Trình diễn Seedance 2.0
Duyệt các thế hệ công khai thành công từ cộng đồng và mở bất kỳ mục nào để kiểm tra câu lệnh, cài đặt và kết quả đầu ra.
SETTING American high school gymnasium dressed for prom, twisted streamers overhead and a polished hardwood floor und...
SETTING American high school gymnasium dressed for prom, twisted streamers overhead and a polished hardwood floor under cheap rainbow disco light | Night | Low-key pendant wash punched through by roving colored gels, a single hot spotlight pooling near the prom court, deep shadows at the bleachers | Music frozen mid-beat, the crowd holding its breath All characters are white American, contemporary U.S. setting. CHARACTERS MADISON: 17, long dark hair loose around her shoulders, slim athletic build, deep red floor-length prom dress with a slit, one ballot clutched at her chest, composed stillness in her jaw — the quiet of someone already deciding. TYLER: 18, sandy blonde hair styled up, broad-shouldered football build, black tuxedo with the jacket open and tie loose, flushed with performance adrenaline, right hand still raised from the strike. ONE-SHOT SCENE WITH TIMING 0:00–0:02 — Extreme close-up on Madison's cheek at the precise moment of impact; Tyler's open palm lands with a sharp crack, her head snaps a quarter-turn, a loose strand of hair flies across her face, the ballot flutters from her fingers into soft focus. A slow motivated arc begins around her as the DJ's track stalls into a low hum and a raw "oh my god" escapes a girl off-frame. 0:02–0:04 — The arc travels past Madison's profile; her eyes close for one beat, then open — steady, unblinking — the red print of his palm already blooming on her cheekbone. She lowers her gaze to the floor, composed. 0:04–0:06 — Camera descends with her hand as she reaches down and unstraps the right heel with two calm fingers, setting it soundlessly on the hardwood beside her bare foot; the nearest students step back without being told. 0:06–0:08 — Arc rises again; Madison's weight shifts onto the balls of her feet, shoulders dropping, hands loose at her sides. Tyler, still half-turned to his audience, registers the silence and looks back — his smirk flickers and dies. He says, loud but thinning: "What are you gonna do — throw your shoe at me?" 0:08–0:10 — Camera settles into a low-angle hero shot on Madison; her bare foot pivots against the hardwood, hips squaring toward him. She speaks his name, quiet and level: "Tyler." Final held frame — disco light glinting across her steady eyes, Tyler blurred and off-balance in the background. KEY DIALOGUE TYLER (loud, performative, smirk thinning): "What are you gonna do — throw your shoe at me?" MADISON (quiet, level, almost gentle): "Tyler." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
Fast-paced TikTok style prepper content. solar panels and portable generators, modern off-grid setup, technical yet a...
Fast-paced TikTok style prepper content. solar panels and portable generators, modern off-grid setup, technical yet accessible presentation. The scene opens with a dramatic attention-grabbing moment showcasing Power Generation with quick zoom and high energy. The camera rapidly cuts between angles showing key Power Generation techniques with dynamic close-ups of details and action. The scene concludes with a powerful wide shot revealing the full impressive setup. Pure photorealistic cinematography, no text, no watermarks, no overlays, no captions. Ambient sounds of the environment fill the scene naturally.
Cute dachshund in home, bright cheerful colors, playful and humorous. The scene opens with an attention-grabbing mome...
Cute dachshund in home, bright cheerful colors, playful and humorous. The scene opens with an attention-grabbing moment: Adorable dachshund takes on stairs. The camera smoothly transitions to show Watch as it struggles to climb, then finds a clever solution. The scene concludes with Can your pet conquer the stair challenge?. Pure photorealistic cinematography, no text, no watermarks, no overlays, no captions. Ambient sounds of the environment fill the scene naturally.
Crie um vídeo estilo POV desse produto, apenas mostrando as mãos do influenciador mostrando o produto, que ainda está...
Crie um vídeo estilo POV desse produto, apenas mostrando as mãos do influenciador mostrando o produto, que ainda está embalada no plástico, ele nao remove do plastico, sem textos na tela, ambiente de uma loja de vendas de eletrônicos com luzes led. O áudio deve ser em português brasileiro não coloque valores em dinheiro não coloque frete grátis ele mostra somente a parte da frente
o papagaio todo verde está sentado no banco de uma praça conversando com um homem, o homem pergunta para o papagaio: ...
o papagaio todo verde está sentado no banco de uma praça conversando com um homem, o homem pergunta para o papagaio: "lôro, você sabe quanto tempo vive um burro?", o papagaio responde: "por que? está se sentido mal?", o homem ri e diz: "não sou eu lôro", o papagaio ri.
Fast-paced TikTok style product ad. warm western boutique interior, product showcase, soft golden lighting, rustic ae...
Fast-paced TikTok style product ad. warm western boutique interior, product showcase, soft golden lighting, rustic aesthetic. Starting from this product image, the camera slowly zooms in revealing fine details and texture, then smoothly orbits around showing the product from multiple angles. Dynamic lighting shifts highlight craftsmanship and quality. The scene transitions to a lifestyle shot showing the product in use, then pulls back for a dramatic final reveal. Pure photorealistic cinematography, no text, no watermarks, no overlays, no captions. Ambient boutique sounds fill the scene naturally.
0:00–0:02 — Extreme close-up on Soo-Yeon's hand gripping the edge of the project table, knuckles whitening against th...
0:00–0:02 — Extreme close-up on Soo-Yeon's hand gripping the edge of the project table, knuckles whitening against the laminate. Camera begins a slow motivated Steadicam arc, lifting up her arm to her face in profile — eyes cast down, jaw tight, a single breath held. Gymnasium chatter still audible in the background. 0:02–0:03 — The arc reveals the boy on the far side of the table, mid-laugh, his right hand drawing back at the edge of frame. The slap connects — a single flat crack cutting clean through the gymnasium air. Her head snaps to the side, ponytail swinging, a sharp audible inhale breaking from her, left hand flying up to cover the reddening skin. 0:03–0:05 — Camera holds a half-beat on the frozen tableau: the boy's friends behind him locked mid-laugh, the circle of student phones rising in unison, fluorescent light going suddenly cold on every face. All ambient chatter has collapsed into dead silence. 0:05–0:07 — Steadicam begins a continuous pull-back and rightward drift, widening to include the silent crowd. The boy, reading the quiet instead of the laughter he expected, turns toward the space behind him. The camera move carries through his turn and finds Elena already standing eight feet behind him — planted, still, the five Olympic rings on her chest catching the fluorescent light. She has not been walking; she has been standing. 0:07–0:09 — Camera pushes in past the boy's shoulder onto Elena's face — absolutely still, eyes level, the flat clarity of someone who has already finished deciding. Her voice arrives quiet, almost gentle, pitched only for him: "You really slapped my daughter." 0:09–0:10 — Reverse micro-beat catches the boy's profile as his smirk dies — corners of the mouth dropping first, jaw loosening, a dry swallow moving his throat, eyes flicking down to the rings on her chest and back up, a short involuntary breath escaping him. His shoulders sag a full inch. Frame settles on Elena's unmoving face, the five rings glowing gold-cold on her chest in soft focus beneath her jawline, as she holds his gaze without blinking. The scene ends. KEY DIALOGUE ELENA (quiet, calm-angry, pitched only for him — no volume, no tremor, every syllable weighted): "You really slapped my daughter." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
0:00–0:02 — Extreme close-up on Soo-Yeon's hand gripping the edge of the project table, knuckles whitening against th...
0:00–0:02 — Extreme close-up on Soo-Yeon's hand gripping the edge of the project table, knuckles whitening against the laminate. Camera begins a slow motivated Steadicam arc, lifting up her arm to her face in profile — eyes cast down, jaw tight, a single breath held. Gymnasium chatter still audible in the background. 0:02–0:03 — The arc reveals the boy on the far side of the table, mid-laugh, his right hand drawing back at the edge of frame. The slap connects — a single flat crack cutting clean through the gymnasium air. Her head snaps to the side, ponytail swinging, a sharp audible inhale breaking from her, left hand flying up to cover the reddening skin. 0:03–0:05 — Camera holds a half-beat on the frozen tableau: the boy's friends behind him locked mid-laugh, the circle of student phones rising in unison, fluorescent light going suddenly cold on every face. All ambient chatter has collapsed into dead silence. 0:05–0:07 — Steadicam begins a continuous pull-back and rightward drift, widening to include the silent crowd. The boy, reading the quiet instead of the laughter he expected, turns toward the space behind him. The camera move carries through his turn and finds Elena already standing eight feet behind him — planted, still, the five Olympic rings on her chest catching the fluorescent light. She has not been walking; she has been standing. 0:07–0:09 — Camera pushes in past the boy's shoulder onto Elena's face — absolutely still, eyes level, the flat clarity of someone who has already finished deciding. Her voice arrives quiet, almost gentle, pitched only for him: "You really slapped my daughter." 0:09–0:10 — Reverse micro-beat catches the boy's profile as his smirk dies — corners of the mouth dropping first, jaw loosening, a dry swallow moving his throat, eyes flicking down to the rings on her chest and back up, a short involuntary breath escaping him. His shoulders sag a full inch. Frame settles on Elena's unmoving face, the five rings glowing gold-cold on her chest in soft focus beneath her jawline, as she holds his gaze without blinking. The scene ends. KEY DIALOGUE ELENA (quiet, calm-angry, pitched only for him — no volume, no tremor, every syllable weighted): "You really slapped my daughter." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining ...
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining fold-out tables under harsh overhead fluorescents | Evening, roughly 7 p.m. | Flat cool fluorescent wash overhead, colored poster-board light bouncing warm across the foreground | Loud ambient chatter collapsing into dead silence after the impact All characters are white American, contemporary U.S. setting. CHARACTERS SOO-YEON: 15, long dark-brown hair in a low ponytail, slight build, fitted navy cardigan over a white tee and jeans, standing behind her science-fair project table with one hand gripping the edge — quiet composure already strained, eyes cast slightly down. THE BOY: 17, sandy brown hair, tall broad-shouldered senior-athlete build, varsity letter jacket, standing on the public side of the table — mid-laugh, right arm drawing back at the edge of frame as the camera arrives, playing to the circle of students behind him with phones raised. ELENA: Early 40s, shoulder-length brown hair in a low ponytail, compact athletic build, navy training jacket hanging open with five Olympic rings embroidered on the left chest catching the fluorescent light — already standing in the open circle eight feet behind the boy when the camera finds her, feet planted, hands relaxed at her sides, competition-face composure, eyes locked forward. ONE-SHOT SCENE The camera opens in extreme close-up on Soo-Yeon's hand gripping the edge of the project table, knuckles whitening against the laminate, then begins a slow, motivated Steadicam arc that lifts up her arm to her face in profile — eyes cast down, jaw tight, a single breath held. The arc reveals the boy on the far side of the table mid-laugh, his right hand drawing back at the edge of frame. The slap connects — a single flat crack cutting clean through the gymnasium air. Her head snaps to the side, ponytail swinging, a sharp audible inhale breaking from her, left hand flying up to cover the reddening skin. The camera holds a half-beat on the frozen tableau: the boy's friends behind him locked mid-laugh, the circle of student phones rising in unison, fluorescent light going suddenly cold on every face. The Steadicam begins a continuous pull-back and rightward drift, widening to include the silent crowd — and the boy, reading the quiet instead of the laughter he expected, turns toward the space behind him. The camera continues its move and finds Elena already there, planted and still, the five Olympic rings on her chest catching the fluorescent light. She has not been walking; she has been standing. The camera pushes in past the boy's shoulder onto her face — absolutely still, eyes level, the flat clarity of someone who has already finished deciding. Her voice arrives quiet, almost gentle, pitched only for him: "You really slapped my daughter." The boy's smirk dies in real time — corners of the mouth dropping first, jaw loosening, a dry swallow moving his throat, eyes flicking down to the rings on her chest and back up, a short involuntary breath escaping him. His shoulders sag a full inch. He looks sideways for his friends and finds only empty floor where they were standing. Frame settles on Elena's unmoving face, the five rings glowing gold-cold on her chest in soft focus beneath her jawline, as she holds his gaze without blinking. The scene ends. KEY DIALOGUE ELENA (quiet, calm-angry, pitched only for him — no volume, no tremor, every syllable weighted): "You really slapped my daughter." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining ...
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining fold-out tables under harsh overhead fluorescents | Evening, roughly 7 p.m. | Flat cool fluorescent wash overhead, colored poster-board light bouncing warm across the foreground | Dead silence — the specific hush of a gymnasium where a hundred people have just stopped breathing at once All characters are white American, contemporary U.S. setting. CHARACTERS SOO-YEON: 15, long dark-brown hair in a low ponytail now slightly disheveled, slight build, fitted navy cardigan over a white tee — standing behind her project table in the mid-ground, left hand still pressed lightly to her reddened cheek, eyes wide and glassy but unspilled. THE BOY: 17, sandy brown hair, tall broad-shouldered senior-athlete build, varsity letter jacket, center-frame with his back three-quarters to camera — right hand just dropping back to his side from the follow-through, smirk still half-alive on his mouth, playing to his audience who are no longer laughing. ELENA: Early 40s, shoulder-length brown hair in a low ponytail, compact athletic build, navy training jacket hanging open with five Olympic rings embroidered on the left chest catching the fluorescent light — stepping into the open circle behind the boy, unhurried, hands relaxed at her sides, competition-face composure, eyes locked forward. ONE-SHOT SCENE The camera opens in a low medium shot on Soo-Yeon standing behind her project table, her left hand pressed lightly to her reddened cheek, a single breath catching in her throat, then begins a slow, motivated Steadicam arc that drifts rightward across the stunned circle of students, phones still raised at shoulder height, faces frozen. The arc brings the boy into frame — center, back three-quarters to camera, the follow-through already dropped, his smirk beginning to falter as he reads the crowd going quiet instead of loud. The camera keeps moving, widening the frame — and behind him, the navy jacket crosses into view, unhurried, the five Olympic rings catching the fluorescent light as Elena steps into the open circle and stops roughly eight feet behind him. She does not close the distance. The boy turns. The camera pushes in slowly past his shoulder onto Elena's face — her expression absolutely still, eyes level, no lifted brow, no flared nostril, only the flat clarity of someone who has already finished deciding. Her voice arrives quiet, almost gentle, pitched only for him: "You really slapped my daughter." The camera holds on her face for a beat, then tilts slightly to catch the boy's profile as his smirk dies in real time — corners of the mouth dropping first, then the jaw loosening, a dry swallow moving his throat, eyes flicking down to the rings on her chest and back up, a short involuntary breath escaping him. His shoulders sag a full inch. He looks sideways for his friends and finds only empty floor where they were standing. The camera settles on Elena's face, the rings glowing gold-cold on her chest in soft focus beneath her jawline, as she holds the boy's gaze without blinking. Frame holds on her unmoving expression as the scene ends. KEY DIALOGUE ELENA (quiet, calm-angry, pitched only for him — no volume, no tremor, every syllable weighted): "You really slapped my daughter." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining ...
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining fold-out tables under harsh overhead fluorescents | Evening, roughly 7 p.m. | Flat cool fluorescent wash overhead, colored poster-board light bouncing warm across the foreground | Dead silence — the specific hush of a gymnasium where a hundred people have just stopped breathing at once All characters are white American, contemporary U.S. setting. CHARACTERS SOO-YEON: 15, long dark-brown hair in a low ponytail now slightly disheveled, slight build, fitted navy cardigan over a white tee — standing behind her project table in the mid-ground, left hand still pressed lightly to her reddened cheek, eyes wide and glassy but unspilled. THE BOY: 17, sandy brown hair, tall broad-shouldered senior-athlete build, varsity letter jacket, center-frame with his back three-quarters to camera — right hand just dropping back to his side from the follow-through, smirk still half-alive on his mouth, playing to his audience who are no longer laughing. ELENA: Early 40s, shoulder-length brown hair in a low ponytail, compact athletic build, navy training jacket hanging open with five Olympic rings embroidered on the left chest catching the fluorescent light — stepping into the open circle behind the boy, unhurried, hands relaxed at her sides, competition-face composure, eyes locked forward. ONE-SHOT SCENE The camera opens in a low medium shot on Soo-Yeon standing behind her project table, her left hand pressed lightly to her reddened cheek, a single breath catching in her throat, then begins a slow, motivated Steadicam arc that drifts rightward across the stunned circle of students, phones still raised at shoulder height, faces frozen. The arc brings the boy into frame — center, back three-quarters to camera, the follow-through already dropped, his smirk beginning to falter as he reads the crowd going quiet instead of loud. The camera keeps moving, widening the frame — and behind him, the navy jacket crosses into view, unhurried, the five Olympic rings catching the fluorescent light as Elena steps into the open circle and stops roughly eight feet behind him. She does not close the distance. The boy turns. The camera pushes in slowly past his shoulder onto Elena's face — her expression absolutely still, eyes level, no lifted brow, no flared nostril, only the flat clarity of someone who has already finished deciding. Her voice arrives quiet, almost gentle, pitched only for him: "You really slapped my daughter." The camera holds on her face for a beat, then tilts slightly to catch the boy's profile as his smirk dies in real time — corners of the mouth dropping first, then the jaw loosening, a dry swallow moving his throat, eyes flicking down to the rings on her chest and back up, a short involuntary breath escaping him. His shoulders sag a full inch. He looks sideways for his friends and finds only empty floor where they were standing. The camera settles on Elena's face, the rings glowing gold-cold on her chest in soft focus beneath her jawline, as she holds the boy's gaze without blinking. Frame holds on her unmoving expression as the scene ends. KEY DIALOGUE ELENA (quiet, calm-angry, pitched only for him — no volume, no tremor, every syllable weighted): "You really slapped my daughter." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining ...
SETTING American high-school gymnasium during a science fair, polished hardwood floor, trifold project boards lining fold-out tables under harsh overhead fluorescents | Evening, roughly 7 p.m. | Flat cool fluorescent wash overhead, colored poster-board light bouncing warm across the foreground | Dead silence — the specific hush of a gymnasium where a hundred people have just stopped breathing at once All characters are white American, contemporary U.S. setting. CHARACTERS SOO-YEON: 15, long dark-brown hair in a low ponytail now slightly disheveled, slight build, fitted navy cardigan over a white tee — standing behind her project table in the mid-ground, left hand still pressed lightly to her reddened cheek, eyes wide and glassy but unspilled. THE BOY: 17, sandy brown hair, tall broad-shouldered senior-athlete build, varsity letter jacket, center-frame with his back three-quarters to camera — right hand just dropping back to his side from the follow-through, smirk still half-alive on his mouth, playing to his audience who are no longer laughing. ELENA: Early 40s, shoulder-length brown hair in a low ponytail, compact athletic build, navy training jacket hanging open with five Olympic rings embroidered on the left chest catching the fluorescent light — stepping into the open circle behind the boy, unhurried, hands relaxed at her sides, competition-face composure, eyes locked forward. ONE-SHOT SCENE The camera opens in a low medium shot on Soo-Yeon standing behind her project table, her left hand pressed lightly to her reddened cheek, a single breath catching in her throat, then begins a slow, motivated Steadicam arc that drifts rightward across the stunned circle of students, phones still raised at shoulder height, faces frozen. The arc brings the boy into frame — center, back three-quarters to camera, the follow-through already dropped, his smirk beginning to falter as he reads the crowd going quiet instead of loud. The camera keeps moving, widening the frame — and behind him, the navy jacket crosses into view, unhurried, the five Olympic rings catching the fluorescent light as Elena steps into the open circle and stops roughly eight feet behind him. She does not close the distance. The boy turns. The camera pushes in slowly past his shoulder onto Elena's face — her expression absolutely still, eyes level, no lifted brow, no flared nostril, only the flat clarity of someone who has already finished deciding. Her voice arrives quiet, almost gentle, pitched only for him: "You really slapped my daughter." The camera holds on her face for a beat, then tilts slightly to catch the boy's profile as his smirk dies in real time — corners of the mouth dropping first, then the jaw loosening, a dry swallow moving his throat, eyes flicking down to the rings on her chest and back up, a short involuntary breath escaping him. His shoulders sag a full inch. He looks sideways for his friends and finds only empty floor where they were standing. The camera settles on Elena's face, the rings glowing gold-cold on her chest in soft focus beneath her jawline, as she holds the boy's gaze without blinking. Frame holds on her unmoving expression as the scene ends. KEY DIALOGUE ELENA (quiet, calm-angry, pitched only for him — no volume, no tremor, every syllable weighted): "You really slapped my daughter." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions
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