Trình diễn Seedance 2.0
Duyệt các thế hệ công khai thành công từ cộng đồng và mở bất kỳ mục nào để kiểm tra câu lệnh, cài đặt và kết quả đầu ra.
FORMAT: 9:16 vertical | Fake FaceTime| dos mujeres españolas (asesora 45 años, guapa, profesional; clienta 35 años, p...
FORMAT: 9:16 vertical | Fake FaceTime| dos mujeres españolas (asesora 45 años, guapa, profesional; clienta 35 años, pelo castaño, ropa casual) | misma composición y ángulo en todas las escenas (pantalla dividida vertical tipo videollamada). La asesora está en un despacho de abogados, la clienta está en su casa sentada en un sofá (ambiente cálido, salón). Ambas miran a cámara como si fuera videollamada. Iluminación natural y realista. NO TEXT ON SCREEN, no subtitles, no music, no watermark. ALL DIALOGUE IN SPANISH (SPAIN ACCENT). SCENE 1 [0-4s]: Pantalla dividida tipo FaceTime. La clienta se muestra preocupada en su sofá. La asesora escucha con atención desde su despacho. DIALOGUE (CLIENTA): "Ana, no puedo pagar mis deudas y estoy muy agobiada. ¿Qué hago?" SCENE 2 [4-7s]: Mismo plano exacto, sin cambios de ángulo. La asesora responde con tono calmado y profesional. La clienta escucha. DIALOGUE (ASESORA): "Hay una ley en España que puede cancelarlas legalmente sin pagarlas" SCENE 3 [7-11s]: Mismo encuadre. La clienta frunce ligeramente el ceño, expresión de duda. DIALOGUE (CLIENTA): "¿Y dejaría de pagar a todos así porque sí? No me lo creo" SCENE 4 [11-15s]: Mismo plano. La asesora se inclina ligeramente hacia cámara, tono seguro y cercano. DIALOGUE (ASESORA): "Sí, es muy sencillo, rellena el formulario ahora para comprobar los requisitos" Dialogue: - Character: "Ana, no puedo pagar mis deudas y estoy muy agobiada. ¿Qué hago? Hay una ley en España que puede cancelarlas legalmente sin pagarlas ¿Y dejaría de pagar a todos así porque sí? No me lo creo Sí, rellena el formulario ahora" NO text overlay, NO subtitles, NO captions.
SCENA 1 (4s): Video smartphone a mano ripreso da un operatore. Inquadratura media di un uomo di 40 anni in camicia da...
SCENA 1 (4s): Video smartphone a mano ripreso da un operatore. Inquadratura media di un uomo di 40 anni in camicia davanti a un negozio in una via trafficata. L'intervistatore entra con un microfono. DIALOGO (fuori campo): "Sicurezza in negozio?" UOMO: "Ho speso migliaia di euro prima di capire che..." SCENA 2 (4s): Video smartphone a mano. Primo piano dell'uomo che scuote la testa con espressione seria. Luce solare naturale. DIALOGO: "Senza Vincenzo Conte butti solo soldi. È un esperto." SCENA 3 (4s): Video smartphone a mano. Inquadratura media, l'uomo gesticola in modo dinamico spiegando con le mani. DIALOGO: "Lui ti segue passo dopo passo. È un altro pianeta." SCENA 4 (3s): Video smartphone a mano. L'uomo sorride guardando l'operatore, approvando con un cenno. DIALOGO: "Chiamalo, fidati. Cambia tutto." Dialogue: - Character: "Sicurezza in negozio? Ho speso migliaia di euro prima di capire che senza Vincenzo Conte butti solo soldi. È un esperto. Lui ti segue passo dopo passo. Chiamalo, fidati. Cambia tutto." NO text overlay, NO subtitles, NO captions.
no watermark. real scary evil horror. all continuous view. movie quality and realism. all one continuous stationary n...
no watermark. real scary evil horror. all continuous view. movie quality and realism. all one continuous stationary nightvision her bedroom view. no timestamps. woman is hiding under bed as scary horror unique hollow monster crawling into view and looms around. extremely scary horror. real natural movement. responsive real environment. fixed stationary view. everything is real. camera view stays same. no clipping. no walking through objects. unique cinematic scene. real. real monster. unnatural. extremely detailed high resolution skin. monster moves naturally interacting with objects and scene. no watermark
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah ...
In a sterile hospital room at night, fluorescent lights cast harsh shadows while heart monitors beep steadily. Sarah (early 30s, bruised face with one swollen eye, hospital gown) lies in bed as Mark (late 30s, disheveled hair, wrinkled shirt, fake tears) sits beside her holding her hand with theatrical concern. The camera uses medium shot as Dr. Thorne (40s, white coat, stern expression) enters carrying a tablet, his eyes immediately scanning Sarah's visible injuries. Close-up: Mark's grip tightens on Sarah's hand as the doctor approaches. Cut to wide shot: Two security guards appear in the doorway as Dr. Thorne crosses his arms. Mark's voice cracks with desperation: "I'm not leaving her. She needs me." Dr. Thorne's voice cuts sharp and cold: "It wasn't a request. Out. Now." Close-up: Sarah's one good eye shows a flicker of hope as Mark's face transforms from grief to barely contained rage. Tension builds as the guards step forward. No logos, no brand names, no watermarks, no text overlays.
In un video selfie in stile iPhone, una donna di 30 anni con un maglione accogliente e una coperta scozzese è seduta ...
In un video selfie in stile iPhone, una donna di 30 anni con un maglione accogliente e una coperta scozzese è seduta sul divano di un soggiorno immerso nella luce soffusa del crepuscolo. Con movimenti naturali della mano, inizia a parlare rivolta alla fotocamera, per poi allungare il braccio verso un flacone di Norvia Co. appoggiato su un tavolo di legno, inquadrando da vicino la pompa bianca e il corpo antracite del prodotto. L'inquadratura si sposta poi su un primissimo piano della sua fronte e delle sue guance, mostrando una pelle liscia e luminosa, prima di tornare a riprenderla mentre sorride calorosamente appoggiandosi ai cuscini del divano in un'atmosfera intima e rilassata. DIALOGUE: "Nobody talks about it but... the 'retinol uglies' are so Then I found this plant-based version from Norvia Co. Bidens Pilosa gives you the same results without the damage. Best switch I've ever made for my" NO text overlay, NO subtitles, NO captions.
In un video selfie stile UGC ripreso con un iPhone in formato 9:16, una giovane donna di 22 anni parla con entusiasmo...
In un video selfie stile UGC ripreso con un iPhone in formato 9:16, una giovane donna di 22 anni parla con entusiasmo direttamente nell'obiettivo, alternando primi piani del suo viso radioso a brevi inquadrature ravvicinate in cui mostra un flacone nero con erogatore bianco. La telecamera si muove con la naturalezza di un dispositivo portatile mentre lei ruota la testa per esibire con orgoglio la sua pelle liscia, chiara e priva di imperfezioni, trasmettendo un senso di autenticità e soddisfazione in un ambiente domestico luminoso. DIALOGUE: "My esthetician told me one thing: stop using harsh retinol! She suggested this plant-based alternative. It's called GentleRenew. Look! No redness or peeling. My skin is so smooth!" NO text overlay, NO subtitles, NO captions.
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