Prezentacja Seedance 2.0
Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.
Logline: Um gênio do passado tenta descobrir como entrar num elevador moderno — e vence pela pura confusão. Ajustes d...
Logline: Um gênio do passado tenta descobrir como entrar num elevador moderno — e vence pela pura confusão. Ajustes de produção: Formato 9:16, duração 10 s, 24 fps, lente 35 mm; paleta metálica e neutra (cinza, prata, azul frio); estilo comédia visual minimalista com ritmo pausado e expressão curiosa. Cena/Arte: Corredor limpo e futurista, paredes lisas e um elevador de portas automáticas. Einstein com seu terno antigo, segurando um livro e uma mala de couro. Câmera e Luz: Plano fixo médio, simétrico (estilo Wes Anderson). Iluminação suave e difusa, refletida no metal. Zoom lento no final para enfatizar a reação. Ação: 0–3 s: Einstein para diante das portas do elevador. Observa o painel luminoso, tenta encontrar uma maçaneta invisível. 3–7 s: Ele dá tapinhas na porta, depois tenta soprar — nada acontece. As portas se abrem de repente sozinhas. 7–10 s: Ele se assusta, dá um pulo para trás, depois entra com cuidado, olhando ao redor maravilhado enquanto as portas se fecham sozinhas. Áudio/Ambiente: Silêncio ambiente com leve eco; som mecânico suave das portas; um “ding!” final e um acorde alegre curto. Notas Sora 2: – “Sem diálogos, foco na expressão corporal” – “Pausas longas e tempo cômico controlado” – “10 s exatos” – “Gestos sutis, humor de observação universal”
Logline: Einstein tenta carregar o celular num mundo moderno — e cria caos elétrico digno de um gênio. Ajustes de pro...
Logline: Einstein tenta carregar o celular num mundo moderno — e cria caos elétrico digno de um gênio. Ajustes de produção: Formato 9:16, duração 10 s, 30 fps, lente 28 mm; paleta vibrante (amarelo, azul, branco); estilo slapstick universal com foco em expressão e ritmo físico. Cena/Arte: Apartamento moderno com várias tomadas, cabos emaranhados e luzes piscando. Einstein com paletó antigo, cabelo selvagem, expressão curiosa e um celular moderno na mão. Câmera e Luz: Início em close-up dramático no rosto de Einstein (luz branca fria). Corte para plano médio mostrando o emaranhado de fios. Luz piscante ao final, explosão cômica. Ação: 0–3 s: Einstein olha curioso para o celular descarregado. Rosto confuso e frustrado — expressão exagerada. 3–7 s: Ele tenta plugar o carregador, mas o fio enrosca, puxa uma lâmpada e acende tudo de forma caótica. 7–10 s: Choque de faíscas! Cabelo dele arrepia ainda mais. Ele sorri, faz pose triunfante, e o celular vibra “carregando”. Áudio/Ambiente: Sons elétricos cômicos, faíscas, bum leve, risadas de fundo; música orquestral crescente estilo comédia muda (Chaplin / Mr. Bean). Notas Sora 2: – “Sem diálogos nem textos — comunicação puramente visual” – “Exagerar expressões faciais e tempo cômico” – “10 s exatos” – “Permitido uso de efeitos de faísca e luz piscante”
Logline: Albert Einstein vira influencer de física no TikTok — e descobre que a fama é mais relativa que o tempo. Aju...
Logline: Albert Einstein vira influencer de física no TikTok — e descobre que a fama é mais relativa que o tempo. Ajustes de produção: Formato 9:16, duração 10 s, 30 fps, lente 24 mm; paleta colorida com tons pastel e LEDs; estilo mockumentary cômico digital. Cena/Arte: Quarto moderno com ring light, tripé, fundo com fórmulas e um pôster de “Stay Curious”. Einstein com camiseta de “E = MC² Squad”, cabelo despenteado e óculos de sol. Câmera e Luz: Câmera vertical em modo “selfie” (look de celular). Corte jump-cut de reações e close-ups. Luz LED arco-íris com reflexo nas lentes dos óculos. Ação: 0–3 s: Einstein olha para a câmera e diz animado: “Quer entender o universo em 10 segundos?” — pisca com confiança. 3–7 s: Ele tenta explicar a relatividade enquanto o ring light apaga e o microfone cai. Ele congela, confuso. 7–10 s: Corta para ele dançando desajeitado com a legenda “#TeoriaDaRelatividadeChallenge” — explosão de curtidas e comentários subindo na tela. Áudio/Ambiente: Batida trap leve, sons de notificações e curtidas, risadas abafadas; final com “follow for more physics!”. Notas Sora 2: – “Cortes rápidos estilo TikTok” – “Gestos expressivos e ritmo acelerado” – “Incluir overlays de curtidas e emojis flutuando” – “10 s exatos, continuidade de figurino”
A kiff Cadbury bar advert 1955 uk vhs Black and white version
A kiff Cadbury bar advert 1955 uk vhs Black and white version
Logline: Albert Einstein tenta entender o Wi-Fi em um café moderno — e acaba achando que descobriu uma nova teoria da...
Logline: Albert Einstein tenta entender o Wi-Fi em um café moderno — e acaba achando que descobriu uma nova teoria da relatividade. Ajustes de produção: Formato 9:16, duração 10 s, 30 fps, lente 35 mm; paleta bege-neon com tons de café e azul de tela; estilo comédia absurda urbana. Cena/Arte: Café moderno, tomadas e notebooks por toda parte. Einstein com seu terno antigo, cabelo elétrico e expressão curiosa. Copo de latte espumando ao lado. Câmera e Luz: Começa com close dramático (35 mm, foco no rosto surpreso de Einstein). Corte rápido para plano médio caótico (clientes digitando). Luz de tarde com reflexos de tela azul; backlight suave cria halo nos cabelos dele. Ação: 0–3 s: Close em Einstein observando o símbolo de “sem Wi-Fi” piscando. Ele franze o cenho — um violino dramático toca. 3–7 s: Ele se levanta entusiasmado, começa a rabiscar fórmulas no guardanapo. Os clientes olham confusos. 7–10 s: Einstein ergue o celular triunfante: “Eureka! O espaço-tempo é o roteador!” — a tela reconecta, todos aplaudem. Áudio/Ambiente: Trilha cômica orquestral; som de notificações e café burburinho; risada coletiva no final. Notas Sora 2: – “10 s exatos” – “Gestos exagerados e expressões curiosas” – “Permitidos cortes internos rápidos (reação-ação-gag)” – “Manter consistência do figurino e adereços”
A wide shot of a vintage, burnt-orange 1969 Ford Mustang Mach 1 cruising slowly along a dusty, two-lane highway throu...
A wide shot of a vintage, burnt-orange 1969 Ford Mustang Mach 1 cruising slowly along a dusty, two-lane highway through the American Southwest desert at golden hour. Elvis Presley, aged to appear approximately 60-61 years old (as if he had not died in 1977), is driving. He wears his iconic late-era jumpsuit, unbuttoned slightly, with large sunglasses, and his signature pompadour, now silver-streaked. James Brown, The Godfather of Soul, appears as he would have in 1996, riding in the passenger seat. He wears a flashy, sequined suit, large sunglasses, and his perfectly coiffed hair. He is actively deejaying, fiddling with the car's vintage radio dial, then quickly turning to Elvis, pointing a finger at the speaker with an excited, knowing grin as a particularly funky, hard-hitting R&B track starts to play. Elvis glances over, a subtle smile spreading across his face as he bobs his head slightly to the beat, continuing to drive. The desert landscape blurs gently in the background, heat haze shimmering slightly. Cinematic, vibrant colors, 1970s film aesthetic, photrealistic realism.
A wide shot of a vintage, burnt-orange 1969 Ford Mustang Mach 1 cruising slowly along a dusty, two-lane highway throu...
A wide shot of a vintage, burnt-orange 1969 Ford Mustang Mach 1 cruising slowly along a dusty, two-lane highway through the American Southwest desert at golden hour. Elvis, aged to appear approximately 60-61 years old (as if he had not died in 1977), is driving. He wears his iconic late-era jumpsuit, unbuttoned slightly, with large sunglasses, and his signature pompadour, now silver-streaked. The Godfather of Soul, appears as he would have in 1996, riding in the passenger seat. He wears a flashy, sequined suit, large sunglasses, and his perfectly coiffed hair. He is actively deejaying, fiddling with the car's vintage radio dial, then quickly turning to Elvis, pointing a finger at the speaker with an excited, knowing grin as a particularly funky, hard-hitting R&B track starts to play. Elvis glances over, a subtle smile spreading across his face as he bobs his head slightly to the beat, continuing to drive. The desert landscape blurs gently in the background, heat haze shimmering slightly. Cinematic, vibrant colors, 1970s film aesthetic, photorealistic realism.
A wide shot of a vintage, burnt-orange 1969 Ford Mustang Mach 1 cruising slowly along a dusty, two-lane highway throu...
A wide shot of a vintage, burnt-orange 1969 Ford Mustang Mach 1 cruising slowly along a dusty, two-lane highway through the American Southwest desert at golden hour. Elvis, aged to appear approximately 60-61 years old (as if he had not died in 1977), is driving. He wears his iconic late-era jumpsuit, unbuttoned slightly, with large sunglasses, and his signature pompadour, now silver-streaked. The Godfather of Soul, appears as he would have in 1996, riding in the passenger seat. He wears a flashy, sequined suit, large sunglasses, and his perfectly coiffed hair. He is actively deejaying, fiddling with the car's vintage radio dial, then quickly turning to Elvis, pointing a finger at the speaker with an excited, knowing grin as a particularly funky, hard-hitting R&B track starts to play. Elvis glances over, a subtle smile spreading across his face as he bobs his head slightly to the beat, continuing to drive. The desert landscape blurs gently in the background, heat haze shimmering slightly. Cinematic, vibrant colors, 1970s film aesthetic.
SCENE SETTING The image depicts a desolate classical ruin landscape bathed in golden-hour sunlight breaking through s...
SCENE SETTING The image depicts a desolate classical ruin landscape bathed in golden-hour sunlight breaking through storm clouds. Massive cracked marble columns flank jagged stone fragments underfoot, with a misty haze clinging to the desert-like terrain. Dramatic aerial perspectives emphasize the scale of ancient architectural remnants, creating a tension between industrial futurism and medieval decay. SUBJECTS AND ACTION A colossal biomechanical alien/warrior hybrid (blue exoskeleton with gold-accented cephalothorax) dominates the composition, its menacing gaze piercing through weathered pilasters. Below, five human figures in combat gear navigate the debris field—a lone figure in a cloaked cape stands defiant at the foreground, while others trail cautiously behind. Subtle motion elements include rustling drapery, slight column tilts, and turbulent air currents around the creature’s armored limbs.
The Godfather of Soul walks onto the stage inside Dillon Gymnasium at Princeton University. The lights are dim with t...
The Godfather of Soul walks onto the stage inside Dillon Gymnasium at Princeton University. The lights are dim with the stage spotlights illuminating the stage and revealing the faces of the thousands of fans gathered and cheering. The Godfather's whole band, the Soul Generals, are in effect, vamping and grooving to get the crowd in motion, a total of 15 musicians on stage including the female background singers dressed in black sequined dresses and his full brass section. Thousands of young college students are cheering and exhuberant to see their musical hero. The camera angle is taken from just above and behind the Godfather's iconic pompadour hairdo as he would have appeared in 1996. He is wearing sunglasses and is wearing an impressive red stage costume bedecked with rhinestones.
The Godfather of Soul walks onto the stage inside Dillon Gymnasium at Princeton University. The lights are dim with t...
The Godfather of Soul walks onto the stage inside Dillon Gymnasium at Princeton University. The lights are dim with the stage spotlights illuminating the stage and revealing the faces of the thousands of fans gathered and cheering. The Godfather's whole band, the Soul Generals, are in effect, vamping and grooving to get the crowd in motion, a total of 15 musicians on stage including the female background singers dressed in black sequined dresses and his full brass section. Thousands of young college students are cheering and exhuberant to see their musical hero. The camera angle is taken from just above and behind the Godfather's iconic pompadour hairdo as he would have appeared in 1996. He is wearing sunglasses and is wearing an impressive red stage costume bedecked with rhinestones.
The Godfather of Soul walks onto the stage inside Dillon Gymnasium at Princeton University. The lights are dim with t...
The Godfather of Soul walks onto the stage inside Dillon Gymnasium at Princeton University. The lights are dim with the stage spotlights illuminating the stage and revealing the faces of the thousands of fans gathered and cheering. The Godfather's whole band, the Soul Generals, are in effect, vamping and grooving to get the crowd in motion, a total of 15 musicians on stage including the female background singers dressed in black sequined dresses and his full brass section. Thousands of young college students are cheering and exhuberant to see their musical hero. The camera angle is taken from just above and behind the Godfather's iconic pompadour hairdo as he would have appeared in 1996. He is wearing sunglasses and is wearing an impressive red stage costume bedecked with rhinestones.
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