โชว์เคส Seedance 2.0
เรียกดูการสร้างสาธารณะที่ประสบความสำเร็จจากชุมชนและเปิดรายการใดก็ได้เพื่อตรวจสอบพรอมต์ การตั้งค่า และเอาต์พุต
ASMR style video - a pair of hands is bending a thick metal bar into a ribbon shape
ASMR style video - a pair of hands is bending a thick metal bar into a ribbon shape
Gym/workout life style clothing shop banner. Influences like youngla and bodybuilding community.
Gym/workout life style clothing shop banner. Influences like youngla and bodybuilding community.
ASMR style video - a samurai with a katana cuts through a thick steel rail with a single iai slash with his katana sw...
ASMR style video - a samurai with a katana cuts through a thick steel rail with a single iai slash with his katana sword. The swords goes through the steel rail with a single ultra fast slash, cutting it in half and the rail falling apart in 2 distinguished separate pieces.
ASMR style video - a samurai with a katana cuts through a thick steel rail with a single iai slash with his katana sw...
ASMR style video - a samurai with a katana cuts through a thick steel rail with a single iai slash with his katana sword. The swords goes through the steel rail with a single ultra fast slash, cutting it in half and the rail falling apart in 2 distinguished separate pieces.
ASMR style video - a samurai with a katana cuts through a thick steel rail with a single iai slash with his katana sw...
ASMR style video - a samurai with a katana cuts through a thick steel rail with a single iai slash with his katana sword. The swords goes through the steel rail with a single ultra fast slash, cutting it in half and the rail falling apart in 2 distinguished separate pieces.
Scene: Ultra-realistic, live-action courtroom footage of an 80-year-old white female defender, standing at the witnes...
Scene: Ultra-realistic, live-action courtroom footage of an 80-year-old white female defender, standing at the witness stand. 4K resolution. Hyper-realistic, not cinematic; must look exactly like official recorded courtroom evidence. General Settings for all shots: - Lighting: Neutral, flat, realistic courtroom lighting, correct white balance. - Texture: Natural aged skin with wrinkles, subtle pores, minor imperfections. Slight film grain and compression artifacts. - Camera: Single-character per shot, full face visible at all times. Minimal micro-shake only if natural. No cinematic zooms or shallow depth-of-field. - Audio: Courtroom acoustics, slight echo allowed, natural lip-sync, official pacing, soft breaths where appropriate. No music. - Style: Authentic CCTV / recorded courtroom footage. Muted colors, tense atmosphere. Line 1: - Dialogue: "I am 80 years old now with no family." - Shot Type: Frontal MCU, 0° angle. - Facial Expression: Slight sadness, downcast eyes, lips lightly pressed, subtle blinking. - Body Language: Slight forward lean, minor head tilt, natural shoulder movement. - Audio Notes: Soft exhale before "I am", natural pacing. Line 2: - Dialogue: "The only family I have is my dog." - Shot Type: Frontal MCU, 0° angle. - Facial Expression: Tender warmth, faint micro-smile, slight teariness, blinking. - Body Language: Hands lightly clasped if visible, gentle head tilt, subtle breathing. - Audio Notes: Slight pause after "dog" for tension. Line 3: - Dialogue: "But sometimes my dog breaks free and goes into my neighbor's house." - Shot Type: Witness Stand Side Angle (Three-Quarter View), 45° angle, full face visible. - Facial Expression: Anxiety, widened eyes, tightened jaw, subtle lip tension. - Body Language: Minor shoulder shift, natural hand fidgeting, subtle head movements. - Audio Notes: Hesitant speech, subtle breath before "breaks free". Line 4: - Dialogue: "They said they would harm my dog if it came to their house again." - Shot Type: Angled Medium Close-Up (Courtroom Camera B), slight angle, full face visible. - Facial Expression: Fear and concern, pupils slightly dilated, lips pressed. - Body Language: Slight head pull-back, subtle neck movement, micro-expressions of tension. - Audio Notes: Soft vocal tremor on "harm my dog", natural pacing. Line 5: - Dialogue: "I could not control myself and threw water at them." - Shot Type: Side-Facing Witness MCU, 90° profile with eyes toward camera, full face visible. - Facial Expression: Regret and guilt, downward gaze, lips pressed, faint frown. - Body Language: Head slightly lowered, minor shoulder slump, natural breathing. - Audio Notes: Soft, remorseful tone, micro-pause before "threw water". Line 6: - Dialogue: "I know I was at fault, but they're at fault too." - Shot Type: Frontal MCU, 0° angle. - Facial Expression: Conflict between guilt and defensiveness, eyes dart slightly, subtle frown. - Body Language: Slight forward lean, slow blinking, minor head movements. - Audio Notes: Natural lip-sync, final words slightly heavier for tension. Instructions for AI: - Maintain **consistent character traits** across all lines: innocent, frail, emotionally restrained but visibly distressed. - Ensure **continuous realism**: facial micro-expressions, blinking, breathing, subtle gestures. - Avoid cinematic polish, artificial lighting, or exaggerated acting. - Each line should be generated as a **separate clip** for easy timeline assembly while keeping character fully consistent.
A cinematic shot of a Someone crossing out tasks, then continuing anyway. Someone going back to the gym. Someone prac...
A cinematic shot of a Someone crossing out tasks, then continuing anyway. Someone going back to the gym. Someone practicing.
Military canteen interior, desaturated colors except deep blue uniforms and red bruises. Bruised female Marine in fad...
Military canteen interior, desaturated colors except deep blue uniforms and red bruises. Bruised female Marine in faded camo stands at attention while a drill instructor circles her menacingly. Suddenly, heavy double doors burst open—five Army generals in immaculate dress blues march in perfect sync, boots echoing. All soldiers freeze mid-bite. Low-angle shot as generals approach. Lead general stops, makes eye contact with the Marine. Dramatic tension. "Private Rodriguez... you're being recommended for officer candidate school." Entire canteen erupts in stunned silence then applause.
Military canteen interior, desaturated colors except deep blue uniforms and red bruises. Bruised female Marine in fad...
Military canteen interior, desaturated colors except deep blue uniforms and red bruises. Bruised female Marine in faded camo stands at attention while a drill instructor circles her menacingly. Suddenly, heavy double doors burst open—five Army generals in immaculate dress blues march in perfect sync, boots echoing. All soldiers freeze mid-bite. Low-angle shot as generals approach. Lead general stops, makes eye contact with the Marine. Dramatic tension. "Private Rodriguez... you're being recommended for officer candidate school." Entire canteen erupts in stunned silence then applause.
"A dramatic, slow-motion cinematic scene in a military canteen. The camera focuses on the stark contrast between two ...
"A dramatic, slow-motion cinematic scene in a military canteen. The camera focuses on the stark contrast between two worlds: the gritty reality of field training and the polished power of high command. In the foreground, a female Marine in a faded digital camo uniform stands like a statue, her face marked by the purple and red welts of recent combat training. Her eyes are glassy but defiant. To her side, a drill instructor with a weathered face and sharp features circles her, his expression shifting from a fierce snarl to a chilling, calculated grin. The background music swells with a rhythmic, low-frequency pulse as the heavy double doors at the end of the hall burst open. A delegation of five Army generals in immaculate 'Army Blues' march in perfect synchronization. Their gold buttons and silver star insignias glint under the flickering fluorescent lights. Every soldier in the room freezes, forks halfway to their mouths, as the sound of polished leather boots striking the linoleum floor echoes through the silent hall. The camera uses a 'low-angle tracking shot' to make the approaching officers look imposing and unstoppable. The color palette is desaturated, except for the deep blues of the dress uniforms and the vivid red of the bruises on the female soldier’s face, creating a heavy, somber mood of impending judgment."
"A dramatic, slow-motion cinematic scene in a military canteen. The camera focuses on the stark contrast between two ...
"A dramatic, slow-motion cinematic scene in a military canteen. The camera focuses on the stark contrast between two worlds: the gritty reality of field training and the polished power of high command. In the foreground, a female Marine in a faded digital camo uniform stands like a statue, her face marked by the purple and red welts of recent combat training. Her eyes are glassy but defiant. To her side, a drill instructor with a weathered face and sharp features circles her, his expression shifting from a fierce snarl to a chilling, calculated grin. The background music swells with a rhythmic, low-frequency pulse as the heavy double doors at the end of the hall burst open. A delegation of five Army generals in immaculate 'Army Blues' march in perfect synchronization. Their gold buttons and silver star insignias glint under the flickering fluorescent lights. Every soldier in the room freezes, forks halfway to their mouths, as the sound of polished leather boots striking the linoleum floor echoes through the silent hall. The camera uses a 'low-angle tracking shot' to make the approaching officers look imposing and unstoppable. The color palette is desaturated, except for the deep blues of the dress uniforms and the vivid red of the bruises on the female soldier’s face, creating a heavy, somber mood of impending judgment."
"A dramatic, slow-motion cinematic scene in a military canteen. The camera focuses on the stark contrast between two ...
"A dramatic, slow-motion cinematic scene in a military canteen. The camera focuses on the stark contrast between two worlds: the gritty reality of field training and the polished power of high command. In the foreground, a female Marine in a faded digital camo uniform stands like a statue, her face marked by the purple and red welts of recent combat training. Her eyes are glassy but defiant. To her side, a drill instructor with a weathered face and sharp features circles her, his expression shifting from a fierce snarl to a chilling, calculated grin. The background music swells with a rhythmic, low-frequency pulse as the heavy double doors at the end of the hall burst open. A delegation of five Army generals in immaculate 'Army Blues' march in perfect synchronization. Their gold buttons and silver star insignias glint under the flickering fluorescent lights. Every soldier in the room freezes, forks halfway to their mouths, as the sound of polished leather boots striking the linoleum floor echoes through the silent hall. The camera uses a 'low-angle tracking shot' to make the approaching officers look imposing and unstoppable. The color palette is desaturated, except for the deep blues of the dress uniforms and the vivid red of the bruises on the female soldier’s face, creating a heavy, somber mood of impending judgment."
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