Publiczne kreacje

Prezentacja Seedance 2.0

Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.

videoSora 2

0–2s 📱 Pantalla dividida: conexión rápida de Euskaltel + una familia en casa por la noche. Narrador: “Cuando el día ...

0–2s 📱 Pantalla dividida: conexión rápida de Euskaltel + una familia en casa por la noche. Narrador: “Cuando el día se calma…” 2–5s 🍕 Plano de una pizza pepperoni edición saludable: masa ligera, menos grasa, ingredientes equilibrados. Narrador: “…llega una pizza pensada para cuidarte.” 5–8s 🌙 Niños y adultos cenando tranquilos, ambiente nocturno, luces suaves. Narrador: “Pepperoni saludable, ideal para la cena y para antes de dormir.” 8–10s 🔵🟣 Logos de Euskaltel y Domino’s en pantalla. Narrador: “Euskaltel y Domino’s. Conectados a una noche mejor.” Optional short tagline (on-screen text) “Nueva Pizza Pepperoni Saludable. Ligera. Equilibrada. Perfecta para la noche.”

4 sty 2026, 14:55Zobacz szczegóły
videoSora 2

15s Ultra‑Realistic Video Prompt – “MR BIG L” (Genius, Grounded Version) Overall style Ultra‑realistic 4K, shot like ...

15s Ultra‑Realistic Video Prompt – “MR BIG L” (Genius, Grounded Version) Overall style Ultra‑realistic 4K, shot like a prestige drama, not a sketch. Night in Manchester city centre, light drizzle, wet roads, traffic, buses, pedestrians, muted city noise. Shot on the best cinema camera in the world: natural skin texture, rain beading on the car, reflections of blue police lights in the windows. Handheld or very slightly floating camera – feels like real body‑cam / street footage, not staged. Main character (driver) Mixed‑race man, Jamaican and white English heritage, about 39 years old Light brown skin, short slightly curly hair, light stubble Hoodie under a casual jacket, nothing flashy, looks like a normal working man Expression: tired but sharp, intelligent, a bit wary of the police but collected Police officer White British male, late 30s–40s, standard UK police uniform, hi‑vis jacket Subtle Manchester accent Calm, procedural, not a caricature Key detail Rear license plate clearly reads: “MR BIG L” Timeline (≈15 seconds total) 0–4s – Realistic stop Exterior, night. The mixed‑race 39‑year‑old man drives slowly through Manchester city centre. Windshield wipers swish, soft rain on the glass. Street lights and shop signs reflect on the wet road. Blue lights appear behind him, siren chirps once. He exhales quietly, checks the rear‑view mirror. He indicates and pulls over. Brief close‑up of the rear plate as the car stops: “MR BIG L” in sharp focus, background softly blurred. 4–10s – Conversation at the window Camera now outside, just over the officer’s shoulder, as he steps up to the driver’s side window. The driver lowers the window halfway. You can hear the outside rain more clearly, muffled city sounds. Officer (level, procedural): “Evening, sir. Any reason your plate says ‘MR BIG L’?” The driver gives a small, cautious smile. He looks like he’s deciding how honest to be. Driver (measured, natural): “That’s my business name, officer. I work at Mr Big L.” Short beat. The officer looks from the driver’s face back to the plate, silently assessing. Officer (still neutral): “And what kind of business is that?” Subtle close‑up on the driver’s face – you see the flicker of embarrassment mixed with pride. Driver (quiet, real): “I write prompts. For AI.” 10–15s – “Reveal your prompts” (subtle punchline) The officer glances past him at the dashboard, where a phone is mounted, screen dim but showing a notes app or text list in blurred focus. Close‑up from the driver’s side: his thumb unlocks the phone. We see, very briefly and realistically, lines of text labelled “PROMPTS” (no silly overlays, just a real notes app). Back to the officer’s face: curious now, not mocking, just trying to understand this strange new thing. Officer (low, serious but slightly fascinated): “Right… I’m gonna need you to show me your prompts.” The driver huffs a tiny laugh through his nose, half‑amused, half resigned. He tilts the phone towards the officer like he’s handing over ID. Driver (soft, under his breath): “These are worth more than the car, you know.” Final shot: reflection of the blue lights pulsing across the “MR BIG L” plate and the wet road. Ambient city noise, no big music cue. Cut to black. Optional end text, very small and clean for 0.3s: “Generated from a prompt.”

4 sty 2026, 14:51Zobacz szczegóły
videoSora 2

Generate a hyper-realistic animation for these 3 Cata La Lata packaging boxes

Generate a hyper-realistic animation for these 3 Cata La Lata packaging boxes

4 sty 2026, 14:48Zobacz szczegóły
videoSora 2

[Title: Stealth Fighter Jets Assembly Line Production] [Scene Description] Setting & Location: An enormous, brightly ...

[Title: Stealth Fighter Jets Assembly Line Production] [Scene Description] Setting & Location: An enormous, brightly lit, high-bay aircraft manufacturing hangar. Multiple matte gray, modern stealth fighter jets (resembling F-35s) are aligned in long rows on the production floor. The foreground jet is surrounded by specialized bright yellow metal scaffolding, modular tool carts, and massive industrial robotic arms. Overhead, large yellow gantry cranes span the width of the building. Time & Atmosphere: Daytime or continuous industrial operation. The atmosphere is clinical, efficient, and technical, conveying the immense scale and high precision of military aviation manufacturing. Sensory Details: Smooth, composite matte gray texture of the stealth aircraft contrasting sharply with the industrial concrete floor marked with yellow safety lines. The environment is dominated by steel, aluminum, and heavy machinery. Implied sounds include the heavy hum of machinery, pneumatic tools, and distant industrial activity. [Action & Narrative] Primary Action: The simultaneous assembly, maintenance, and precision work on multiple advanced fighter aircraft on a massive, automated production line. Subject Movement: Dozens of workers in high-visibility safety vests (yellow, white, blue) move purposefully around the aircraft, climbing scaffolds and operating equipment. Large, smooth robotic arms extend and articulate precisely over the fuselage of the primary jet, performing automated tasks. Implied Story: A detailed look into the highly technical and advanced production process of fifth-generation military fighter jets, emphasizing the combination of human expertise and cutting-edge industrial robotics required for modern defense manufacturing. [Cinematography & Style] Shot Composition: High-angle, elevated wide shot, utilizing deep focus to capture the full depth of the hangar and the long line of aircraft receding into the background. The central jet is dominant, framed symmetrically by its surrounding scaffolding, creating strong central perspective. Vertical (portrait) aspect ratio. Camera Movement: Slow, steady vertical crane up or subtle dolly-out combined with a slow zoom-out, gradually expanding the view to emphasize the true scale and density of the factory floor. Lighting: Extremely bright, uniform, and high-key artificial lighting from overhead industrial fluorescent or LED arrays. The lighting is shadow-minimizing, providing a clean, analytical look typical of high-precision factory environments. Color Palette & Grade: A cool industrial gray and white base palette contrasted sharply with vibrant, saturated safety yellow (scaffolding, cranes, floor markings) and touches of bright blue on tool carts. The grade is sharp, high-contrast, and modern. [Core Elements & Keywords] F-35 fighter jet, aircraft assembly line, stealth technology, aerospace manufacturing, industrial robotics, high-bay hangar, military production, precision engineering, safety yellow, wide shot, factory floor

4 sty 2026, 14:44Zobacz szczegóły
videoSora 2

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

4 sty 2026, 14:38Zobacz szczegóły
videoSora 2

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

4 sty 2026, 14:37Zobacz szczegóły
videoSora 2

Scene 1: Voiceover: Everything you’ve ever loved... *isn't even here*. Image-prompt: A vast starry universe filled wi...

Scene 1: Voiceover: Everything you’ve ever loved... *isn't even here*. Image-prompt: A vast starry universe filled with swirling galaxies and bright stars. A small, glowing Earth in the foreground. Dark cosmic background with bright star clusters scattered. Distant galaxies glowing faintly, creating a sense of awe. Scene 2: Voiceover: Ninety-nine percent of the universe *remains unseen*. Image-prompt: Silhouette of a person looking up at a starry night sky. Stars twinkling brightly, some forming constellations. Dark landscape around the person, creating a feeling of isolation. Milky Way stretching across the sky, rich in detail. Scene 3: Voiceover: Dark matter and dark energy *shape our reality*, Image-prompt: A cosmic web visualization showing dark matter filaments connecting galaxies. Colorful highlights on the galaxies, with dark regions in between. A scientific lab in the foreground with astronomers studying the data. High-tech screens displaying complex calculations. Scene 4: Voiceover: but we still *don't know* what they are. Image-prompt: Close-up of an astronomer looking puzzled at a computer screen filled with cosmic data. Dimly lit room with glowing screens. Papers scattered everywhere, showing complex formulas. A coffee cup tips over, emphasizing the stress of discovery. Scene 5: Voiceover: If the Sun vanished, *8 minutes* would pass... Image-prompt: A dramatic view of the Sun disappearing behind a dark cloud. Earth in the distance, people looking up with expressions of shock. Subtle lighting changes indicating an eerie twilight. Shadows creeping over the landscape. Scene 6: Voiceover: before we *freeze in space*. Image-prompt: A frozen Earth in a dark, cold void of space. Stars twinkling faintly in the distance. A sense of desolation and silence in the environment. An astronaut floating away from Earth, reaching out toward the stars. Scene 7: Voiceover: More stars exist than *grains of sand* on Earth. Image-prompt: A vast desert landscape filled with sand dunes under a starry sky. A handful of sand falling through fingers, with stars twinkling above. The contrast between the terrestrial and celestial, creating a feeling of wonder. Scene 8: Voiceover: Follow for more facts that *make reality feel unreal*! Image-prompt: A captivating montage of cosmic phenomena: exploding stars, swirling galaxies, and vibrant nebulae. Bright colors and dynamic movements creating a sense of excitement. A call to action with a glowing 'Follow' button overlay.

4 sty 2026, 14:35Zobacz szczegóły
videoSora 2

[Title: Colorful Jet Airliners Lined Up in Hangar] [Scene Description] Setting & Location: A vast, high-ceilinged air...

[Title: Colorful Jet Airliners Lined Up in Hangar] [Scene Description] Setting & Location: A vast, high-ceilinged aircraft manufacturing or maintenance hangar. The space is dominated by a long, parallel line of commuter jet fuselages, painted in highly saturated primary colors (deep blue, bright yellow, emerald green, red, and crisp white). Tool carts, scaffolding, work platforms, and storage crates are scattered across the polished concrete floor. Time & Atmosphere: Midday, characterized by extremely bright, uniform light. The atmosphere is industrial, productive, and meticulously organized, conveying the massive scale of modern engineering and assembly. Sensory Details: The visual details feature smooth, highly reflective metal textures of the freshly painted aircraft bodies contrasting with the matte grey of the concrete floor and the exposed beams of the structure. Implied sounds are low, rhythmic ambient industrial noises, echoing machinery, and distant movement of lifts. [Action & Narrative] Primary Action: The primary scene is the simultaneous assembly and finishing process of multiple aircraft, creating a striking visual spectrum of color in the hangar. Subject Movement: The massive airplanes are stationary. Small human figures (workers in blue overalls) are actively engaged on scaffolding and platforms around the fuselages, performing detailed tasks. A single worker walks slowly in the foreground aisle toward the background. Implied Story: The narrative highlights the stage of preparation and customization of corporate or regional jets before delivery, showcasing the complexity and organized efficiency of a large-scale modern aviation production line. [Cinematography & Style] Shot Composition: High angle, medium-long shot with a vertical (portrait) aspect ratio. The composition utilizes strong horizontal lines formed by the stacked aircraft, emphasizing depth and visual repetition, creating a powerful sense of scale and order. Camera Movement: The camera is primarily static or features an extremely slow, imperceptible forward push (dolly in) or a slow, steady, continuous track along the length of the assembly line. Lighting: High-key, bright industrial lighting. Diffused natural light pours in from numerous high rectangular windows along the upper walls, supplemented by uniform overhead fluorescent lighting, minimizing harsh shadows and creating a clean, crisp look. Color Palette & Grade: Vibrant and highly saturated color palette focused on primary and secondary colors (blue, yellow, green, red) contrasting sharply against the neutral white and grey of the industrial setting. The color grading is punchy and hyper-realistic, making the paint highly reflective. [Core Elements & Keywords] aircraft hangar, assembly line, jet airplanes, colorful, vibrant paint, industrial scale, aviation production, high saturation, manufacturing, engineering, slow motion, factory interior

4 sty 2026, 14:33Zobacz szczegóły
videoSora 2

[Title: Colorful Jet Airliners Lined Up in Hangar] [Scene Description] Setting & Location: A vast, high-ceilinged air...

[Title: Colorful Jet Airliners Lined Up in Hangar] [Scene Description] Setting & Location: A vast, high-ceilinged aircraft manufacturing or maintenance hangar. The space is dominated by a long, parallel line of commuter jet fuselages, painted in highly saturated primary colors (deep blue, bright yellow, emerald green, red, and crisp white). Tool carts, scaffolding, work platforms, and storage crates are scattered across the polished concrete floor. Time & Atmosphere: Midday, characterized by extremely bright, uniform light. The atmosphere is industrial, productive, and meticulously organized, conveying the massive scale of modern engineering and assembly. Sensory Details: The visual details feature smooth, highly reflective metal textures of the freshly painted aircraft bodies contrasting with the matte grey of the concrete floor and the exposed beams of the structure. Implied sounds are low, rhythmic ambient industrial noises, echoing machinery, and distant movement of lifts. [Action & Narrative] Primary Action: The primary scene is the simultaneous assembly and finishing process of multiple aircraft, creating a striking visual spectrum of color in the hangar. Subject Movement: The massive airplanes are stationary. Small human figures (workers in blue overalls) are actively engaged on scaffolding and platforms around the fuselages, performing detailed tasks. A single worker walks slowly in the foreground aisle toward the background. Implied Story: The narrative highlights the stage of preparation and customization of corporate or regional jets before delivery, showcasing the complexity and organized efficiency of a large-scale modern aviation production line. [Cinematography & Style] Shot Composition: High angle, medium-long shot with a vertical (portrait) aspect ratio. The composition utilizes strong horizontal lines formed by the stacked aircraft, emphasizing depth and visual repetition, creating a powerful sense of scale and order. Camera Movement: The camera is primarily static or features an extremely slow, imperceptible forward push (dolly in) or a slow, steady, continuous track along the length of the assembly line. Lighting: High-key, bright industrial lighting. Diffused natural light pours in from numerous high rectangular windows along the upper walls, supplemented by uniform overhead fluorescent lighting, minimizing harsh shadows and creating a clean, crisp look. Color Palette & Grade: Vibrant and highly saturated color palette focused on primary and secondary colors (blue, yellow, green, red) contrasting sharply against the neutral white and grey of the industrial setting. The color grading is punchy and hyper-realistic, making the paint highly reflective. [Core Elements & Keywords] aircraft hangar, assembly line, jet airplanes, colorful, vibrant paint, industrial scale, aviation production, high saturation, manufacturing, engineering, slow motion, factory interior

4 sty 2026, 14:33Zobacz szczegóły
videoSora 2

[Title: Colorful Jet Airliners Lined Up in Hangar] [Scene Description] Setting & Location: A vast, high-ceilinged air...

[Title: Colorful Jet Airliners Lined Up in Hangar] [Scene Description] Setting & Location: A vast, high-ceilinged aircraft manufacturing or maintenance hangar. The space is dominated by a long, parallel line of commuter jet fuselages, painted in highly saturated primary colors (deep blue, bright yellow, emerald green, red, and crisp white). Tool carts, scaffolding, work platforms, and storage crates are scattered across the polished concrete floor. Time & Atmosphere: Midday, characterized by extremely bright, uniform light. The atmosphere is industrial, productive, and meticulously organized, conveying the massive scale of modern engineering and assembly. Sensory Details: The visual details feature smooth, highly reflective metal textures of the freshly painted aircraft bodies contrasting with the matte grey of the concrete floor and the exposed beams of the structure. Implied sounds are low, rhythmic ambient industrial noises, echoing machinery, and distant movement of lifts. [Action & Narrative] Primary Action: The primary scene is the simultaneous assembly and finishing process of multiple aircraft, creating a striking visual spectrum of color in the hangar. Subject Movement: The massive airplanes are stationary. Small human figures (workers in blue overalls) are actively engaged on scaffolding and platforms around the fuselages, performing detailed tasks. A single worker walks slowly in the foreground aisle toward the background. Implied Story: The narrative highlights the stage of preparation and customization of corporate or regional jets before delivery, showcasing the complexity and organized efficiency of a large-scale modern aviation production line. [Cinematography & Style] Shot Composition: High angle, medium-long shot with a vertical (portrait) aspect ratio. The composition utilizes strong horizontal lines formed by the stacked aircraft, emphasizing depth and visual repetition, creating a powerful sense of scale and order. Camera Movement: The camera is primarily static or features an extremely slow, imperceptible forward push (dolly in) or a slow, steady, continuous track along the length of the assembly line. Lighting: High-key, bright industrial lighting. Diffused natural light pours in from numerous high rectangular windows along the upper walls, supplemented by uniform overhead fluorescent lighting, minimizing harsh shadows and creating a clean, crisp look. Color Palette & Grade: Vibrant and highly saturated color palette focused on primary and secondary colors (blue, yellow, green, red) contrasting sharply against the neutral white and grey of the industrial setting. The color grading is punchy and hyper-realistic, making the paint highly reflective. [Core Elements & Keywords] aircraft hangar, assembly line, jet airplanes, colorful, vibrant paint, industrial scale, aviation production, high saturation, manufacturing, engineering, slow motion, factory interior

4 sty 2026, 14:33Zobacz szczegóły
videoSora 2

Photorealistic high angle drone shot of thousands of Venezuelans wearing Jeff Epstein cardboard masks, shirts and out...

Photorealistic high angle drone shot of thousands of Venezuelans wearing Jeff Epstein cardboard masks, shirts and outfits with the national colors of Venezuela and waving both Venezuela and USA flags in the streets of Caracas, early afternoon lighting, 4K

4 sty 2026, 14:33Zobacz szczegóły
videoSora 2

kid feeling excited and say 'I am Excited" two times and give excited expression.

kid feeling excited and say 'I am Excited" two times and give excited expression.

4 sty 2026, 14:29Zobacz szczegóły

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