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15 seconds. Cinematic realism. Handheld. Shallow depth of field. No text, no logos, no subtitles, no watermarks. Location: Upscale hotel lobby, midday, marble floors, warm natural light. Characters: — NORA: white American woman, early 30s, frail build, torn ragged clothing, frayed jacket, scuffed shoes. — GUARD: white American male, late 30s, stocky, dark security uniform, silver badge. — WHITMORE: white American male, early 60s, lean, silver hair, plain dark suit. SHOT 1 (0s-4s): Medium. GUARD grips NORA by the wrist and drags her stumbling toward the exit. NORA makes a sharp involuntary sound — no words, just fear. GUARD does not look at her. GUARD yells straight ahead: "YOU CAN'T BE HERE LOOKING LIKE THAT." SHOT 2 (4s-7s): GUARD freezes mid-step. WHITMORE's voice comes from offscreen — WHITMORE not yet visible: "STOP." GUARD's grip loosens. GUARD slowly turns his head toward the sound. SHOT 3 (7s-11s): WHITMORE strides into frame and steps between NORA and GUARD. WHITMORE places one firm hand flat on GUARD's chest and shoves him back. WHITMORE looks directly into GUARD's face and says: "YOU'RE FIRED. GET OUT." GUARD stumbles, opens his mouth, closes it, turns and walks away. SHOT 4 (11s-15s): WHITMORE turns to NORA. WHITMORE extends his hand — open, steady, unhurried. NORA looks at his hand, then at his face, then slowly places her hand in his. WHITMORE walks NORA gently back into the lobby. Close-up: NORA's hand trembling inside WHITMORE's.

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15 seconds. Cinematic realism. Handheld. Shallow depth of field. No text, no logos, no subtitles, no watermarks. Loca...

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