Prezentacja Seedance 2.0
Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, s...
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, skinny-fitted Levi’s 510 jeans, and clean white high-top sneakers. From this microscopic angle, her shoes look massive, the denim stretching and shifting as she moves with calm authority. She calls into the house and invites a few of our young black skater friends inside. They enter laughing, wearing shirts, skinny-fitted Levi’s 510 jeans, and high-top sneakers. Their voices boom like thunder from this tiny perspective. They don’t see us at first. Our vision darts frantically — landing on the table edge, then buzzing toward the floor. The world is enormous and hostile. Our mom speaks clearly and confidently: “He always said he felt small. Said he wished he could disappear. So I gave him what he wanted.” She gestures downward. All of them lean in. Giant faces loom into frame, distorted by compound vision. Recognition slowly spreads across their expressions. They laugh — not cruelly monstrous, but stunned, disbelieving, awkward laughter. One shakes his head in disbelief. Another crouches, peering close. From below, we see our own reflection faintly in the polished floor — just a tiny, fragile insect. Our mom picks up a fly swatter casually, almost thoughtfully. She doesn’t rage — she smirks. “You wanted to be insignificant? You got it.” She swats near us — the rush of wind sends the camera tumbling violently. The sound design exaggerates the impact: booming echoes, heart-like buzzing distortion. We scramble desperately across the floor. Our friends step back to avoid being near us, muttering things like: “Man… that’s rough.” “He always talked big.” They look up at her with a mix of respect and disbelief. She stands tall, composed, unbothered. From the fly’s POV, she fills the entire frame — confident, controlled, completely in charge. We are barely visible in comparison. The humiliation is internal: We try to land on a friend’s sneaker — he flicks us away without even thinking. We try to reach the table — we slide off. Every attempt to be seen or heard results in indifference. The final shot: We cling to the wall, exhausted. Our mom approaches slowly. The swatter rises into frame. She looks directly into the camera — as if she can still see us inside the insect. “You wanted to be small. Now you are.” The swatter swings toward the lens. Cut to black mid-impact. Style: hyper-realistic, dramatic tension, exaggerated scale contrast, immersive sound design, psychological humiliation, surreal domestic setting, 4K cinematic, shallow depth of field, dynamic micro-movements.
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, s...
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, skinny-fitted Levi’s 510 jeans, and clean white high-top sneakers. From this microscopic angle, her shoes look massive, the denim stretching and shifting as she moves with calm authority. She calls into the house and invites a few of our young black skater friends inside. They enter laughing, wearing shirts, skinny-fitted Levi’s 510 jeans, and high-top sneakers. Their voices boom like thunder from this tiny perspective. They don’t see us at first. Our vision darts frantically — landing on the table edge, then buzzing toward the floor. The world is enormous and hostile. Our mom speaks clearly and confidently: “He always said he felt small. Said he wished he could disappear. So I gave him what he wanted.” She gestures downward. All of them lean in. Giant faces loom into frame, distorted by compound vision. Recognition slowly spreads across their expressions. They laugh — not cruelly monstrous, but stunned, disbelieving, awkward laughter. One shakes his head in disbelief. Another crouches, peering close. From below, we see our own reflection faintly in the polished floor — just a tiny, fragile insect. Our mom picks up a fly swatter casually, almost thoughtfully. She doesn’t rage — she smirks. “You wanted to be insignificant? You got it.” She swats near us — the rush of wind sends the camera tumbling violently. The sound design exaggerates the impact: booming echoes, heart-like buzzing distortion. We scramble desperately across the floor. Our friends step back to avoid being near us, muttering things like: “Man… that’s rough.” “He always talked big.” They look up at her with a mix of respect and disbelief. She stands tall, composed, unbothered. From the fly’s POV, she fills the entire frame — confident, controlled, completely in charge. We are barely visible in comparison. The humiliation is internal: We try to land on a friend’s sneaker — he flicks us away without even thinking. We try to reach the table — we slide off. Every attempt to be seen or heard results in indifference. The final shot: We cling to the wall, exhausted. Our mom approaches slowly. The swatter rises into frame. She looks directly into the camera — as if she can still see us inside the insect. “You wanted to be small. Now you are.” The swatter swings toward the lens. Cut to black mid-impact. Style: hyper-realistic, dramatic tension, exaggerated scale contrast, immersive sound design, psychological humiliation, surreal domestic setting, 4K cinematic, shallow depth of field, dynamic micro-movements.
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, s...
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, skinny-fitted Levi’s 510 jeans, and clean white high-top sneakers. From this microscopic angle, her shoes look massive, the denim stretching and shifting as she moves with calm authority. She calls into the house and invites a few of our young black skater friends inside. They enter laughing, wearing shirts, skinny-fitted Levi’s 510 jeans, and high-top sneakers. Their voices boom like thunder from this tiny perspective. They don’t see us at first. Our vision darts frantically — landing on the table edge, then buzzing toward the floor. The world is enormous and hostile. Our mom speaks clearly and confidently: “He always said he felt small. Said he wished he could disappear. So I gave him what he wanted.” She gestures downward. All of them lean in. Giant faces loom into frame, distorted by compound vision. Recognition slowly spreads across their expressions. They laugh — not cruelly monstrous, but stunned, disbelieving, awkward laughter. One shakes his head in disbelief. Another crouches, peering close. From below, we see our own reflection faintly in the polished floor — just a tiny, fragile insect. Our mom picks up a fly swatter casually, almost thoughtfully. She doesn’t rage — she smirks. “You wanted to be insignificant? You got it.” She swats near us — the rush of wind sends the camera tumbling violently. The sound design exaggerates the impact: booming echoes, heart-like buzzing distortion. We scramble desperately across the floor. Our friends step back to avoid being near us, muttering things like: “Man… that’s rough.” “He always talked big.” They look up at her with a mix of respect and disbelief. She stands tall, composed, unbothered. From the fly’s POV, she fills the entire frame — confident, controlled, completely in charge. We are barely visible in comparison. The humiliation is internal: We try to land on a friend’s sneaker — he flicks us away without even thinking. We try to reach the table — we slide off. Every attempt to be seen or heard results in indifference. The final shot: We cling to the wall, exhausted. Our mom approaches slowly. The swatter rises into frame. She looks directly into the camera — as if she can still see us inside the insect. “You wanted to be small. Now you are.” The swatter swings toward the lens. Cut to black mid-impact. Style: hyper-realistic, dramatic tension, exaggerated scale contrast, immersive sound design, psychological humiliation, surreal domestic setting, 4K cinematic, shallow depth of field, dynamic micro-movements.
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, s...
A confident woman in her 40s stands towering above us in a bright, spotless kitchen. She wears a crisp white shirt, skinny-fitted Levi’s 510 jeans, and clean white high-top sneakers. From this microscopic angle, her shoes look massive, the denim stretching and shifting as she moves with calm authority. She calls into the house and invites a few of our young black skater friends inside. They enter laughing, wearing shirts, skinny-fitted Levi’s 510 jeans, and high-top sneakers. Their voices boom like thunder from this tiny perspective. They don’t see us at first. Our vision darts frantically — landing on the table edge, then buzzing toward the floor. The world is enormous and hostile. Our mom speaks clearly and confidently: “He always said he felt small. Said he wished he could disappear. So I gave him what he wanted.” She gestures downward. All of them lean in. Giant faces loom into frame, distorted by compound vision. Recognition slowly spreads across their expressions. They laugh — not cruelly monstrous, but stunned, disbelieving, awkward laughter. One shakes his head in disbelief. Another crouches, peering close. From below, we see our own reflection faintly in the polished floor — just a tiny, fragile insect. Our mom picks up a fly swatter casually, almost thoughtfully. She doesn’t rage — she smirks. “You wanted to be insignificant? You got it.” She swats near us — the rush of wind sends the camera tumbling violently. The sound design exaggerates the impact: booming echoes, heart-like buzzing distortion. We scramble desperately across the floor. Our friends step back to avoid being near us, muttering things like: “Man… that’s rough.” “He always talked big.” They look up at her with a mix of respect and disbelief. She stands tall, composed, unbothered. From the fly’s POV, she fills the entire frame — confident, controlled, completely in charge. We are barely visible in comparison. The humiliation is internal: We try to land on a friend’s sneaker — he flicks us away without even thinking. We try to reach the table — we slide off. Every attempt to be seen or heard results in indifference. The final shot: We cling to the wall, exhausted. Our mom approaches slowly. The swatter rises into frame. She looks directly into the camera — as if she can still see us inside the insect. “You wanted to be small. Now you are.” The swatter swings toward the lens. Cut to black mid-impact. Style: hyper-realistic, dramatic tension, exaggerated scale contrast, immersive sound design, psychological humiliation, surreal domestic setting, 4K cinematic, shallow depth of field, dynamic micro-movements.
Create the same minimalist 3D police academy classroom during daytime with identical dimensions: 30 by 40 feet, white...
Create the same minimalist 3D police academy classroom during daytime with identical dimensions: 30 by 40 feet, white walls, gray tile floor, fluorescent ceiling lights, three rows of five desks, whiteboard at front wall. Camera remains fixed at back center of room at same height and angle. 14 black mannequins seated with one empty seat in the second row far right. A black mannequin (Blaylock) enters through a side door on the left wall and quietly takes a seat in the back row center desk. The empty seat in second row far right remains empty.
Storyboard
Storyboard
Footage tornado russian not voice footage 144p low quality fps 3 Not cutscene shake phone camera sound low quality sh...
Footage tornado russian not voice footage 144p low quality fps 3 Not cutscene shake phone camera sound low quality shake phone camera sound low quality
Slow-motion, muted color palette. A young woman sitting in a crowded university lecture hall, subtly clutching her st...
Slow-motion, muted color palette. A young woman sitting in a crowded university lecture hall, subtly clutching her stomach, looking distressed but trying to hide it. Cut to a professional woman in a high-stakes corporate meeting, forcing a smile while clearly in discomfort.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buatkan video iklan tv profesional produk pramy moisturizing setting spray dengan model wanita indonesia berhijab [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: Pramy moisturizing setting spray] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends] [CRITICAL TIMING: All voiceover/narration MUST complete by second 13. The f
A Manhattan corporate Christmas party in the evening, with warm amber chandelier lighting and city skyline glow throu...
A Manhattan corporate Christmas party in the evening, with warm amber chandelier lighting and city skyline glow through floor-to-ceiling windows. The large conference room is packed with white American professionals in business attire, holding champagne glasses, and soft holiday music plays. Wide shot: The crowd parts as Marcus (early 40s, tailored suit, slicked-back hair) strides toward Elena (mid-30s, conservative blouse, nervous posture, sleeve pulled down). Close-up: Marcus grabs Elena's arm, yanks up her sleeve, revealing an angry red burn scar. The room falls silent, conversations die, champagne glasses freeze mid-air. Marcus smirks, voice carrying across the room: "What happened, Elena? Lose a fight with a stove?" Medium shot: Elena straightens, rolls her sleeve up further, voice quiet but steady: "Funny you should ask." Camera pulls back to show the entire room watching, faces shifting from amusement to concern. Sarah (mid-20s, elegant black dress, executive presence) steps forward from the crowd, recognition dawning on her face. Close-up: Elena traces her scar, voice growing stronger as she begins her story. No logos, no brand names, no watermarks, no text overlays.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] buatkan video wanita korea cantik putih dengan baju maroon mempromosikan jilbab pashmina dengan banyak motif lainnya bahannya adem dan mudah dipakai [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: Hijab jilbab Pashmina ceruty premium ] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends] [CRITICAL TIMING: All voiceover/nar
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] buatkan video wanita korea cantik putih dengan baju maroon mempromosikan jilbab pashmina dengan banyak motif lainnya bahannya adem dan mudah dipakai [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: Hijab jilbab Pashmina ceruty premium ] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends] [CRITICAL TIMING: All voiceover/nar
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