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Explore community-created AI videos in the FSG AI gallery.
Video vertical en estilo UGC (9:16). Una mujer española de 30 años, atractiva, elegante con tacones altos y pelo cast...
Video vertical en estilo UGC (9:16). Una mujer española de 30 años, atractiva, elegante con tacones altos y pelo castaño. Tono aliviado y sincero. Casa grande, luminosa y moderna con jardín y piscina visibles en el fondo. Luz natural, estilo cercano y real. [ESCENA Y SUJETO] Ambiente: casa grande, moderna y luminosa con jardín y piscina visibles en el fondo, interior amplio y lujoso con mucha luz natural de grandes ventanales. Sujeto: mujer española de 30 años, atractiva, elegante con tacones altos, pelo castaño, expresión aliviada y sincera en todo momento. Cinematography: Camera shot: plano completo transitioning to plano medio, luego plano americano, terminando en plano selfie; nivel de ojos. Mood: aliviado, sincero, cercano y real. Actions: [0-4s] La mujer camina por el jardín hacia la casa, mirando a la cámara con alivio; piscina y grandes ventanales visibles detrás. [4-8s] Continúa caminando hacia la casa, expresión sincera recordando el pasado. [8-12s] Entra en la casa por los ventanales al interior espacioso y lujoso con luz natural, mira a la cámara con alivio. [12-15s] Se detiene cerca del ventanal con la piscina de fondo, sonríe tranquilamente y señala hacia abajo. DIÁLOGO: [0-4s] "Debía treinta mil euros y nadie imaginaba mi situación" [4-8s] "Me quedé sin trabajo, no tenía ni para comer, pero llegó un milagro" [8-12s] "la Ley de Segunda Oportunidad canceló mis deudas sin pagar ni un euro" [12-15s] "Comprueba los requisitos para acogerte ahora" NO TEXT ON SCREEN, no subtitles, no music, no watermark. ALL DIALOGUE IN SPANISH (SPAIN ACCENT). NO text overlay, NO subtitles, NO captions.
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from ...
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from the front windows. Emily Carter, a white American woman in her early 30s wearing office slacks and a wrinkled cream blouse, stands tense beside a half-full cart, phone in hand, exhaustion on her face. A white American woman in her late 50s in a denim jacket taps Emily’s shoulder; the camera holds a medium shot as the woman smiles and says, “Your daughter is beautiful.” Emily turns sharply, confused, and the camera cuts to a close-up of Emily’s face as she replies, “I don’t have a daughter.” The smile drops; the camera pans to reveal a white American little girl, about six, in a bright red jacket and dirty sneakers, stepping in close and gripping Emily’s hand with quiet force. Close-up on their hands tightening, then on Emily’s widening eyes as the girl looks up and says, “Can we go home now, Mommy?” The surrounding shoppers freeze, a low tense hum of store noise, no logos, no brand names, no signage, no watermarks, no text overlays, ominous music rising as suspicion hangs in the air.
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from ...
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from the front windows. Emily Carter, a white American woman in her early 30s wearing office slacks and a wrinkled cream blouse, stands tense beside a half-full cart, phone in hand, exhaustion on her face. A white American woman in her late 50s in a denim jacket taps Emily’s shoulder; the camera holds a medium shot as the woman smiles and says, “Your daughter is beautiful.” Emily turns sharply, confused, and the camera cuts to a close-up of Emily’s face as she replies, “I don’t have a daughter.” The smile drops; the camera pans to reveal a white American little girl, about six, in a bright red jacket and dirty sneakers, stepping in close and gripping Emily’s hand with quiet force. Close-up on their hands tightening, then on Emily’s widening eyes as the girl looks up and says, “Can we go home now, Mommy?” The surrounding shoppers freeze, a low tense hum of store noise, no logos, no brand names, no signage, no watermarks, no text overlays, ominous music rising as suspicion hangs in the air.
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from ...
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from the front windows. Emily Carter, a white American woman in her early 30s wearing office slacks and a wrinkled cream blouse, stands tense beside a half-full cart, phone in hand, exhaustion on her face. A white American woman in her late 50s in a denim jacket taps Emily’s shoulder; the camera holds a medium shot as the woman smiles and says, “Your daughter is beautiful.” Emily turns sharply, confused, and the camera cuts to a close-up of Emily’s face as she replies, “I don’t have a daughter.” The smile drops; the camera pans to reveal a white American little girl, about six, in a bright red jacket and dirty sneakers, stepping in close and gripping Emily’s hand with quiet force. Close-up on their hands tightening, then on Emily’s widening eyes as the girl looks up and says, “Can we go home now, Mommy?” The surrounding shoppers freeze, a low tense hum of store noise, no logos, no brand names, no signage, no watermarks, no text overlays, ominous music rising as suspicion hangs in the air.
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from ...
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from the front windows. Emily Carter, a white American woman in her early 30s wearing office slacks and a wrinkled cream blouse, stands tense beside a half-full cart, phone in hand, exhaustion on her face. A white American woman in her late 50s in a denim jacket taps Emily’s shoulder; the camera holds a medium shot as the woman smiles and says, “Your daughter is beautiful.” Emily turns sharply, confused, and the camera cuts to a close-up of Emily’s face as she replies, “I don’t have a daughter.” The smile drops; the camera pans to reveal a white American little girl, about six, in a bright red jacket and dirty sneakers, stepping in close and gripping Emily’s hand with quiet force. Close-up on their hands tightening, then on Emily’s widening eyes as the girl looks up and says, “Can we go home now, Mommy?” The surrounding shoppers freeze, a low tense hum of store noise, no logos, no brand names, no signage, no watermarks, no text overlays, ominous music rising as suspicion hangs in the air.
1. Roteiro e Copy (10s - Sotaque Britânico "Pet Lover")00:00 - 00:03 (Hook): "Precisava de limpar este deck, mas com ...
1. Roteiro e Copy (10s - Sotaque Britânico "Pet Lover")00:00 - 00:03 (Hook): "Precisava de limpar este deck, mas com o cão no jardim, tem de ser algo seguro. Nada de químicos agressivos."00:03 - 00:07 (Ação): "Apliquei o Monty Miracle. É seguro para animais e crianças, e olha só... o verde desaparece mesmo."00:07 - 00:10 (CTA): "Deck limpo e o meu patudo está seguro. Clica no carrinho laranja para o teu!"(Nota: A tradução acima é para tua referência, a IA deve gerar o áudio em inglês britânico conforme abaixo).Copy em Inglês para IA:"Needed to clean this deck, but with the dog about, it’s got to be safe. No nasty chemicals.""Used Monty Miracle. Pet and child safe, and look... the green actually just goes.""Clean deck, happy pup. Grab yours from the orange cart below!"2. Prompts Cena a Cena para Sora 2 (Foco em Pets)Cena 1: O Gancho de Segurança (0-3s)Prompt: "Vertical 9:16 smartphone vlog. A golden retriever or a small dog is sitting on a weathered, slightly green wooden deck in a British backyard. A woman's hand enters the frame, showing a white 5L bottle of 'MONTY MIRACLE'. Text overlay: 'PET SAFE? 🐾'. Overcast natural lighting, 4k, authentic feel."Cena 2: Ação sem Riscos (3-7s)Prompt: "Handheld POV. The woman pours the liquid onto the algae-covered wood while the dog is visible in the background (at a safe distance), playing. The green moss on the wood turns brown and rinses away easily with a hose, revealing clean grey timber. High detail on the wet wood and the bubbly reaction of the cleaner."Cena 3: Resultado e Confiança (7-10s)Prompt: "Close-up of the clean, wet deck. The dog walks across the clean area safely. The woman points down to the bottom-left corner of the screen next to the bottle. The atmosphere is calm and trustworthy. Professional 4k cinematography with a raw smartphone aesthetic."3. Instruções Técnicas de ConversãoElementoEstratégia "Pet Friendly"Voz (ElevenLabs)"British - Female - Soft/Caring". Um tom de voz acolhedor e responsável.Visual KeyO rótulo do produto deve estar bem focado quando diz "Child & Pet Safe".SFXUm latido curto e feliz ao fundo no final do vídeo e som de água a enxaguar.LegendasUse emojis de patas (🐾) e corações (🤍) para reforçar o aspeto emocional.
Storyboard
Storyboard
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] The Food Critic" (Praktis) Fokus: Solusi instan setelah makan makanan beraroma tajam. Format: Cinematic Food Transition Scene 1 (Hook - [00:00 - 00:03]) Visual: Transisi cepat foto-foto makanan (Pete, Bawang, Sambal, Durian). Text Overlay: PECINTA MAKANAN 'WANGI'? 🧄 Audio: "Suka makanannya, tapi benci bau mulutnya?" Scene 2 (Transition - [00:03 - 00:07]) Visual: Seseorang menyemprot Kavela Calmelon sambil memegang piring kosong. Text Overlay: Bye Bau Bawang! 👋 Audio: "Gak perlu ribet sikat gigi setiap abis makan di luar." Scene 3 (Product - [00:07 - 00:12]) Visual: Tangan memegang botol Kavela dengan background estetik cafe. Text Overlay: Aroma Melon Mint Segerrr 🍈✨ Audio: "Kavela Calmelon mungil banget, bisa dibawa kemana-mana. Tetap fresh kapanpun!" Scene 4 (CTA - [00:12 - 00:15]) Visual: Teks overlay besar di layar. Text Overlay: TAG TEMEN KAMU YANG DOYAN PETE! Audio: "T
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] The Food Critic" (Praktis) Fokus: Solusi instan setelah makan makanan beraroma tajam. Format: Cinematic Food Transition Scene 1 (Hook - [00:00 - 00:03]) Visual: Transisi cepat foto-foto makanan (Pete, Bawang, Sambal, Durian). Text Overlay: PECINTA MAKANAN 'WANGI'? 🧄 Audio: "Suka makanannya, tapi benci bau mulutnya?" Scene 2 (Transition - [00:03 - 00:07]) Visual: Seseorang menyemprot Kavela Calmelon sambil memegang piring kosong. Text Overlay: Bye Bau Bawang! 👋 Audio: "Gak perlu ribet sikat gigi setiap abis makan di luar." Scene 3 (Product - [00:07 - 00:12]) Visual: Tangan memegang botol Kavela dengan background estetik cafe. Text Overlay: Aroma Melon Mint Segerrr 🍈✨ Audio: "Kavela Calmelon mungil banget, bisa dibawa kemana-mana. Tetap fresh kapanpun!" Scene 4 (CTA - [00:12 - 00:15]) Visual: Teks overlay besar di layar. Text Overlay: TAG TEMEN KAMU YANG DOYAN PETE! Audio: "T
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] KAVELA Mouth Spray Calmelon Angle "The Food Critic" (Praktis) Fokus: Solusi instan setelah makan makanan beraroma tajam. Format: Cinematic Food Transition Scene 1 (Hook - [00:00 - 00:03]) Visual: Transisi cepat foto-foto makanan (Pete, Bawang, Sambal, Durian). Text Overlay: PECINTA MAKANAN 'WANGI'? 🧄 Audio: "Suka makanannya, tapi benci bau mulutnya?" Scene 2 (Transition - [00:03 - 00:07]) Visual: Seseorang menyemprot Kavela Calmelon sambil memegang piring kosong. Text Overlay: Bye Bau Bawang! 👋 Audio: "Gak perlu ribet sikat gigi setiap abis makan di luar." Scene 3 (Product - [00:07 - 00:12]) Visual: Tangan memegang botol Kavela dengan background estetik cafe. Text Overlay: Aroma Melon Mint Segerrr 🍈✨ Audio: "Kavela Calmelon mungil banget, bisa dibawa kemana-mana. Tetap fresh kapanpun!" Scene 4 (CTA - [00:12 - 00:15]) Visual: Teks overlay besar di layar. Text Overlay: TAG T
竖屏9:16，15秒视频，真实沙特生活方式风格。 有一辆辆豪车停放在路边，豪车的车头以及车身都贴着DD Live的logo和大大的DD Live的字样，豪车的中间有一个沙特微胖的美女，沙特微胖美女对着镜头，身体随即腰胯呈 “S” 形扭...
竖屏9:16，15秒视频，真实沙特生活方式风格。 有一辆辆豪车停放在路边，豪车的车头以及车身都贴着DD Live的logo和大大的DD Live的字样，豪车的中间有一个沙特微胖的美女，沙特微胖美女对着镜头，身体随即腰胯呈 “S” 形扭动，同时另一只手缓慢抚摸大腿，眼神魅惑地凝视镜头。在镜头前性感的跳舞。. Voiceover: ""
[WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia as...
[WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Product: Keluarga Hantu Pindahan Rumah] Video iklan lucu tentang keluarga hantu yang sedang pindahan rumah pada malam hari. Mereka terlihat kesulitan mengangkat barang-barang berat sampai akhirnya menggunakan jasa pindahan Pilar Transport. Video bergaya komedi ringan, cinematic, realistis, dan menghibur. Scene 1 – Opening Malam hari di depan rumah tua yang terlihat sedikit angker. Sebuah keluarga hantu terdiri dari ayah hantu, ibu hantu, dan anak hantu sedang berdiri di depan rumah dengan banyak barang pindahan seperti lemari tua, kasur, kardus, dan kursi. Ayah hantu mencoba mengangkat lemari tapi terlihat kesulitan. Dialog: Ayah hantu: “Waduh… pindahan rumah ternyata capek juga ya...” Scene 2 – Masalah Ibu hantu mencoba membantu mengangkat kardus besar tapi malah hampir jatuh. Barang-barang terlihat berantakan di halaman rumah. Dialog: Ibu hantu: “Kita butuh bantuan ni
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