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sora-216:9

Shot on a smartphone camera. A small meerkat enters a rock/cave entrance that strongly resembles a large predator's head with open mouth. There are several other meerkats nearby, watching with concern, trying to say something. The meerkat disappears inside of the entrance.

sora-29:16

Shot on a smartphone camera. A small meerkat enters a rock/cave entrance that strongly resembles a large predator's head with open mouth. There are several other meerkats nearby, watching with concern, trying to say something. The meerkat disappears inside of the entrance.

sora-29:16

Shot on a smartphone camera. A small meerkat enters a rock/cave entrance that strongly resembles a large predator's head with open mouth. There are several other meerkats nearby, watching with concern, trying to say something. The meerkat disappears inside of the entrance.

sora-2-pro9:16

### Style * **Visual Texture:** High-energy digital video with significant motion blur and lens flares. The image is filled with high-velocity particles (sparks) and volumetric smoke. The car's surface is glossy, reflecting the surrounding explosions. * **Lighting Quality:** High-contrast night lighting. The primary light sources are the brilliant, pulsating flashes of fireworks, harsh white LED car headlights, and glowing red taillights, cutting through the deep black of the night. * **Color Palette:** Dominated by deep blacks and cool purples of the car body, contrasted against vibrant emerald green, fiery orange, and brilliant white sparks from the pyrotechnics. * **Atmosphere:** Chaotic, euphoric, and high-octane. It captures a sense of reckless celebration and sensory overload. ### Cinematography * **Camera:** A mix of low-angle interior cabin shots and wide-angle exterior tracking shots. The exterior shots use a "chase cam" or drone-like perspective that follows the car’s arc during the drift. * **Lens:** Wide-angle lens with a deep depth of field to keep both the car and the expansive firework display in focus, despite the rapid movement. * **Lighting:** Practical lighting from the environment, specifically the incandescent glow of fireworks and the car's own lighting systems. * **Mood:** Intense and rebellious. --- ### Scene Breakdown **Scene 1 (0:00s - 0:02s):** The camera is positioned inside the car's cabin, looking up from the center console. A man with a beard and sunglasses is in the driver's seat, gesturing wildly. Through the large glass sunroof, the night sky is filled with a barrage of fireworks exploding directly overhead, raining golden and green sparks onto the glass. The interior is dimly lit by the dashboard and the strobing light of the explosions. **Actions:** * The driver waves his hands and points toward the camera/sunroof. * Fireworks explode in rapid succession above the car. * Sparks bounce and slide across the exterior of the sunroof. **Dialogue:** * Man (Excited/Shouting): "Happy New Year you filthy animals!" **Background Sound:** The muffled, heavy thuds of fireworks, the high-pitched whine of a performance engine, and the man's shouting. **Scene 2 (0:02s - 0:06s):** An exterior wide shot captures a dark purple sedan drifting sideways around a paved roundabout at night. As the car slides, several pyrotechnic tubes on the roadside fire horizontal rockets and sparks directly at and over the vehicle. The air is thick with white smoke and streaks of green and red light. **Actions:** * The car maintains a continuous, high-angle drift. * Tires spin rapidly, kicking up small amounts of smoke. * Fireworks launch from the ground, narrowly missing the car and exploding into showers of sparks. **Dialogue:** * Man (Voiceover): "We're doing this all year... all year." **Background Sound:** The loud, aggressive roar of a modified exhaust system, the screeching of tires on asphalt, and the sharp "pop-pop-pop" of fireworks launching. **Scene 3 (0:06s - 0:09s):** A low-angle tracking shot follows closely behind the car as it continues its circular drift. The car is engulfed in a tunnel of emerald green sparks. The red glow of the taillights pierces through the heavy smoke. The camera shakes slightly, emphasizing the speed and intensity of the maneuver. **Actions:** * The car's rear end swings wide as it navigates the turn. * A massive burst of green fireworks illuminates the entire frame. * The car disappears briefly into a cloud of smoke and light before emerging. **Dialogue:** * Man (Voiceover): "Happy new year you filthy animals!" **Background Sound:** Sustained engine roar, the crackling sizzle of falling sparks, and the whistling of rockets.

sora-2-pro9:16

POV camera, ultra-realistic, natural moment. The camera captures a beautiful young woman gently holding her cute dog, seen from a calm POV angle, as if a close friend is watching the moment. She leans in and gives the dog a soft kiss on the forehead, smiling warmly. The dog responds by wagging its tail and tilting its head, eyes bright and full of trust. The interaction feels pure, loving, and innocent, showing the deep bond between a person and her pet. The girl softly laughs while the dog nuzzles closer, enjoying the affection. Camera movement: slow, smooth handheld POV, very stable. Focus: sharp on faces, soft background blur (bokeh). Lighting: natural daylight, warm and gentle tones. Environment: cozy outdoor setting or bright living room, clean and peaceful. Style: cinematic lifestyle realism. Frame quality: smooth motion, high detail, no jitter. Audio (optional): soft breathing, light laughter, gentle dog sounds, no music. Resolution: 4K HDR. Mood: wholesome, sweet, loving, heartwarming.

sora-2-pro9:16

### Style * **Visual Texture:** Digital crispness with high-definition clarity. The texture of the fresh, powdery snow on the car's hood and the icy road surface is tactile and sharp. * **Lighting Quality:** Natural, diffused winter daylight that creates soft, even illumination. This is contrasted by the sharp, intense glow of the car's amber LED DRLs (Daytime Running Lights) and the intricate red OLED "dragon scale" taillights. * **Color Palette:** A clean, high-contrast palette dominated by cool whites and icy blues of the snowy landscape, punctuated by the stark white of the car, the deep black of the grille, and vibrant bursts of amber and red from the lights. * **Atmosphere:** Serene yet aggressive and celebratory. The quiet, frozen mountain setting provides a dramatic backdrop for the powerful aesthetic of the performance vehicle. ### Cinematography * **Camera:** A dynamic mix of low-angle static shots and rapid, rhythmic zoom transitions. The camera often "pops" or jumps in sync with the beat, creating a high-energy montage effect. * **Lens:** Wide-angle lens used to capture the car within the vast mountain environment, transitioning to mid-range for tighter shots of the headlights and badges. Deep focus is maintained to keep the snowy background and the tunnel sharp. * **Lighting:** Natural overcast sky provides a soft key light, while the car’s own illumination acts as functional practical lighting that cuts through the cool tones. * **Mood:** Energetic, luxurious, and cold. --- ### Scene Breakdown **Scene 1 (0:00s - 0:04s):** A white BMW M4 CS is parked on a snow-covered mountain pass. In the background, a dark tunnel entrance is visible beneath a steep, pine-covered slope laden with snow. Large 3D-style text reading "2024 Happy New Year" is superimposed over the car. The car is partially dusted with snow, particularly on the hood and front bumper. **Actions:** * The amber daytime running lights flicker and pulse. * The "2024" text remains static while the camera cuts to a tighter framing of the front fascia. * Snow remains undisturbed on the car's body, highlighting the cold environment. **Dialogue:** None **Background Sound:** A heavy, rhythmic Brazilian Funk/Phonk beat with deep bass and distorted vocal samples begins immediately. **Scene 2 (0:04s - 0:07s):** The video shifts to a series of rapid-fire cuts focusing on the car's lighting and branding. It starts with a close-up of the rear, showcasing the "M4 CS" badge and the intricate, glowing red OLED taillights. The camera then cuts back to the front, showing the car from a low angle as the headlights glow brightly. **Actions:** * The camera "jumps" or pulses in and out in time with the heavy bass hits. * The taillights glow intensely, reflecting off the white paint and surrounding snow. **Dialogue:** None **Background Sound:** The bass-heavy Phonk track continues, intensifying in rhythm. **Scene 3 (0:07s - 0:14s):** A high-energy montage of the car from the front. The car appears to "glitch" or pop forward toward the camera in sync with the music's percussion. The framing alternates between wide shots showing the snowy road and tight shots of the front bumper and carbon fiber splitter. **Actions:** * Rapid zoom-in and zoom-out transitions ("beat-sync" editing). * The car’s headlights continue to pulse with amber light. * The camera remains at a low angle, making the car appear imposing against the winter landscape. **Dialogue:** None **Background Sound:** The music reaches its peak energy with a repetitive, driving beat and vocal chants.

sora-216:9

create a smooth 8-10s video loop

sora-2-pro9:16

POV camera, ultra-realistic wildlife moment, unseen observer. The camera quietly observes from a distance as two beautiful owls rest together on a tree branch, completely unaware of the camera’s presence. They are fully focused on each other, sharing a calm, intimate moment. One owl gently leans in, softly rubbing its head and beak against the other. The second owl responds by preening its partner’s feathers, slow and tender. Their movements are natural, unposed, and deeply sweet and romantic, like a private moment in the wild. Camera movement: very slow, smooth cinematic zoom, silent and steady, no sudden motion. Focus: shallow depth of field, owls in sharp focus, background softly blurred. Lighting: warm moonlight mixed with soft forest shadows, feathers glowing subtly. Environment: quiet forest night, leaves barely moving, distant stars visible through branches. Style: intimate wildlife documentary realism. Frame quality: silky-smooth frame pacing, ultra-detailed feathers, natural motion only. Audio (optional): soft night breeze, faint forest ambience, gentle owl murmurs, no music. Resolution: 4K HDR. Mood: romantic, tender, peaceful, pure affection.

sora-2-pro9:16

POV camera, ultra-realistic, cinematic zoom. The camera begins at a gentle distance, slowly and smoothly zooming in toward a beautiful owl perched on a tree branch in a quiet forest. The owl looks calm and elegant, its feathers softly moving with the night breeze. As the zoom continues, a second owl is revealed beside it, sitting close, their bodies gently touching. The two owls tilt their heads toward each other, exchanging slow blinks and soft nuzzles, creating a sweet, romantic, and loving moment. Their feathers overlap slightly, glowing under warm moonlight filtering through the leaves. Camera movement: slow cinematic optical zoom, perfectly smooth, no shaking. Focus: sharp on the owls’ eyes, soft background bokeh. Lighting: soft moonlight with subtle golden highlights, dreamy atmosphere. Environment: quiet forest, gently swaying branches, fireflies floating in the background. Style: poetic wildlife cinematography, natural and intimate. Frame quality: smooth frame pacing, ultra-detailed textures, no harsh motion blur. Audio (optional): soft night wind, distant forest ambience, gentle owl hoots, no music. Resolution: 4K HDR. Mood: sweet, romantic, peaceful, lovely.

sora-2-pro9:16

POV camera, hyper-realistic wildlife encounter. The camera is positioned at ground level on the muddy sidewall of a swamp lake, partially hidden by tall grass and reeds. From the POV of a human observer, a giant crocodile clashes with a massive snake (anaconda-like) in shallow water near the shore. The snake is coiled tightly around the crocodile’s neck and torso, muscles flexing as it constricts, while the crocodile rolls violently, snapping its jaws and slamming its tail against the water. Thick mud and water explode into the air, splashing toward the lens. Camera behavior: slow, controlled POV movement, slight breathing motion, smooth cinematic stabilization. Details: hyper-detailed wet scales, mud dripping off bodies, realistic muscle tension, ripples spreading across the lake. Lighting: moody overcast daylight, soft shadows, mist hovering above the water surface. Environment: swamp vegetation shaking from the struggle, insects scattering, water plants torn loose. Style: National Geographic–level realism, documentary intensity. Frame quality: smooth frame pacing, no jitter, natural motion blur only. Audio (optional): heavy water splashes, low reptile hisses, tail impacts, no background music. Resolution: 4K HDR. Mood: primal, brutal, survival instinct.

sora-29:16

Короткометражный сценарий в стиле «рофл» Название: Техническая поддержка Жанр: Абсурдная комедия / Рофл Формат: Короткометражка, ~3-5 минут --- СЦЕНАРИЙ Локация: Квартира. Старый диван, пульты, ноутбук. На заднем плане — гитара, прислонённая к стене. Время: Вечер. ПЕРСОНАЖИ: · ВАЛАКАС (ДЕД): 54 года, хриплый голос, говорит медленно, с паузами. В растянутой футболке. · ОПЕРАТОР (голос из телефона): Молодой человек, пытается сохранять профессионализм. --- (НАЧАЛО СЦЕНЫ) КАДР 1. Крупный план старого беспроводного микрофона. Палец с морщинистой кожей нажимает кнопку. Слышен характерный щелчок. КАДР 2. Валакас сидит в кресле, подносит телефон к уху. На его лице — сосредоточенная, почти философская задумчивость. На экране телефона — номер службы поддержки. (Звук гудков. Пауза. Щелчок соединения.) ОПЕРАТОР (V.O.) (Энергично, по-офисному) Добрый день! Служба поддержки «МегаФон», оператор Артём, слушаю вас! ВАЛАКАС (Медленно, хрипло, с паузами) Ага... Шо, Артём... У меня тут делов накопилось... Тупа вопрос. ОПЕРАТОР Я вас слушаю. Чем могу помочь? ВАЛАКАС (Глядя в потолок) Вот... Гитара. Она у меня не фонить. ПАУЗА. Длинная. ОПЕРАТОР Простите... Вы сказали, гитара? ВАЛАКАС Ну да. Гитара. Вот она стоит. (Машет рукой в сторону гитары, хотя оператор этого не видит). А фонить — не фонить. Интернет тут при чём? Может, у вас провода... в гитаре? ОПЕРАТОР (Сбит с толку) Сэр, вы позвонили в техническую поддержку мобильного оператора. Мы интернет и связь настраиваем. Для гитары вам нужен мастер или, может, учитель музыки. ВАЛАКАС (Делая вид, что не слышит) А... Так вы типа... мастер? Артём-мастер? Ну так настройте. У меня тут струна одна... она как будто в роуминге. Звенит, а толку ноль. Тариф надо, может, поменять? Безлимитный на вибрацию? ОПЕРАТОР (Начинает терять терпение) Слушайте, я не могу поменять вам тариф на струну! Это не техническая неполадка! Это физический объект! ВАЛАКАС (Голос становится громче, интонация — знаменитая, драматичная) Физический... Так я кто... по-твоему? Дурак, да?! Я физический дурак, получается? Ты мне прямо сейчас говоришь — «Дед, ты физический дурак»? Да?! КАДР 3. Крупный план лица Валакаса. Глаза широко раскрыты, в них — наигранная, но мастерски выполненная обида вселенского масштаба. ОПЕРАТОР (В панике) Нет-нет-нет! Я не это имел в виду! Я про гитару! ВАЛАКАС (Резко успокаивается, переходит на доверительный шёпот) Так... Ладно. Проехали. Тогда другой вопрос. Вот кот у меня... Он на Wi-Fi садится. Роутер облюбовал. Греется. Это у вас тариф «Домашний интернет для кота»? Или это вирус у него? Антивирус ему скачать надо? На три устройства? ОПЕРАТОР (Полностью сломлен, говорит тихо и отстранённо) Сэр... Я... Я отправлю вам ссылку. Скачайте и запустите файл «CatCleaner.exe». Он всё почистит. И гитаре тоже поможет. ВАЛАКАС (Довольный) Вот! Деловой подход! Я сразу понял — Артём, ты мастер! Спасибо, дружище. Тупа отдохни. (Валакас вешает трубку. Садится на диван, берёт гитару, дергает струну. Она издаёт дребезжащий звук. Он смотрит на гитару с укором.) ВАЛАКАС (Шепчет гитаре) Видишь? Теперь с тобой специалист разберётся. Физический ты объект. КАДР 4. Финальный кадр. Валакас сидит, обняв гитару, и смотрит в камеру с каменным лицом. Замирает на 2 секунды. (НАДПИСЬ НА ЭКРАНЕ: «ПРОБЛЕМА РЕШЕНА?») ЧЁРНЫЙ ЭКРАН. ЗВУК ГРОМКОГО, ХРИПЛОГО СМЕХА. (КОНЕЦ СЦЕНЫ) ---

sora-2-pro9:16

POV camera, ultra-realistic. The camera is standing on the rocky sidewall of a lake, slightly elevated above the water. In front of the camera, two massive crocodiles are violently fighting in the lake, thrashing the water, snapping jaws, and spinning with powerful tail movements. Water splashes toward the lens, creating subtle droplets on the camera glass. The POV feels human, steady but tense, as if the person is frozen in fear while witnessing the fight up close. Natural sunlight reflects off the rippling water, highlighting the crocodiles’ rough, wet scales. Surrounding reeds sway gently from the force of the movement. Camera movement: slow, smooth handheld stabilization, minor natural sway only. Style: cinematic wildlife documentary realism. Quality: ultra-realistic textures, smooth frame transitions, no motion blur, sharp focus. Lighting: natural daylight, realistic shadows and reflections. Audio (optional): water splashing, low growls, tails hitting the surface, no music. Resolution: 4K, high dynamic range. Mood: intense, dangerous, raw nature.

sora-2-pro9:16

### Style * **Visual Texture:** Photorealistic digital video with crisp detail. The textures of the aged brick wall, the rough asphalt, and the varying colors of the leaves are distinct and sharp. * **Lighting Quality:** Natural, diffused daylight. The scene appears to be shot under an overcast sky or in a shaded area, resulting in soft shadows and a lack of harsh specular highlights. * **Color Palette:** A naturalistic palette dominated by organic tones: deep greens, autumnal yellows, and brownish-oranges from the surrounding trees, contrasted against the neutral grey of the road and the bright white of the car. * **Atmosphere:** High-octane and rebellious. The quiet, residential-looking alley is interrupted by a sudden burst of mechanical energy and tire smoke. ### Cinematography * **Camera:** Static tripod shot at a low-to-mid angle. The camera is positioned centrally in the narrow street, capturing the car as it approaches from the background and exits the frame in the foreground. * **Lens:** Wide-angle lens with a deep focus. This allows the viewer to see the entire length of the alley, from the house and gate in the distance to the textures of the road in the foreground. * **Lighting:** Natural outdoor light with an even distribution across the scene. The only artificial light comes from the car's distinct glowing headlights. * **Mood:** Thrilling and aggressive. --- ### Scene Breakdown **Scene 1 (00:00s - 00:06s):** The shot begins on a narrow, paved street framed by overhanging tree branches. A white BMW E60 is visible in the distance near a wooden gate. The car suddenly accelerates, causing the rear tires to spin and emit a dense cloud of white smoke. As the car gains speed, it fishtails slightly in a controlled drift, its iconic "angel eye" headlights glowing brightly. The vehicle rapidly approaches the camera, filling the frame with its white body and the sound of its engine, before passing by on the right side. **Actions:** * **Tire Burnout:** The car’s rear wheels spin rapidly at the start, generating a thick plume of white tire smoke that fills the back of the alley. * **Drifting:** The car exhibits micro-movements of oversteer, swerving slightly as it accelerates down the street. * **Vehicle Transit:** The car moves from a distant stationary position to a high-speed exit past the camera lens. **Dialogue:** * None **Background Sound:** A loud, high-pitched engine roar and the characteristic screeching of tires spinning at high speed on asphalt. The sound culminates in a loud "whoosh" as the car passes the camera's microphone.

sora-216:9

A herd of zombies run around the corner of the deserted area darting at the camera screen Zoom-out shot: Intense, cinematic, realistic action —

sora-29:16

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

sora-29:16

A man in a fine suit walks on the edge A man in a fine suit walks along the doorway

sora-216:9

playing game

sora-216:9

{ "car_name_model": "1989 Ferrari F40", "visual_description": "Intricately detailed, vintage magnesium alloy wheel spokes of a pristine 1989 Ferrari F40 painted in classic Rosso Corsa red with authentic subtle aging: faint surface oxidation, minor embedded brake dust in the grooves, and glossy clear coat reflecting light with high-fidelity realism. The spokes feature a deep-dish design with sharp, angular edges and curved contours. A premium soft-bristled brush with long, flexible black nylon bristles and ergonomic wooden handle interacts directly with the spokes, showing individual bristle fibers bending and spreading upon contact. Fine water droplets and sudsy foam cling to the spokes, with realistic refraction and beading effects on the metallic surfaces.", "camera_details": "Extreme macro close-up side angle view positioned at a precise 30-degree offset to the wheel's plane, capturing intricate textures and motions with ultra-high resolution. Very shallow depth of field (equivalent to f/1.4 aperture) isolates the brush-spoke interaction in pin-sharp focus, while foreground bristles and background wheel elements softly blur into creamy bokeh with circular highlights. Subtle camera dolly-in movement over eight seconds for added intimacy, maintaining composition centered on the active scrubbing area. High frame rate capture for smooth, fluid motion rendering.", "lighting_details": "Evenly diffused overhead lighting from a large, ceiling-mounted softbox array simulating a professional automotive detailing garage ambiance. Primary light source at 5600K daylight-balanced temperature casts gentle, shadowless illumination across the wheel, highlighting metallic sheen without hotspots. Secondary subtle fill lights from side angles reduce any minor shadows in spoke crevices, creating a soft gradient falloff. Ambient warm glow from nearby workshop lamps adds a faint golden hue to edges, enhancing the red paint's vibrancy and depth.", "action_description": "The soft-bristled brush executes a series of slow, methodical, gentle scrubbing motions: circular rotations alternating with straight back-and-forth strokes along each spoke's length. Bristles delicately flex and conform to the spoke's contours, dislodging embedded dirt particles that float away in tiny, realistic dust clouds and water splashes. Physical interactions include bristle compression against edges, subtle vibration from friction, and gradual buildup then dispersal of soapy lather. The motion remains consistent and rhythmic, covering three to four spokes progressively over the eight-second duration, emphasizing care and precision to avoid any surface damage.", "environment_details": "Set in a spotless, high-end automotive detailing studio with polished concrete floors reflecting soft red hues from the Ferrari's bodywork. Background subtly features out-of-focus elements like the F40's aerodynamic side vents, black center-lock wheel nuts, and hints of surrounding equipment: stacked microfiber cloths, spray bottles of wheel cleaner, and faint reflections on nearby metal tool carts. Atmospheric details include minor steam wisps from evaporating water and a clean, minimalist space with neutral gray walls to keep focus on the wheel cleaning action.", "eight_second_clip_intent": "An immersive eight-second clip designed as a satisfying ASMR-style automotive detailing experience, showcasing the therapeutic process of cleaning the iconic 1989 Ferrari F40's wheel spokes with meticulous attention to texture, motion, and sound potential. The sequence builds a sense of luxury and preservation, highlighting the brush's gentle efficacy in restoring the wheel's luster through visible dirt removal and gleaming highlights, ideal for enthusiasts appreciating vintage supercar maintenance rituals." }

sora-29:16

A cute baby giraffe walking gently and curiously, slightly swaying its neck, calm natural behavior, soft warm sunlight, realistic savannah environment, ultra-realistic cinematic style, seamless loop, smooth motion,

sora-216:9

Second person showing no arms, flying through buildings , rooms , cars and zombies

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