โชว์เคส Seedance 2.0
เรียกดูการสร้างสาธารณะที่ประสบความสำเร็จจากชุมชนและเปิดรายการใดก็ได้เพื่อตรวจสอบพรอมต์ การตั้งค่า และเอาต์พุต
The robot talks to the camera and winks
The robot talks to the camera and winks
Dynamic 1950s rockabilly band performing energetically in a vintage TV studio, charismatic lead singer with black pom...
Dynamic 1950s rockabilly band performing energetically in a vintage TV studio, charismatic lead singer with black pompadour hair passionately singing and wildly strumming white Gretsch hollow-body guitar, jumping and kicking leg high in classic rock'n'roll pose, black & white striped shirt, intense expression, backup singer on acoustic guitar swaying, upright bass player plucking furiously, drummer hitting hard with swinging beat, microphone stand swaying slightly, warm studio lights, subtle camera dolly-in and gentle pan following the jumping lead singer, film grain, retro 1950s atmosphere, high energy, lively, 24fps, cinematic
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.A 10-second video, 8K U...
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.A 10-second video, 8K UHD, photorealistic. Dewi Shinta, from Indonesian mythology, is DJing progressive music with high energy at Borobudur Temple. She is a beautiful Javanese woman with very detailed, consistent features: long, sleek black hair styled in a middle part, flowing over her shoulders, sharp almond-shaped eyes with a mysterious smile, and flawless, radiant skin. She wears a sleek black batik sleeveless turtleneck top with "JONI" written on it and tight black pants. On the DJ table is equipment boldly labeled "JONI". The camera moves in a dynamic, circular motion, capturing her from the chest up with cinematic, random motion—never from behind. She performs quick, professional DJ hand movements (scratching, adjusting knobs) and energetic, fluid upper-body dance motions; avoid foot lifts, slow movement, or combat poses. Her posture is proportional. Add her signature golden celestial cakra energy swirling around her hands, balanced with vibrant lens flares and colorful smog. The scene is super sharp, no cartoon or anime styles
Smartphone camera footage. A 4 meters tall man pushes people aside at the waiting queue at a shop. As he passes by, p...
Smartphone camera footage. A 4 meters tall man pushes people aside at the waiting queue at a shop. As he passes by, people are turning their heads up in amazement and awe.
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.
Smartphone video footage. A gorilla bench presses with perfect powerlifting form two two cars attached to a rail, for...
Smartphone video footage. A gorilla bench presses with perfect powerlifting form two two cars attached to a rail, forming something like a barbell. Once it presses the weight, it roars loudly and menacingly, gets up to its feet and beats its chest proudly.
Smartphone video footage. A gorilla bench presses with perfect powerlifting form two very big engines, attached to a ...
Smartphone video footage. A gorilla bench presses with perfect powerlifting form two very big engines, attached to a super thick bar, forming something like a barbell. Once it presses the weight, it roars loudly and menacingly, gets up to its feet and beats its chest proudly.
Smartphone video footage. A gorilla bench presses 2 tons (2000 kg) on a reinforced bench, leaving onlookers in total ...
Smartphone video footage. A gorilla bench presses 2 tons (2000 kg) on a reinforced bench, leaving onlookers in total disbelief. Once it presses the weight, it roars loudly and menacingly, gets up to its feet and beats its chest proudly.
Smartphone video footage. A strongman attempts to lift a big heavy stone off the ground in front of a huge gorilla's ...
Smartphone video footage. A strongman attempts to lift a big heavy stone off the ground in front of a huge gorilla's zoo enclosure, but the stone won't budge. The gorilla is way bigger than the strongman. The gorilla then picks a way bigger stone and lifts it over its head effortlessly.
1. GLOBAL TECHNICAL SPECIFICATIONS • CAMERA: ARRI ALEXA 65 (65mm digital sensor) • RESOLUTION: 6.5K Open Gate • LENS:...
1. GLOBAL TECHNICAL SPECIFICATIONS • CAMERA: ARRI ALEXA 65 (65mm digital sensor) • RESOLUTION: 6.5K Open Gate • LENS: Custom-built ARRI PRIME DNA lenses (rehoused vintage glass, 50mm & 80mm) • EI (ASA): 800 base, rated at 640 for shadow detail preservation • SHUTTER: 180° (1/48th sec) for natural motion blur • COLOR TEMP: 2800K tungsten practicals; 5600K daylight balance for exteriors • POST WORKFLOW: Film-out to 70mm negative (Kodak Vision3 5219), scanned back at 8K for organic grain overlay • COLOR GRADE: Custom LUT inspired by Sicario’s twilight palette—desaturated cyan mid-tones, warm skin tone isolation. 2. SHOT LIST & CINEMATOGRAPHIC DIRECTION SCENE 1: INT. WAREHOUSE (TRAFFORD PARK) – 04:17 AM The world is asleep. One man is awake with someone’s memory. SHOT 1: EXTREME WIDE DRONE ESTABLISHING • CAMERA: Freefly ALTA X drone, 200ft, 3-axis gimbal • LENS: 25mm Panavision Primo (cropped to 65mm sensor coverage) • MOVEMENT: Silent, glacial push-in through the warehouse bay door. No sound but wind. • LIGHTING: Single 2K tungsten practical (bare bulb) casting a 50ft shadow. No fill. • MOTIVATION: The universe is vast and indifferent. One light defies it. SHOT 2: TABLETOP MACRO—THE HANDS • CAMERA: Phantom VEO 4K at 120fps, mounted on Fisher Dolly with Micro-Adjust head • LENS: 80mm ARRI Prime DNA, T1.4 (shooting at T1.6 to induce slight lens breathing) • FOCUS: Rack from fingertips to knuckles; each wrinkle is a topographic map of care. • LIGHTING: Dedolight 150W through 4x4 diffusion, 6 inches from subject. Light wraps like prayer. • TEXTURE: Every fingerprint, every scar visible. This is not footage; it’s evidence of humanity. SHOT 3: THE EMPLOYEE (DAVID, 58) • CAMERA: ALEXA 65, handheld with Easyrig (90% tilt-lock) • LENS: 50mm DNA at T2 (sweet spot for spherical fall-off) • COMPOSITION: ECU, eye-level. David’s eyes reflect the package he’s wrapping. • PERFORMANCE NOTE: He doesn't look at the camera. He looks through us, like we’re a ghost he’s made peace with. • LIGHTING: Single Kino Flo 2ft 3200K, dimmed to 20%, flagged to keep eyelights as twin catchlights only. DAVID (V.O.): "My daughter died in a hospital at the other end of the country. Someone had to bring her things home. A stranger did it. Threw them in a box. Taped it. Done. I flinched opening it."SHOT 4: THE FLINCH (FLASHBACK INTERCUT) • CAMERA: Bolex 16mm (physical film), 500T pushed 2 stops • LENS: Kinoptik 25mm f/1.5 (vintage French glass, swirly edges) • TEXTURE: Visible grain, gate weave, light leaks. This is violated memory. • VISUAL: Hands tearing open a box. Items spilling. A photo bent at the corner. • RATIONALE: Lower fidelity for trauma. The present is pristine; the past is damaged. SCENE 2: THE RITUAL (MONTAGE) Care is slow. We shoot it at 12 frames per second to give God time to notice. SHOT 5: SILK WRAPPING • CAMERA: ALEXA 65, motorized slider (60 inches/minute) • LENS: 100mm Macro DNA, T2.8 • SPECIAL: Probe lens inserted inside the box, looking up as silk descends like a burial shroud. • SOUND: Silk whisper at 96kHz, pitched down 2 octaves in post. Sounds like a hymn. SHOT 6: THE NOTE • CAMERA: Phantom VEO at 1000fps • LENS: 50mm DNA • VISUAL: Handwritten card lowered into frame. Paper bends. Ink glistens. Time stops. • LIGHTING: Briese Focus 180 (soft sun) creating a single god-ray. Dust particulate visible in the air. • COLOR: Isolated warm separation. Everything else desaturated to black & white except the yellow legal pad paper. SHOT 7: SEALING THE BOX • CAMERA: Bolt Cinebot (high-speed motion control), programmed to move 3mm/frame • LENS: 35mm DNA, T4 (deep focus) • VISUAL: Tape gun applies a single strip. Slow-motion. The adhesive bonds at a molecular level. • SOUND: Tape pull = reverb-drenched cello note (Hildur Guðnadóttir style). SCENE 3: THE HANDOFF Two people, one package, infinite weight. SHOT 8: TWO-SHOT, PROFILE • CAMERA: ALEXA 65 on Steadicam, 180° arc around subjects • LENS: 80mm DNA, T1.4 (shallow depth: only hands and faces sharp) • MOVEMENT: Orbit takes seconds. Background becomes creamy bokeh orbs. The world dissolves. Only this exchange matters. • LIGHTING: Natural window light supplemented with 12x12 bounce. No shadows. This is pure. DAVID (to Client): "You handle the hard stuff. I handle this."SHOT 9: THE NOD • CAMERA: Same setup, push-in to 20mm macro eyeball reflection • EFFECT: In the reflection of the client’s eye, we see David’s face. Then we see the package. Then we fade. • LENS: Probe lens into pupil. Iris flares. This is the window to the soul. And we’re looking through it. SCENE 4: FINAL FRAME — TITLE CARD • CAMERA: ALEXA 65, locked off • VISUAL: Box sits on a doorstep in a quiet Manchester suburb (e.g., Didsbury/Chorlton). No one around. But it’s placed, not left. The difference is care. • COLOR: Final grade: Kodak 2383 print stock emulation. Grain added in 70mm density. • SOUND: Single piano note, Bridgewater Hall reverb tail. 8-second decay.
I want a 9:16 ratio image with this model holding the 30 ml Choef bottle of juice. Keep the model, hand pose, lightin...
I want a 9:16 ratio image with this model holding the 30 ml Choef bottle of juice. Keep the model, hand pose, lighting, and background exactly the same. The model is holding the uploaded 30ml Choef bottle naturally in her hand, gazing softly at the camera. Maintain full consistency in the bottles design, color, and texture. Ultra-realistic 8K detail, shallow depth of field, cinematic luxury product advertisement style, smooth and natural motion, seamless integration, elegant and sophisticated atmosphere, highlighting both the model’s expression and the held object. She should be wearing a beautiful white dress with her chest covered.
Smartphone video footage. A strongman attempts to lift a big heavy stone off the ground in front of a huge gorilla's ...
Smartphone video footage. A strongman attempts to lift a big heavy stone off the ground in front of a huge gorilla's zoo enclosure, but the stone won't budge. The gorilla is way bigger than the strongman. The gorilla then picks a way bigger stone and lifts it over its head effortlessly.
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