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Cold open — instant shock: CRASH. Something heavy hits the wall off-screen. Hard cut from black. Harsh overhead light snaps on. Extreme close-up: a trash bag tears open in shaking hands. Clothes spill onto the floor. Margaret (off-screen, voice sharp, breaking): “I said ENOUGH.” Wide shot: A small, modest American apartment living room at night. All characters are white Americans, realistic and natural in appearance. The room is cluttered — takeout boxes, dirty dishes, an unpaused TV still laughing to itself. Whip pan: Margaret — middle-aged, in worn work scrubs — stands rigid, chest heaving, eyes glassy with rage and exhaustion. Cut to couch: James and Chloe, late twenties, freeze mid-laugh. Chloe (confused, nervous laugh): “Wait… what’s wrong with you?” Margaret (low, controlled, terrifyingly calm): “Pack your things. Both of you. Now.” James (standing halfway up): “Margaret, come on. Let’s talk about this.” Margaret (snaps): “No. You’ve talked enough.” Close-up: Chloe’s smile collapses. Chloe (voice rising): “You can’t just throw us out. It’s late!” Margaret steps closer. Her shadow swallows them. Margaret: “I worked twelve hours today. I came home to THIS.” (gestures at the mess) “And you were laughing.” James: “It was just a joke. We were gonna clean up.” Margaret (laughs once — hollow): “You say that every night.” She turns sharply toward the kitchen. Margaret (over her shoulder): “Grab your phones. Grab your shoes. Everything else goes in the bag.” Kitchen — close-up: She yanks a trash bag from the drawer. Plastic SNAP. Chloe (following her, panicked): “Please, we didn’t mean—” Margaret (without turning): “Don’t say ‘please’ now.” Cut — closet POV: Margaret rips the door open. HANGERS CLATTER violently. James (raising his hands): “Stop! You’re acting crazy!” Margaret (finally turns, eyes blazing): “Crazy was letting you stay.” She throws clothes into the bag. Chloe (crying now): “We’re family!” Margaret (quiet, shaking): “Family doesn’t drain you dry.” Silence. Only breathing. Final wide shot: Margaret stands under the harsh light, trash bag at her feet. James and Chloe stand near the door — small, stunned, displaced. Margaret (final line, barely above a whisper): “Out. Before I change my mind.” No logos. No brand names. No text overlays. Ultra-high-quality cinematic realism. Handheld tension. Sharp cuts. Dialogue-driven emotional impact. Grounded American family drama.

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Cold open — instant shock: CRASH. Something heavy hits the wall off-screen. Hard cut from black. Harsh overhead light...

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