Выставка Seedance 2.0
Просматривайте успешные публичные генерации из сообщества и открывайте любой элемент, чтобы проверить подсказку, настройки и результат.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
TIME TRAVELERS VLOG - Create a single 15 second 8k ultra realistic documentary style video, NOT split into clips, sho...
TIME TRAVELERS VLOG - Create a single 15 second 8k ultra realistic documentary style video, NOT split into clips, showing @misterstrong, athletic build, lean face, no dark circles, dressed in time traveler clothing with a hidden temporal device, on a journey to Angkor Wat at its peak, before it became a ruin. The environment is lush jungle surrounding magnificent, pristine temples, bathed in golden sunlight, with monks performing ancient rituals. Camera is selfie POV with dynamic movement. 0-3 seconds: @misterstrong SPEAKING to camera, neutral Spanish, visible face: 'Increíble, Angkor antes de...', 3-7 seconds: @misterstrong CONTINUES SPEAKING while walking, neutral Spanish: '... la ruina. Es majestuoso!', 7-11 seconds: @misterstrong POINTS and SHOWS the pristine Angkor Wat, turning the ca
S CENA 1 (4s): Interfaccia finta videochiamata FaceTime. Una donna di 29 anni con un maglione colorato parla con ener...
S CENA 1 (4s): Interfaccia finta videochiamata FaceTime. Una donna di 29 anni con un maglione colorato parla con energia. DIALOGUE: "La verità sul lusso in montagna che nessuno dice?" S CENA 2 (4s): Lei si sposta i capelli, espressione complice. DIALOGUE: "Non serve il frac. Qui sono informali ma super efficienti." S CENA 3 (4s): Lei ride di gusto guardando l'obiettivo. DIALOGUE: "E le piscine termali? Sembra di stare in un film," S CENA 4 (3s): Lei fa un gesto di saluto con la mano e sorride. DIALOGUE: "Dovete andarci insieme, è incredibile!" NO text overlay, NO subtitles, NO captions.
Storyboard
Storyboard
[VOICE VOLUME: MAX. Background sounds: minimal.] SCENA 1 [0-4s]: Soggiorno con luci soffuse. Una donna italiana sui 5...
[VOICE VOLUME: MAX. Background sounds: minimal.] SCENA 1 [0-4s]: Soggiorno con luci soffuse. Una donna italiana sui 50 anni è avvolta in un plaid su un divano confortevole. Stile iPhone selfie, movimento naturale della mano. DIALOGO: "Tre mesi fa ero disperata per alcune spese, ho risolto grazie ad un prestito online." SCENA 2 [4-8s]: Lei sposta leggermente il plaid, seduta sul divano e parla in modo dinamico. Illuminazione naturale. DIALOGO: "Richiesta veloce ed esito in 24 ore senza dover andare in banca." SCENA 3 [8-12s]: Inquadratura leggermente più stretta sul viso rilassato della donna. Ripresa verticale 9:16, stile UGC autentico. DIALOGO: "È stato tutto così semplice che non ci credevo nemmeno io." SCENA 4 [12-15s]: Lei guarda verso la telecamera con un sorriso rassicurante. Movimento leggero della testa. DIALOGO: "Se vuoi sapere quanto puoi ottenere, clicca qui sotto." NO TEXT ON SCREEN TUTTE LE SCENE DEVONO ESSERE PARLATE IN ITALIANO. SPEAK IN THE SAME LANGUAGE AS THE DIALOGUE TEXT. The audio and lip-sync MUST match the language of the written dialogue. SILENCE RULE: After dialogue ends in any scene, the character MUST stay completely SILENT. No filler words, no random sounds, no gibberish. Just visual action until the scene ends. [AUDIO: voce parlata in ITALIANO. Nessuna musica di sottofondo. Nessun effetto sonoro. Solo voce umana naturale.] NO text overlay, NO subtitles, NO captions.
SCENA 1 (5s): Video smartphone con qualità leggermente bassa e movimento naturale. Inquadratura di un corridoio d'uff...
SCENA 1 (5s): Video smartphone con qualità leggermente bassa e movimento naturale. Inquadratura di un corridoio d'ufficio. DIALOGO: "La verità sulle penne personalizzate che nessuno dice? Costano pochissimo." SCENA 2 (5s): La telecamera si sposta velocemente su una scrivania piena di penne bianche con clip colorate miste. DIALOGO: "Guarda queste. Centoventicinque pezzi a trentanove euro. Assurdo." SCENA 3 (5s): Inquadratura ravvicinata di una mano che afferra una penna con clip fucsia. DIALOGO: "Grafica fai-da-te e pagamento alla consegna. Non ditelo a nessuno." NO text overlay, NO subtitles, NO captions.
A normal living room in a family house with toys scattered on the floor. A 3-year-old toddler sits on a small play ma...
A normal living room in a family house with toys scattered on the floor. A 3-year-old toddler sits on a small play mat pushing a toy car back and forth. A friendly medium-sized dog slowly walks over and curiously grabs the toy car with its mouth. The toddler looks surprised and tries to take the toy back while laughing. The dog sits on the floor holding the toy while wagging its tail. Natural indoor lighting from a window, simple everyday home environment.
Video vertical en estilo UGC (9:16). Una mujer española de 30 años, atractiva, elegante con tacones altos y pelo cast...
Video vertical en estilo UGC (9:16). Una mujer española de 30 años, atractiva, elegante con tacones altos y pelo castaño. Tono aliviado y sincero. Casa grande, luminosa y moderna con jardín y piscina visibles en el fondo. Luz natural, estilo cercano y real. [ESCENA Y SUJETO] Ambiente: casa grande, moderna y luminosa con jardín y piscina visibles en el fondo, interior amplio y lujoso con mucha luz natural de grandes ventanales. Sujeto: mujer española de 30 años, atractiva, elegante con tacones altos, pelo castaño, expresión aliviada y sincera en todo momento. Cinematography: Camera shot: plano completo transitioning to plano medio, luego plano americano, terminando en plano selfie; nivel de ojos. Mood: aliviado, sincero, cercano y real. Actions: [0-4s] La mujer camina por el jardín hacia la casa, mirando a la cámara con alivio; piscina y grandes ventanales visibles detrás. [4-8s] Continúa caminando hacia la casa, expresión sincera recordando el pasado. [8-12s] Entra en la casa por los ventanales al interior espacioso y lujoso con luz natural, mira a la cámara con alivio. [12-15s] Se detiene cerca del ventanal con la piscina de fondo, sonríe tranquilamente y señala hacia abajo. DIÁLOGO: [0-4s] "Debía treinta mil euros y nadie imaginaba mi situación" [4-8s] "Me quedé sin trabajo, no tenía ni para comer, pero llegó un milagro" [8-12s] "la Ley de Segunda Oportunidad canceló mis deudas sin pagar ni un euro" [12-15s] "Comprueba los requisitos para acogerte ahora" NO TEXT ON SCREEN, no subtitles, no music, no watermark. ALL DIALOGUE IN SPANISH (SPAIN ACCENT). NO text overlay, NO subtitles, NO captions.
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from ...
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from the front windows. Emily Carter, a white American woman in her early 30s wearing office slacks and a wrinkled cream blouse, stands tense beside a half-full cart, phone in hand, exhaustion on her face. A white American woman in her late 50s in a denim jacket taps Emily’s shoulder; the camera holds a medium shot as the woman smiles and says, “Your daughter is beautiful.” Emily turns sharply, confused, and the camera cuts to a close-up of Emily’s face as she replies, “I don’t have a daughter.” The smile drops; the camera pans to reveal a white American little girl, about six, in a bright red jacket and dirty sneakers, stepping in close and gripping Emily’s hand with quiet force. Close-up on their hands tightening, then on Emily’s widening eyes as the girl looks up and says, “Can we go home now, Mommy?” The surrounding shoppers freeze, a low tense hum of store noise, no logos, no brand names, no signage, no watermarks, no text overlays, ominous music rising as suspicion hangs in the air.
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from ...
In a suburban U.S. grocery store checkout lane at dusk, harsh fluorescent ceiling lights mix with the warm glow from the front windows. Emily Carter, a white American woman in her early 30s wearing office slacks and a wrinkled cream blouse, stands tense beside a half-full cart, phone in hand, exhaustion on her face. A white American woman in her late 50s in a denim jacket taps Emily’s shoulder; the camera holds a medium shot as the woman smiles and says, “Your daughter is beautiful.” Emily turns sharply, confused, and the camera cuts to a close-up of Emily’s face as she replies, “I don’t have a daughter.” The smile drops; the camera pans to reveal a white American little girl, about six, in a bright red jacket and dirty sneakers, stepping in close and gripping Emily’s hand with quiet force. Close-up on their hands tightening, then on Emily’s widening eyes as the girl looks up and says, “Can we go home now, Mommy?” The surrounding shoppers freeze, a low tense hum of store noise, no logos, no brand names, no signage, no watermarks, no text overlays, ominous music rising as suspicion hangs in the air.
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