Nhắc nhở

Alexa shots- crisp, cinematic. No breathing on the lens. Instead, use shallow depth of field to separate emotion from background. Manchester trams clanking in the back, but blurred. The café scene, let's shoot it in slow motion. Warm colours. Her hand reaching for his. Not saying anything. Just touching. Dialogue plays over that. Makes it hurt more. The leaving scene- no close ups. We shoot the back of her head as she walks down the stairs. He doesn't follow. You hear footsteps fade. That silence does more damage than any argument. And end it with him not looking at the camera. Just standing in the tram stop. Rain on his cheek. You don't know if he's crying. That's the point. It's left open.

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Alexa shots- crisp, cinematic. No breathing on the lens. Instead, use shallow depth of field to separate emotion from...

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