’ve talked enough.” Close-up: Chloe’s smile collapses. Chloe (voice rising): “You can’t just throw us out. It’s late!” Margaret steps closer. Her shadow swallows them. Margaret: “I worked twelve hours today. I came home to THIS.” (gestures at the mess) “And you were laughing.” James: “It was just a joke. We were gonna clean up.” Margaret (laughs once — hollow): “You say that every night.” She turns sharply toward the kitchen. Margaret (over her shoulder): “Grab your phones. Grab your shoes. Everything else goes in the bag.” Kitchen — close-up: She yanks a trash bag from the drawer. Plastic SNAP. Chloe (following her, panicked): “Please, we didn’t mean—” Margaret (without turning): “Don’t say ‘please’ now.” Cut — closet POV: Margaret rips the door open. HANGERS CLATTER violently. James (raising his hands): “Stop! You’re acting crazy!” Margaret (finally turns, eyes blazing): “Crazy was letting you stay.” She throws clothes into the bag. Chloe (crying now): “We’re family!” Margaret (quiet, shaking): “Family doesn’t drain you dry.” Silence. Only breathing. Final wide shot: Margaret stands under the harsh light, trash bag at her feet. James and Chloe stand near the door — small, stunned, displaced. Margaret (final line, barely above a whisper): “Out. Before I change my mind.” No logos. No brand names. No text overlays. Ultra-high-quality cinematic realism. Handheld tension. Sharp cuts. Dialogue-driven emotional impact. Grounded American family drama.
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.**Format:** Video o...
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.**Format:** Video of a lifestyle influencer in Vertical 9:16 aspect ratio. **Action:** The subject is holding two yellow berries in her hand. **Camera and Lighting:** Static handheld continuous smartphone shot. The lighting is high-key and flattering, simulating natural window light coming from the left. **Dialogue** "This is, like, pure condensed sunlight downloaded into a berry! But, does it actually taste good?" **Hard Rules:** - The camera does not pan - the face of the influencer remains out of frame - one continuous take, there are no cuts - There is no text, captions, subtitles or logos - There is no music
A realistic testimonial video recorded on an iPhone, not a professional camera. Slight handheld feel, natural minor s...
A realistic testimonial video recorded on an iPhone, not a professional camera. Slight handheld feel, natural minor shakes, vertical video. An Indian 50-year-old man is sitting on a chair and speaking directly to the phone camera. The man has thinning hair, wears a simple plain shirt, and looks honest and calm. Framing is mid-close-up (chest to head), eye-level. Background is a simple garden , slightly imperfect and real. Natural daylight only. No professional lighting, no b-roll shots, no cinematic effects. Raw, unedited phone video feel. No background music. No subtitles. No product visible anywhere in the frame. He speaks naturally in Hinglish, like giving a real experience, with small pauses and expressions: Dialogue: “Beta, kabhi kabhi lagta tha ke body andar se hi block ho gayi hai… sari medicines try ki, par relief nahi mila. Giloy Patch ne andar se detox kiya… aur ab body feel kar rahi hai bilkul light aur healthy!” Audio is natural iPhone mic quality with slight room ambience. Single continuous shot, no cuts. Authentic, documentary-style user testimonial.
34. Realistic video The video is just sound effects with no words. I don't want anyone talking, I don't want any voic...
34. Realistic video The video is just sound effects with no words. I don't want anyone talking, I don't want any voiceover, and I want cinematic zoom and camera panning from several different angles. This scene features a single young woman in a warehouse i moment, expressing i was trying to free them whisper through soft whisper and lowered gaze evoking whisper with defeated posture and tearful eyes, 2 empty barber chairs vintage worn red and one with young woman sitting wearing burgundy cape hair now partially shaved uneven choppy. @iwoman2525 The young woman is 25 years old, American nationality, wearing black leather pants fishnet stockings heavy boots and leather jacket, long auburn hair wild free, fair skin tone with green eyes tearful defeated soft lowered. The young woman is 26 years old, American nationality, wearing a burgundy cape over white lab coat blouse and pants with white shoes, hair now partially shaved uneven choppy stripped, fair skin tone with brown eyes. The scene is set in a forgotten warehouse with metal walls rusted gray and floor concrete cracked, three vintage barber chairs red worn two empty one seated, mirrors silver along wall, shelves brown with hair dyes colorful and tools metal, located on an American town edge, under dim industrial light casting cool white hues with sharp shadows from chairs. Cinematic zoom focuses from chest to the top of head, emphasizing her green eyes tearful defeated, mouth soft whisper, and face youthful lowered, panning around her upper body to capture whisper soft defeated tearful lowered, woman seated tense hair uneven choppy, sound effects include whisper breath soft lowered, gaze breath tearful defeated quick, and silence tense heavy, conveying i whisper. The zoom highlights the leather jacket tough, auburn hair wild framing face, fair skin defeated with green eyes tearful, while panning reveals trying in whisper motion, free in lowered form, gray walls rusted with red chairs backdrop two empty one seated cape, camera circling upper body to emphasize defeated, no dialogue but silence soft, the overall scene building a narrative of was free through visuals alone. The zoom maintains focus on upper body, showing the rise defeated, auburn wild hair, fair skin under white light, leather jacket fabric tough, ensuring the viewer senses the depth of her defeated state without words. (1402 characters)
Cold open — immediate shock: A deafening CRASH as a heavy object slams into the wall. The screen snaps from black to ...
Cold open — immediate shock: A deafening CRASH as a heavy object slams into the wall. The screen snaps from black to harsh white light. Extreme close-up: a shaking hand grips a torn trash bag. Fabric rips. Clothes spill onto the floor. Cut wide: a small, modest American apartment living room at night. Harsh overhead light slices through the darkness, unforgiving and flat. All characters are white Americans, realistic and natural in appearance. Whip pan: Margaret — a middle-aged white American woman in worn work scrubs — stands rigid in the center of the room, chest heaving. Her face is flushed, eyes burning, exhaustion and fury colliding. Cut to couch — sudden silence: James and Chloe, both white Americans in their late twenties, freeze mid-laughter. The TV flickers behind them, sitcom laughter abruptly cut off. Smiles vanish. Shock replaces comfort. Close-up: Margaret’s jaw tightens. Her voice drops — calm, lethal, final. “Pack your things. You’re done here.” Beat. Chloe’s mouth opens, no sound. James starts to rise. “Wait—” Hard cut — action: Margaret turns sharply and storms into the kitchen. She yanks a trash bag from the drawer. Close-up: white knuckles twisting plastic tight. Cut — closet POV: The door is ripped open. Hangers clatter violently, echoing like gunshots in the silent room. Montage (fast, sharp cuts): — Clothes thrown into the bag — Chloe standing up, trembling — James’ hands raised, helpless — Margaret’s face, unblinking, resolute Final shot: Margaret stands alone in the harsh light, trash bag at her feet. James and Chloe are framed in the background, small, displaced, silent. No logos. No brand names. No text overlays. Ultra-high-quality cinematic realism. Handheld intensity. Grounded American family drama. Tense, raw, emotionally charged.
WOMAN 1.8 METERS TALL BLACK HAIR BANGS BRAID PONYTAIL pale DARKER SKIN BROWN EYES serious white qipao pants high thig...
WOMAN 1.8 METERS TALL BLACK HAIR BANGS BRAID PONYTAIL pale DARKER SKIN BROWN EYES serious white qipao pants high thigh flat boots iron bracelets can summon without scrolls or hand signs ,SHE SUMMONS HER large forbidden possesed WEAPON FAN OF SOUL CUTTING , WOMAN secretly experimented on herself she scarified herself from face to feet under the skin the lines horisontal vertical than can absorb the chakra , she can summons without scrolls or hand signs , she has an inner summoning dimension , she can seal anything , she can summon and control metal puppets, seal anything , she has various weapons both meelee and ranged , modern and old , she can regenerate from any injury , she has devastating critical punch and kick japanese language dead space artstyle
A realistic testimonial video recorded on an iPhone, not a professional camera. Slight handheld feel, natural minor s...
A realistic testimonial video recorded on an iPhone, not a professional camera. Slight handheld feel, natural minor shakes, vertical video. An Indian 50-year-old man is sitting on a chair and speaking directly to the phone camera. The man has thinning hair, wears a simple plain shirt, and looks honest and calm. Framing is mid-close-up (chest to head), eye-level. Background is a simple garden , slightly imperfect and real. Natural daylight only. No professional lighting, no b-roll shots, no cinematic effects. Raw, unedited phone video feel. No background music. No subtitles. No product visible anywhere in the frame. He speaks naturally in Hinglish, like giving a real experience, with small pauses and expressions: Dialogue: “Beta, kabhi kabhi lagta tha ke body andar se hi block ho gayi hai… sari medicines try ki, par relief nahi mila. Giloy Patch ne andar se detox kiya… aur ab body feel kar rahi hai bilkul light aur healthy!” Audio is natural iPhone mic quality with slight room ambience. Single continuous shot, no cuts. Authentic, documentary-style user testimonial.
An ultra-realistic, cinematic scene of a dolphin flying an airplane completely on its own. Inside a modern aircraft c...
An ultra-realistic, cinematic scene of a dolphin flying an airplane completely on its own. Inside a modern aircraft cockpit, a single dolphin sits in the captain’s seat, wearing full pilot attire—a crisp pilot uniform, pilot cap, and aviation headset. No humans are present anywhere in the cockpit. The dolphin’s fins are firmly on the flight controls, confidently piloting the aircraft. Sunlight pours through the cockpit windows as clouds drift past, with the ocean visible far below. Highly detailed cockpit instruments, realistic reflections, cinematic lighting, shallow depth of field, imaginative yet believable realism, no text, no logos.
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