โชว์เคส Seedance 2.0
เรียกดูการสร้างสาธารณะที่ประสบความสำเร็จจากชุมชนและเปิดรายการใดก็ได้เพื่อตรวจสอบพรอมต์ การตั้งค่า และเอาต์พุต
Purple hair and clothing, it cuts to a handheld recorded phone video, 2025, Miami, dance club, side rear view of a 18...
Purple hair and clothing, it cuts to a handheld recorded phone video, 2025, Miami, dance club, side rear view of a 18-year-old Puerto Rican girl in same exact hair and clothing in addition to a diamond Cuban Link chain with 3D crown pendant, her jeans low cropped below her bottom sacral cleft, she is shooting a music video rapping in heavy urban Kentucky accent, rapping over fast paced hip hop gangsta drill beat blasting bass in club on speakers, flashing lights in club, she is standing and squatting down in front of camera with a group of Black and Puerto Rican girls in urban hip hop fashion dancing and standing behind her, she is spreading and flexing her money as she raps about being verbatim "the Boricua female Jordan Belfort in the making", being "the Wolf of Chiraq" (Chiraq is pronounced Shy-Rack)
Could I get a cool trailer of a 3d disney pixar animated movie style of a humanoid fish character wearing a hoodie an...
Could I get a cool trailer of a 3d disney pixar animated movie style of a humanoid fish character wearing a hoodie and wearing socks and sandals walking in town and he stops and sees other humanoid fish people jumpscaring each other and he decides to do it to and he joins them and it transitions to a pov view montages of them jumpscaring us going into their mouth and into their dark throat nothing magical just a dark throat one by one by one ending it with the name of the movie.
Ultra-realistic handheld smartphone footage, vertical 9:16, STRICTLY raw amateur home video. NOT cinematic, NOT filmi...
Ultra-realistic handheld smartphone footage, vertical 9:16, STRICTLY raw amateur home video. NOT cinematic, NOT filmic. Camera style: handheld phone indoors. Extremely shaky, messy, uncontrolled movement. Fast whip-pans trying to follow the action. Random accidental zooms. Strong motion blur during fast running and jumps. Autofocus constantly hunting and snapping in and out while tracking one fast black cat. Natural phone compression artifacts, rolling shutter wobble, exposure flicker. No stabilization. No tripod. No slow motion. Scene: messy bedroom or laundry area. A black cat finds a loose sock on the floor. The cat grabs the sock and runs full speed out of the room. The sock drags behind while the cat slides on hardwood floor turning corners too fast. Cat jumps onto bed still holding sock, bunny-kicks it aggressively, then runs again. Cat hides behind pillows, then suddenly bursts out sprinting with sock still in mouth. Audio: realistic phone mic only. Fast paw taps, fabric dragging on floor, playful attack chirps. Filmer laughing and yelling: “HEY— THAT’S MINE— GIVE IT BACK!” No music. No soundtrack. No voiceover. Ending: cat drops sock… camera moves closer… cat suddenly jumps back and steals it again, almost hitting lens. Hard cut. Lighting: normal indoor household lighting. Slight exposure shifts from movement. No dramatic lighting. No color grading.
A cinematic, ultra-realistic short video in vertical 9:16 format, approximately 15 seconds long. The scene takes plac...
A cinematic, ultra-realistic short video in vertical 9:16 format, approximately 15 seconds long. The scene takes place in a dimly lit hospital room at night. Soft medical monitor lights glow quietly in the background, paired with a warm bedside lamp. The atmosphere feels tense, intimate, and emotionally heavy. A toddler girl lies awake in a hospital bed, weak but calm. A male doctor gently checks her temperature, then rests his hand on her forehead a moment longer than necessary. His expression suggests hesitation and recognition. The doctor slowly lifts his eyes toward someone standing nearby and speaks in a low, controlled voice: “This wasn’t supposed to reach me.” The camera cuts to a close-up of a woman standing a few steps away. She is frozen, eyes filled with restrained fear and guilt. After a brief pause, she replies quietly: “It wasn’t supposed to reach anyone.” A short silence hangs between them. The camera cuts back to the doctor. He looks down at the child again, his jaw tightening. After a beat, he speaks, colder now: “Then why is she here?” The woman cannot answer. Tears finally fall. The scene ends on the doctor’s face as he looks at the child, surrounded by silence. Realistic facial expressions, natural human voices, subtle ambient hospital sounds, shallow depth of field, emotionally intense tone.
Amateur viral video, 16:9 aspect ratio, phone camera style. First take: a realistic green Brazilian parrot inside a s...
Amateur viral video, 16:9 aspect ratio, phone camera style. First take: a realistic green Brazilian parrot inside a simple house environment, holding and tapping on a smartphone with its claw, pretending to call an Uber. The parrot looks focused and slightly impatient. Natural daylight, casual Brazilian home vibe, slight camera shake. Second take: cut to outside. A jabuti (Brazilian land tortoise) slowly arrives from the distance as if it were the Uber. The parrot looks surprised, then resigned but humorous. Lip sync enabled. Funny parrot voice. Home-made filming, viral Brazilian humor timing. Dialogue in Portuguese: Parrot says: “Chamando um Uber aqui…” Parrot reacts and says: “Eita… um jabuti!” Parrot shrugs and finishes: “Bom, mas é o que tem pra hoje. Vamos.”
A bustling American high school cafeteria during peak lunch hour. Cinematic wide establishing shot glides through the...
A bustling American high school cafeteria during peak lunch hour. Cinematic wide establishing shot glides through the space: harsh fluorescent overhead lighting creates stark contrasts across crowded rectangular tables where dozens of teenagers eat and socialize. Natural cafeteria acoustics with ambient chatter, clattering trays, and shuffling feet. Camera finds Brett (18, athletic build, varsity letterman jacket in school colors) standing aggressively over Emma (17, slender frame, studious appearance with wire-rimmed glasses, debate team materials spread before her). Medium shot from eye level: Brett's face flushes crimson with rage, veins visible on his neck as he bellows "You made me look stupid in front of the whole school!" His voice cuts through the ambient noise. Emma rises deliberately from her seat, books sliding aside. Steady medium-close shot captures her controlled composure as she responds evenly, "You made yourself look stupid. I just provided facts." Her tone is matter-of-fact, unwavering. Sudden violent motion—dramatic close-up with slight slow-motion (0.7x speed): Brett's open hand arcs viciously toward Emma's face. The sharp crack of impact reverberates. Immediate reactive shot: Emma's head snaps sideways from the force, glasses spinning off in a distinct trajectory, catching the fluorescent light. She stumbles backward, arms flailing for balance, crashes to the linoleum floor with heavy impact. The cafeteria plunges into shocked silence—all background noise cuts abruptly. Quick cut to over-the-shoulder perspective: a firm hand with controlled tension enters frame, gripping Brett's shoulder with authority. Camera pulls back to reveal Ryan (17, lean build concealed by oversized hoodie and loose jeans, watchful eyes, understated presence) restraining Brett with surprising physical control despite appearing unassuming. Medium two-shot: Brett twists to face Ryan, breaks into condescending laughter. "What're you gonna do, nerd?" he sneers, voice dripping with mockery. Close-up on Ryan's face—expression remains eerily calm, eyes focused. One hand maintains steel grip on Brett's shoulder. His other hand produces a smartphone with practiced ease. Tight shot on phone screen as he dials. Camera alternates between Ryan's composed face and the phone. Final medium shot: Ryan speaks into phone with measured, deliberate tone that cuts through the silence: "Coach Martinez? It's Ryan. I need you at Lincoln High immediately." Pregnant pause. His grip visibly tightens on Brett's shoulder. "I'm about to break my non-violence agreement." The weight of the statement hangs in the air. Camera slowly pushes in on Ryan's controlled expression as tension builds. Technical specifications: Natural color grading with slightly desaturated palette emphasizing institutional setting. Realistic skin tones and lighting continuity. Dynamic camera movement—smooth dolly and handheld combination for documentary realism. Clear spatial geography between characters. Authentic teenage body language and reactions from background extras showing shock and frozen stares. No visible logos, brand names, watermarks, or text overlays throughout.
A bustling American high school cafeteria during peak lunch hour. Cinematic wide establishing shot glides through the...
A bustling American high school cafeteria during peak lunch hour. Cinematic wide establishing shot glides through the space: harsh fluorescent overhead lighting creates stark contrasts across crowded rectangular tables where dozens of teenagers eat and socialize. Natural cafeteria acoustics with ambient chatter, clattering trays, and shuffling feet. Camera finds Brett (18, athletic build, varsity letterman jacket in school colors) standing aggressively over Emma (17, slender frame, studious appearance with wire-rimmed glasses, debate team materials spread before her). Medium shot from eye level: Brett's face flushes crimson with rage, veins visible on his neck as he bellows "You made me look stupid in front of the whole school!" His voice cuts through the ambient noise. Emma rises deliberately from her seat, books sliding aside. Steady medium-close shot captures her controlled composure as she responds evenly, "You made yourself look stupid. I just provided facts." Her tone is matter-of-fact, unwavering. Sudden violent motion—dramatic close-up with slight slow-motion (0.7x speed): Brett's open hand arcs viciously toward Emma's face. The sharp crack of impact reverberates. Immediate reactive shot: Emma's head snaps sideways from the force, glasses spinning off in a distinct trajectory, catching the fluorescent light. She stumbles backward, arms flailing for balance, crashes to the linoleum floor with heavy impact. The cafeteria plunges into shocked silence—all background noise cuts abruptly. Quick cut to over-the-shoulder perspective: a firm hand with controlled tension enters frame, gripping Brett's shoulder with authority. Camera pulls back to reveal Ryan (17, lean build concealed by oversized hoodie and loose jeans, watchful eyes, understated presence) restraining Brett with surprising physical control despite appearing unassuming. Medium two-shot: Brett twists to face Ryan, breaks into condescending laughter. "What're you gonna do, nerd?" he sneers, voice dripping with mockery. Close-up on Ryan's face—expression remains eerily calm, eyes focused. One hand maintains steel grip on Brett's shoulder. His other hand produces a smartphone with practiced ease. Tight shot on phone screen as he dials. Camera alternates between Ryan's composed face and the phone. Final medium shot: Ryan speaks into phone with measured, deliberate tone that cuts through the silence: "Coach Martinez? It's Ryan. I need you at Lincoln High immediately." Pregnant pause. His grip visibly tightens on Brett's shoulder. "I'm about to break my non-violence agreement." The weight of the statement hangs in the air. Camera slowly pushes in on Ryan's controlled expression as tension builds. Technical specifications: Natural color grading with slightly desaturated palette emphasizing institutional setting. Realistic skin tones and lighting continuity. Dynamic camera movement—smooth dolly and handheld combination for documentary realism. Clear spatial geography between characters. Authentic teenage body language and reactions from background extras showing shock and frozen stares. No visible logos, brand names, watermarks, or text overlays throughout.
A 15-second ultra-realistic documentary-style video. An extremely old, wrinkled, disheveled elderly woman with very n...
A 15-second ultra-realistic documentary-style video. An extremely old, wrinkled, disheveled elderly woman with very natural facial expressions and slow, realistic movements. She is standing outdoors in a rural environment, natural daylight, no dramatic lighting. In front of her stands a real donkey, calm and lifelike, with natural body language and sounds. The elderly woman gently holds the donkey’s front legs. Very slowly and carefully, she begins turning the donkey in a small circle. The donkey repeatedly brays naturally, reacting like a real animal. The woman gradually increases the speed, still realistically and without exaggeration. After several slow turns, she releases the donkey’s legs. The donkey becomes visibly dizzy, stepping unsteadily and wobbling slightly, trying to regain balance in a realistic and natural way. No harm, no violence, no cartoon motion. Natural physics, real animal behavior, real human movement. Handheld smartphone camera, slight shake, natural focus shifts. Authentic rural sound ambience, wind, distant birds. Completely realistic, raw, unedited, documentary feel.
Make the car move at a very big speed and drift through the narrow alleys in a cinematic way
Make the car move at a very big speed and drift through the narrow alleys in a cinematic way
A cinematic STYLE LAS CHICAS SE MUEVEN Y RIEN EN EL ESCENARIO
A cinematic STYLE LAS CHICAS SE MUEVEN Y RIEN EN EL ESCENARIO
video stile cimnematografico di un giovane calciatore del GSO Vimodrone nel giorno del torneo. Si trova all'interno d...
video stile cimnematografico di un giovane calciatore del GSO Vimodrone nel giorno del torneo. Si trova all'interno dello spogliatoio ed è emozionato e un po’ teso per cui mentre si mette le scarpette diventa pensieroso e inizia a sognare quando entraerà in campo. Il mondo reale si trasforma in un universo cartoon epico: il campo diventa più grande, la luce più intensa, un pallone da calcio rotola sul campo
A cinematic, ultra-realistic short video in vertical 9:16 format, approximately 15 seconds long. The scene takes plac...
A cinematic, ultra-realistic short video in vertical 9:16 format, approximately 15 seconds long. The scene takes place in a dimly lit hospital room at night. Soft medical monitor lights glow quietly in the background, paired with a warm bedside lamp. The atmosphere feels tense, intimate, and emotionally heavy. A toddler girl lies awake in a hospital bed, weak but calm. A male doctor gently checks her temperature, then rests his hand on her forehead a moment longer than necessary. His expression suggests hesitation and recognition. The doctor slowly lifts his eyes toward someone standing nearby and speaks in a low, controlled voice: “This wasn’t supposed to reach me.” The camera cuts to a close-up of a woman standing a few steps away. She is frozen, eyes filled with restrained fear and guilt. After a brief pause, she replies quietly: “It wasn’t supposed to reach anyone.” A short silence hangs between them. The camera cuts back to the doctor. He looks down at the child again, his jaw tightening. After a beat, he speaks, colder now: “Then why is she here?” The woman cannot answer. Tears finally fall. The scene ends on the doctor’s face as he looks at the child, surrounded by silence. Realistic facial expressions, natural human voices, subtle ambient hospital sounds, shallow depth of field, emotionally intense tone.