Publiczne kreacje

Prezentacja Seedance 2.0

Przeglądaj udane publiczne generacje od społeczności i otwórz dowolny element, aby sprawdzić prompt, ustawienia i wynik.

videoSora 2

[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...

[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [Produk: Kaos custom seragam tim] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Tipe Video: Konten Organik] [Model: wanita tanpa kerudung ORANG INDONESIA] [Usia: 18-25 tahun] [Area Fokus Produk: full_body] [PENTING: Video harus menampilkan wajah model sebagai fokus utama. Area full_body HANYA ditampilkan saat mendemonstrasikan penggunaan produk, aplikasi, atau hasil before/after. Wajah harus selalu terlihat sebagai fokus utama.] [Kategori Produk: fashion] [Buat konten video yang sesuai untuk pemasaran produk fashion] [Gaya: natural] [Gunakan warna alami dengan pencahayaan natural] [Pendekatan: Soft Selling] [Fokus pada storytelling, koneksi emosional, dan manfaat gaya hidup. Tampilkan produk terintegrasi secara natural dalam kehidupan sehari-hari.] Scene 1 (0–3 detik) – Depan counter toko pizza Talking head, background oven & display pizza. “Guys, mau review kaos custom seragam tim pizza kita dari RSA! Asli puas banget!”

17 lut 2026, 15:12Zobacz szczegóły
videoSora 2

[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...

[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buatkan video Honest Review untuk produk Ratfix. Model seorang wanita berusia 56 tahunan berprofesi sebagai polwan. Model memegang botol seperti sedang direkam dengan kamera depan berbicara"Saya dulu menderita sakit lutut yang luar biasa karena asam urat tinggi,sudah hampir tidak bisa jalan selama berbulan bulan,tapi setelah saya kenal ratfix ,Alhamdulillah asam urat saya mulai turun dan bisa jalan normal lagi,terimakasih ratfix" Negative : Jangan tampilkan display text [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: RATFIX HERBAL ASAM URAT] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indones

17 lut 2026, 14:59Zobacz szczegóły
videoSora 2

Suburban driveway at sunset during golden hour. Warm amber light, long dramatic shadows stretching across concrete. S...

Suburban driveway at sunset during golden hour. Warm amber light, long dramatic shadows stretching across concrete. Slight breeze moving trees and fabric. Opening (0–3s) Medium cinematic shot. Kira (16, pale, white American, wearing a pale blue thrift-store prom dress, small corsage on wrist) stands beside an older sedan. She nervously smooths her dress, shallow breathing, ambient suburban evening sounds (distant birds, faint traffic). Rising Tension (3–6s) From the porch behind her, Diane (40s, slightly disheveled hair, flushed face, holding a half-empty wine glass) stumbles down the steps. Handheld camera feel for instability. Focus shift from Kira to Diane approaching in background. Impact Moment (6–9s) Medium shot from behind: Diane suddenly grabs the back of Kira’s dress with both hands. Sharp sound of fabric ripping. Cut to close-up: Kira’s face turns in shock, eyes wide, breath catching. Aftermath (9–12s) Wide shot: Torn fabric falls to the ground. Kira stands in a simple slip, instinctively covering herself, tears forming. Silence except faint neighborhood ambience. Across the street, neighbors step out onto lawns; one woman raises a phone, recording. Diane sways slightly, pointing accusingly, shouting angrily (no subtitles). Resolution Beat (12–15s) A pristine white sedan pulls up smoothly to the curb. Soft tire sound. Elegant woman (Elena, 30s, composed, wearing a structured designer-style coat) steps out with calm determination. She gently wraps her coat around Kira’s shoulders. Close shot: warm contrast between harsh sunset light and softer shadow around them. Elena speaks softly but firmly, reassuring. Final frame: Kira looking up, vulnerable but hopeful. Style Notes: • Cinematic color grading, warm golden highlights with cool shadow contrast • Naturalistic acting, emotionally grounded • Shallow depth of field for intimacy • Subtle handheld movement during tension, stabilized framing in final moment • No logos, no brand names, no watermarks, no on-screen text

17 lut 2026, 14:58Zobacz szczegóły
videoSora 2

Suburban driveway at sunset during golden hour. Warm amber light, long dramatic shadows stretching across concrete. S...

Suburban driveway at sunset during golden hour. Warm amber light, long dramatic shadows stretching across concrete. Slight breeze moving trees and fabric. Opening (0–3s) Medium cinematic shot. Kira (16, pale, white American, wearing a pale blue thrift-store prom dress, small corsage on wrist) stands beside an older sedan. She nervously smooths her dress, shallow breathing, ambient suburban evening sounds (distant birds, faint traffic). Rising Tension (3–6s) From the porch behind her, Diane (40s, slightly disheveled hair, flushed face, holding a half-empty wine glass) stumbles down the steps. Handheld camera feel for instability. Focus shift from Kira to Diane approaching in background. Impact Moment (6–9s) Medium shot from behind: Diane suddenly grabs the back of Kira’s dress with both hands. Sharp sound of fabric ripping. Cut to close-up: Kira’s face turns in shock, eyes wide, breath catching. Aftermath (9–12s) Wide shot: Torn fabric falls to the ground. Kira stands in a simple slip, instinctively covering herself, tears forming. Silence except faint neighborhood ambience. Across the street, neighbors step out onto lawns; one woman raises a phone, recording. Diane sways slightly, pointing accusingly, shouting angrily (no subtitles). Resolution Beat (12–15s) A pristine white sedan pulls up smoothly to the curb. Soft tire sound. Elegant woman (Elena, 30s, composed, wearing a structured designer-style coat) steps out with calm determination. She gently wraps her coat around Kira’s shoulders. Close shot: warm contrast between harsh sunset light and softer shadow around them. Elena speaks softly but firmly, reassuring. Final frame: Kira looking up, vulnerable but hopeful. Style Notes: • Cinematic color grading, warm golden highlights with cool shadow contrast • Naturalistic acting, emotionally grounded • Shallow depth of field for intimacy • Subtle handheld movement during tension, stabilized framing in final moment • No logos, no brand names, no watermarks, no on-screen text

17 lut 2026, 14:58Zobacz szczegóły
videoSora 2

Inside an upscale Manhattan brunch restaurant on a busy Saturday afternoon, with warm natural lighting streaming thro...

Inside an upscale Manhattan brunch restaurant on a busy Saturday afternoon, with warm natural lighting streaming through large windows and the buzz of conversation filling the air. The dining room is packed with white American professionals and families at small tables, servers weaving between them with trays. Wide shot: Gerald (50s, disheveled chef's coat, red-faced, clearly intoxicated) storms from the kitchen toward Margaret (60s, elegant white sundress, composed posture) at table twelve. Medium shot: Gerald grabs a glass coffee carafe from the neighboring table, raises it above Margaret's head. Close-up: Margaret looks up calmly, unaware of what's coming. Cut to: Gerald dumps the entire pot of steaming coffee over her head, liquid cascading down her face and dress. The entire restaurant freezes - forks halfway to mouths, conversations dead silent, phones emerging to record. Gerald shouts: "Get out of my restaurant, you nobody!" Margaret stands slowly, coffee dripping from her chin, reaches into her soaked purse and pulls out federal credentials. Her voice is steady and quiet: "Judge Margaret Cole, Southern District of New York." Gerald's face goes white with shock. No logos, no brand names, no watermarks, no text overlays.

17 lut 2026, 14:54Zobacz szczegóły
videoSora 2

Scene: Opulent hotel ballroom, evening. Crystal chandeliers hang above 150 frozen wedding guests at round tables drap...

Scene: Opulent hotel ballroom, evening. Crystal chandeliers hang above 150 frozen wedding guests at round tables draped in ivory linen. Centerpieces of white roses catch the warm amber light. A string quartet sits motionless in the background, bows hovering mid-air. 0:00–0:03 — WIDE ESTABLISHING: Cinematic wide shot. Shallow depth of field pulls focus to the head table. Tyler (late 20s, tuxedo jacket disheveled, champagne stain on lapel, ruddy flushed complexion, slightly swaying) stands over Daniel (early 30s, crisp black catering vest and bow tie, military posture, impassive expression). Shattered champagne flute glitters on the parquet floor between them. Every guest is turned, watching. Absolute silence. 0:03–0:05 — CLOSE-UP IMPACT: Extreme close-up on Tyler's hand — the sharp, open-palmed slap connects across Daniel's cheek. The crack of skin on skin reverberates through the vaulted room. Motion blur on the strike. The sound echoes off marble walls. 0:05–0:09 — MEDIUM REACTION: Medium shot: Daniel does not flinch. No emotion crosses his face. With deliberate, unhurried movements, he sets his serving tray on the edge of the nearest table. He rises to full height — notably taller than Tyler — and straightens his vest. His jaw is set. His eyes are absolutely calm. 0:09–0:13 — DIALOGUE CU SEQUENCE: Tight alternating close-ups. Daniel's lips move, voice low and precise (subtitle-free): "You're Private First Class Tyler Marsh. I'll see you Monday morning." Pull to Tyler's face — the alcohol fog burns away, replaced by horror. Color drains. Daniel delivers the final line with quiet authority: "Staff Sergeant Daniel Reeves. Your new commanding officer." 0:13–0:15 — WIDE ERUPTION: Cut back to wide shot. The ballroom erupts — gasps, dropped glasses, hands over mouths, guests rising from chairs. Sarah frozen at the head table in white gown, bouquet still in hands. Orchestral sting crescendos. Hard cut to black. TECHNICAL SPECS FOR SORA 2: Aspect ratio: 16:9 cinematic widescreen Lighting: Warm golden practical chandeliers, soft rim light on Daniel, harsh overhead catch-light on Tyler's perspiring face Color grade: Warm champagne tones shift to cooler, desaturated steel on Daniel during his reveal Camera movement: Locked wide → slow push during slap → handheld intimacy on close-ups → snap cut wide on eruption No text overlays, no logos, no watermarks, no brand elements Photorealistic, cinematic drama style — akin to prestige TV cinematography

17 lut 2026, 14:52Zobacz szczegóły
videoSora 2

Scene: Manhattan, exterior luxury nightclub entrance, 11:47 PM, heavy rain. Neon signs in magenta and electric blue b...

Scene: Manhattan, exterior luxury nightclub entrance, 11:47 PM, heavy rain. Neon signs in magenta and electric blue bleed across slick black pavement. A crimson velvet rope bisects the frame. Forty immaculately dressed patrons press close — women in silk, men in tailored wool — condensation on champagne flutes, breath visible in cold air. SHOT 1 — MEDIUM (0:00–0:03): James, early 40s, white American male, weathered face, calm authority. Pressed dress shirt, slightly damp at the shoulders. Three military decorations pinned over his heart — Blue, Bronze, White ribbons. He stands at the velvet rope with absolute stillness. Kyle, late 20s, white American male bouncer, black suit straining at the shoulders, towers over him with a contemptuous sneer. Shallow depth of field keeps the murmuring crowd a soft, jewel-toned blur. SHOT 2 — CLOSE-UP (0:03–0:06): Kyle's thick hand lunges forward and GRIPS the medal cluster. Extreme close-up on knuckles whitening. A sharp YANK — fabric rips audibly. Medals tear free. The sound design carries: ripping cotton, the sudden collective inhale of forty people. SHOT 3 — MACRO CLOSE-UP (0:06–0:07): Three medals spiral downward in slow motion — 120fps. They strike a rain-filled pothole. Water erupts in a crown of silver droplets. The blue ribbon of the Medal of Honor unfurls beneath the surface. Neon reflections shatter around it. The clink of metal on asphalt reverberates. SHOT 4 — WIDE (0:07–0:10): James drops to one knee in the rain, both hands cradling the medals from the puddle. His shoulders do not slump. The crowd freezes — hands fly to mouths, a woman grips her companion's arm, a man in a tuxedo steps back. Senator Wells, 50s, white American female, silver-streaked hair, elegant charcoal coat, moves forward instinctively, one gloved hand rising to cover her lips in open horror. Kyle crosses his arms, smug, unmoved. SHOT 5 — MEDIUM CLOSE-UP ON KYLE (0:10–0:11): Kyle tilts his chin down with a cold half-smile: "Costume jewelry doesn't impress me, grandpa." His breath fogs the cold air. Rainwater drips from the canopy behind him. SHOT 6 — LOW ANGLE CLOSE-UP ON JAMES (0:11–0:14): Camera holds at puddle level. James lifts his gaze — not in anger, but with the quiet weight of someone who has witnessed things no one in that crowd could comprehend. Water streams from his jaw. The blue-ribboned Medal of Honor rests in his open palm, catching a single streak of neon magenta. He speaks without raising his voice: "This is the Medal of Honor." SHOT 7 — WIDE, SLOW PUSH-IN (0:14–0:15): The crowd has gone stone-still. No movement. Only rain on pavement — steady, indifferent, beautiful. The frame holds. Cut to black. TECHNICAL SPECS FOR SORA 2: Photorealistic. Cinematic. Shot on RED Dragon 8K with Leica Summilux lenses. Color grade: cool shadows (deep teal/slate), warm neon highlights (magenta/amber). Anamorphic lens flares on wet surfaces. Practical rain FX, no CGI rain. 24fps with selective 120fps slow motion on medals drop. No text, no logos, no watermarks, no UI elements. Diegetic audio only: rain, crowd murmur, fabric tear, metallic clink, dialogue. Film grain: subtle, 35mm aesthetic.

17 lut 2026, 14:52Zobacz szczegóły
videoSora 2

VIAJE EN EL TIEMPO LA ÚLTIMA CENA TEXTO PERMANENTE EN PANTALLA JERUSALÉN EL CENÁCULO 33 DC DURACION 15 segundos Estil...

VIAJE EN EL TIEMPO LA ÚLTIMA CENA TEXTO PERMANENTE EN PANTALLA JERUSALÉN EL CENÁCULO 33 DC DURACION 15 segundos Estilo documental documental HD interior de piedra rústica iluminado por velas mesa larga con Jesús y discípulos cenando solemnemente CAMARA selfie POV MOVIMIENTO DINAMICO girando suavemente para mostrar la mesa y volver al rostro APARIENCIA @misterstrong atletico rostro flaco sin ojeras ropa de viajero dispositivo temporal oculto hablando a la cámara 0 a 3 segundos dice Todo está muy tranquilo 3 a 7 segundos dice Ignoran su destino final 7 a 11 segundos dice Es la despedida 11 a 15 segundos gesto serio dice El acceso a mas contenido esta en mi perfil

17 lut 2026, 14:52Zobacz szczegóły
videoSora 2

Inside an upscale Manhattan brunch restaurant on a busy Saturday afternoon, with warm natural lighting streaming thro...

Inside an upscale Manhattan brunch restaurant on a busy Saturday afternoon, with warm natural lighting streaming through large windows and the buzz of conversation filling the air. The dining room is packed with white American professionals and families at small tables, servers weaving between them with trays. Wide shot: Gerald (50s, disheveled chef's coat, red-faced, clearly intoxicated) storms from the kitchen toward Margaret (60s, elegant white sundress, composed posture) at table twelve. Medium shot: Gerald grabs a glass coffee carafe from the neighboring table, raises it above Margaret's head. Close-up: Margaret looks up calmly, unaware of what's coming. Cut to: Gerald dumps the entire pot of steaming coffee over her head, liquid cascading down her face and dress. The entire restaurant freezes - forks halfway to mouths, conversations dead silent, phones emerging to record. Gerald shouts: "Get out of my restaurant, you nobody!" Margaret stands slowly, coffee dripping from her chin, reaches into her soaked purse and pulls out federal credentials. Her voice is steady and quiet: "Judge Margaret Cole, Southern District of New York." Gerald's face goes white with shock. No logos, no brand names, no watermarks, no text overlays.

17 lut 2026, 14:50Zobacz szczegóły
videoSora 2

[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...

[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] video gaya konten harian, satu pengambilan gambar terus menerus tanpa cut, one continuous shot, kamera diletakkan di pintu kiri mobil, menghadap ke arah pengemudi dari samping, sudut pandang lebar seperti 0.5 ultra wide, wanita sedang menyetir mobil sporty modern, setir berada di sisi KANAN sesuai mobil di Indonesia, interior mobil premium terlihat jelas, mobil melaju cukup cepat di jalan pegunungan berkelok, melalui kaca depan dan kaca samping terlihat pemandangan gunung hijau dan lembah luas, jalan berliku terlihat jelas di depan, sesekali terlihat motor di depan melalui kaca depan saat mobil mendekat dan melewatinya secara halus, gerakan terasa natural dan realistis, botol parfum diletakkan natural di dashboard atau konsol tengah, tidak dipegang dan tidak didekatkan, terlihat paha secara wajar karena mengenakan rok pendek, kulit tampak cerah alami tanpa fokus berlebih

17 lut 2026, 14:50Zobacz szczegóły
videoVeo

beautiful scenery of flower fields

beautiful scenery of flower fields

17 lut 2026, 14:48Zobacz szczegóły
videoSora 2

A first person gopro view (the gopro is eye level) of an Indonesian teenager with short black curly hair, she wears a...

A first person gopro view (the gopro is eye level) of an Indonesian teenager with short black curly hair, she wears a rolled short sleeved uniform, she's wearing a small black hairtie on her right wrist, she's looking around her own home before walking to a door before opening it and entering her own bedroom and walks over to the bed and when she arrived at the bed she looked down(the camera is in her eyes, make the camera slightly obstructed by her hair, make the house has a lot of noise)

17 lut 2026, 14:48Zobacz szczegóły

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