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A single continuous handheld POV video, filmed on a smartphone in the late 2010s to early 2020s, with realistic phone camera qualities: slight motion blur, rolling shutter, digital compression artifacts, and subtle autofocus adjustments. The setting is inside a commercial airplane, with the filmer seated by the window. The cabin interior is dim, lit by soft overhead lights, with faint ambient sounds of engine hum, airflow, and distant passenger movement. The camera is casually pointed out the airplane window as the plane flies at a relatively low cruising altitude near a large city. Below, a dense urban skyline stretches out—high-rise buildings, roads, and faint city lights or muted daytime colors depending on lighting. The atmosphere feels calm and routine, as if the filmer is just capturing the view for memory or social media. As the plane continues forward, the camera unintentionally captures something massive moving within the city below. Through gaps between buildings and drifting clouds or haze, a colossal humanoid giant becomes visible, already mid-stride. The giant is enormous, dwarfing skyscrapers, its movement slow, deliberate, and effortless. Its surface appears realistic and heavy—textured like weathered stone, flesh, or concrete—blending naturally with the city’s color palette. The giant does not attack, destroy, or acknowledge anything. It simply walks through the city, partially obscured by buildings and atmospheric distance, as if unaware of the plane or the people below. The camera briefly loses focus as the scale becomes apparent, reinforcing the realism. The filmer audibly exhales, mutters in shock, or falls silent, unsure of what they’re seeing. The plane continues flying normally. The giant gradually disappears behind buildings and haze as the aircraft moves past. The camera remains fixed on the city for a few seconds longer than expected before the video abruptly ends, leaving the sighting unexplained and deeply unsettling.