Trình diễn Seedance 2.0
Duyệt các thế hệ công khai thành công từ cộng đồng và mở bất kỳ mục nào để kiểm tra câu lệnh, cài đặt và kết quả đầu ra.
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American ...
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American students and adults, realistic in appearance. Jacob, a white American teenage boy, sits at a table as Martin, another white American teen, pours iced coffee over his head. Jacob remains perfectly calm. Phones rise as students silently record. Thick tension in the air. Jacob slowly stands and says, “Are you done?” and slaps him , Martin’s grin fades as uncertainty hits his face. Shocked students freeze mid-recording. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded, realistic tone. Write subtitles on the video, and at the end, on a black background, write: ‘Watch the full story in the comments.’”
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American ...
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American students and adults, realistic in appearance. Jacob, a white American teenage boy, sits at a table as Martin, another white American teen, pours iced coffee over his head. Jacob remains perfectly calm. Phones rise as students silently record. Thick tension in the air. Jacob slowly stands and says, “Are you done?” and slaps him , Martin’s grin fades as uncertainty hits his face. Shocked students freeze mid-recording. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded, realistic tone. Write subtitles on the video, and at the end, on a black background, write: ‘Watch the full story in the comments.’”
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American ...
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American students and adults, realistic in appearance. Jacob, a white American teenage boy, sits at a table as Martin, another white American teen, pours iced coffee over his head. Jacob remains perfectly calm. Phones rise as students silently record. Thick tension in the air. Jacob slowly stands and says, “Are you done?” and slaps him , Martin’s grin fades as uncertainty hits his face. Shocked students freeze mid-recording. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded, realistic tone. Write subtitles on the video, and at the end, on a black background, write: ‘Watch the full story in the comments.’”
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American ...
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American students and adults, realistic in appearance. Jacob, a white American teenage boy, sits at a table as Martin, another white American teen, pours iced coffee over his head. Jacob remains perfectly calm. Phones rise as students silently record. Thick tension in the air. Jacob slowly stands and says, “Are you done?” and slaps him , Martin’s grin fades as uncertainty hits his face. Shocked students freeze mid-recording. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded, realistic tone. Write subtitles on the video, and at the end, on a black background, write: ‘Watch the full story in the comments.’”
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset o...
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset on, professional uniform) leans forward intensely at her console, eyes wide with alarm as she listens to a silent call. Close-up: Her trembling hand hovers over the record button as whispered voices come through her headset. A woman's voice: "He's passed out. Make it look like he fell. Twenty million in life insurance." Sarah's face shows horror and determination as she rapidly types the address, dispatching units. Cut to: Split screen—Sarah listening intently while in a luxury mansion foyer, Victoria (40s, elegant dress) and David (40s, expensive suit) begin dragging an unconscious man toward marble stairs. Wide shot: Police burst through the mansion doors. The "unconscious" Robert (50s, distinguished) suddenly sits up alert, revealing he was awake the entire time. Victoria's face transforms from confident to absolute terror. Cinematic noir lighting, pulse-pounding suspense, photorealistic, silent witness to murder plot.
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset o...
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset on, professional uniform) leans forward intensely at her console, eyes wide with alarm as she listens to a silent call. Close-up: Her trembling hand hovers over the record button as whispered voices come through her headset. A woman's voice: "He's passed out. Make it look like he fell. Twenty million in life insurance." Sarah's face shows horror and determination as she rapidly types the address, dispatching units. Cut to: Split screen—Sarah listening intently while in a luxury mansion foyer, Victoria (40s, elegant dress) and David (40s, expensive suit) begin dragging an unconscious man toward marble stairs. Wide shot: Police burst through the mansion doors. The "unconscious" Robert (50s, distinguished) suddenly sits up alert, revealing he was awake the entire time. Victoria's face transforms from confident to absolute terror. Cinematic noir lighting, pulse-pounding suspense, photorealistic, silent witness to murder plot.
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset o...
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset on, professional uniform) leans forward intensely at her console, eyes wide with alarm as she listens to a silent call. Close-up: Her trembling hand hovers over the record button as whispered voices come through her headset. A woman's voice: "He's passed out. Make it look like he fell. Twenty million in life insurance." Sarah's face shows horror and determination as she rapidly types the address, dispatching units. Cut to: Split screen—Sarah listening intently while in a luxury mansion foyer, Victoria (40s, elegant dress) and David (40s, expensive suit) begin dragging an unconscious man toward marble stairs. Wide shot: Police burst through the mansion doors. The "unconscious" Robert (50s, distinguished) suddenly sits up alert, revealing he was awake the entire time. Victoria's face transforms from confident to absolute terror. Cinematic noir lighting, pulse-pounding suspense, photorealistic, silent witness to murder plot.
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset o...
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset on, professional uniform) leans forward intensely at her console, eyes wide with alarm as she listens to a silent call. Close-up: Her trembling hand hovers over the record button as whispered voices come through her headset. A woman's voice: "He's passed out. Make it look like he fell. Twenty million in life insurance." Sarah's face shows horror and determination as she rapidly types the address, dispatching units. Cut to: Split screen—Sarah listening intently while in a luxury mansion foyer, Victoria (40s, elegant dress) and David (40s, expensive suit) begin dragging an unconscious man toward marble stairs. Wide shot: Police burst through the mansion doors. The "unconscious" Robert (50s, distinguished) suddenly sits up alert, revealing he was awake the entire time. Victoria's face transforms from confident to absolute terror. Cinematic noir lighting, pulse-pounding suspense, photorealistic, silent witness to murder plot.
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset o...
In a dimly lit 911 dispatch center at night, multiple monitors glow in the background. Sarah Martinez (30s, headset on, professional uniform) leans forward intensely at her console, eyes wide with alarm as she listens to a silent call. Close-up: Her trembling hand hovers over the record button as whispered voices come through her headset. A woman's voice: "He's passed out. Make it look like he fell. Twenty million in life insurance." Sarah's face shows horror and determination as she rapidly types the address, dispatching units. Cut to: Split screen—Sarah listening intently while in a luxury mansion foyer, Victoria (40s, elegant dress) and David (40s, expensive suit) begin dragging an unconscious man toward marble stairs. Wide shot: Police burst through the mansion doors. The "unconscious" Robert (50s, distinguished) suddenly sits up alert, revealing he was awake the entire time. Victoria's face transforms from confident to absolute terror. Cinematic noir lighting, pulse-pounding suspense, photorealistic, silent witness to murder plot.
SCENE 1 (5s): iPhone selfie video. A woman (30s, casual clothes, expressive face) sits in a parked car, looking direc...
SCENE 1 (5s): iPhone selfie video. A woman (30s, casual clothes, expressive face) sits in a parked car, looking directly at the camera with a slightly conspiratorial expression. Natural daylight through the car window. DIALOGUE: "Não devia dizer isto, mas a maioria dos empreendedores luta para vender online." SCENE 2 (5s): Same selfie angle, same woman, same car interior. She gestures with her hands, explaining with enthusiasm. DIALOGUE: "Eu ajudo a crescer no digital e a multiplicar vendas. Mentorado do zero à prática." SCENE 3 (5s): Same angle, same woman, same car. She nods confidently, a slight smile. DIALOGUE: "Finalmente, um método que funciona. Não percas tempo, vê por ti mesmo." NO text overlay, NO subtitles, NO captions.
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
A tiny tan chihuahua wearing a bee costume (yellow-and-black stripes with tiny wings) sits inside a metal shopping ca...
A tiny tan chihuahua wearing a bee costume (yellow-and-black stripes with tiny wings) sits inside a metal shopping cart in a bright pet-supply store aisle. The cart is packed with tall colorful pet food bags (teal, maroon, navy, orange, blue) surrounding the dog like a nest. Shot vertical 9:16, smartphone POV from behind the cart, angled slightly downward, mild handheld shake, natural fluorescent store lighting. The chihuahua clutches a mini squeaky plush hamburger tightly to its chest, giving a suspicious “mine” stare. A human hand enters from the right and tugs the burger upward/right. The dog erupts into dramatic barking/yelping, tries to hold on, then flops backward into the bags with paws popping up in a comedic tumble. The dog disappears behind the bag wall, peeks out once, then pops up at the end with one final offended bark. Style: photoreal, real-time, one continuous take, moderate background blur/autofocus, no captions/watermarks, no readable brand text.
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