Trình diễn Seedance 2.0
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Video vertical/portrait untuk TikTok berdurasi 10 detik, satu scene dengan gerakan sederhana, fokus pada ekspresi dan...
Video vertical/portrait untuk TikTok berdurasi 10 detik, satu scene dengan gerakan sederhana, fokus pada ekspresi dan aksi, aman untuk TikTok/Instagram Reels. Seorang pria berusia 25, Menggunakan jersey dan sarung, ekspresif sedang olahraga Mancing tapi dengan twist lucu: Mancing di pinngir pantai strike ikan kerapu monster 100kg . [AUDIO: Hanya suara natural aktivitas olahraga - langkah kaki, nafas terengah, equipment bergerak. Tanpa voiceover narasi jika tidak diperlukan.] Gerakan olahraga yang berlebihan dan kocak. Ekspresi serius tapi situasinya absurd. Background outdoor/gym. [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends]
Eu amo forro de cama estampado e achei esse aqui no carrinho laranja. Esse é um edredom casal dupla face estampado, c...
Eu amo forro de cama estampado e achei esse aqui no carrinho laranja. Esse é um edredom casal dupla face estampado, com estampas sortidas. Ele tem os dois lados estampados, é macio, confortável e deixa a cama bem bonita e organizada. peço que a modelo só passe a mão , pois esta ficando bugado com estampas que não tem no produto, pede para a ai só mostrar o produto na cama se, levantar ou mostrar algo que não esta de acordo com o produto pois o tiuk tok esta dando violação preciso que seja algo blindado de violação, não quero nenhuma legenda no video , pois se não estiver de acordo o tik tok shop dá violação, não coloque nenhuma legenda
Storyboard
Storyboard
Eu amo forro de cama estampado e achei esse aqui no carrinho laranja. Esse é um edredom casal dupla face estampado, c...
Eu amo forro de cama estampado e achei esse aqui no carrinho laranja. Esse é um edredom casal dupla face estampado, com estampas sortidas. Ele tem os dois lados estampados, é macio, confortável e deixa a cama bem bonita e organizada. peço que a modelo só passe a mão , pois esta ficando bugado com estampas que não tem no produto, pede para a ai só mostrar o produto na cama se, levantar ou mostrar algo que não esta de acordo com o produto pois o tiuk tok esta dando violação preciso que seja algo blindado de violação
Time Code: 00:00-00:04 Camera Move: static Scene: A crowded school hallway lined with blue lockers. Characters: Young...
Time Code: 00:00-00:04 Camera Move: static Scene: A crowded school hallway lined with blue lockers. Characters: Young boy with a shaved head, Bully in a green hoodie, Bully in a blue and yellow varsity jacket, Crowd of students Actions: The bully in the varsity jacket holds the boy's face firmly., The bully in the green hoodie draws a symbol on the boy's shaved head with a black marker., The young boy stands still and helpless., Other students watch and record with their phones in the background. --- Time Code: 00:04-00:06 Camera Move: extreme close-up Scene: Tight focus on the boy's face. Characters: Young boy with a shaved head Actions: A single tear rolls down the boy's cheek., The boy looks up with an expression of deep sadness and pain., The black ink symbol is clearly visible on his forehead. --- Time Code: 00:07-00:09 Camera Move: long shot, static Scene: The far end of the school hallway near the entrance doors. Characters: Two female military officers in dress uniforms, Crowds of students Actions: The two military officers enter through the double doors., They begin walking down the center of the hallway., Students on both sides of the hallway create a path and watch them enter. --- Time Code: 00:10-00:11 Camera Move: medium shot, tracking forward Scene: Inside the school hallway. Characters: Two female military officers in Marine Corps Dress Blues Actions: The two women march forward with confidence and discipline., They wear white covers (hats) and dark blue jackets with red piping., The camera moves backward as they advance toward the viewer. --- Time Code: 00:12-00:14 Camera Move: close-up cuts Scene: Close-up of the bully followed by a close-up of the officer. Characters: Bully in the varsity jacket, Female military officer (the mother) Actions: The bully looks down with a nervous and apprehensive expression., The female officer stares straight ahead with a stern, fierce, and determined look., The shot emphasizes the shift in power dynamics.
Time Code: 00:00-00:04 Camera Move: static Scene: A crowded school hallway lined with blue lockers. Characters: Young...
Time Code: 00:00-00:04 Camera Move: static Scene: A crowded school hallway lined with blue lockers. Characters: Young boy with a shaved head, Bully in a green hoodie, Bully in a blue and yellow varsity jacket, Crowd of students Actions: The bully in the varsity jacket holds the boy's face firmly., The bully in the green hoodie draws a symbol on the boy's shaved head with a black marker., The young boy stands still and helpless., Other students watch and record with their phones in the background. --- Time Code: 00:04-00:06 Camera Move: extreme close-up Scene: Tight focus on the boy's face. Characters: Young boy with a shaved head Actions: A single tear rolls down the boy's cheek., The boy looks up with an expression of deep sadness and pain., The black ink symbol is clearly visible on his forehead. --- Time Code: 00:07-00:09 Camera Move: long shot, static Scene: The far end of the school hallway near the entrance doors. Characters: Two female military officers in dress uniforms, Crowds of students Actions: The two military officers enter through the double doors., They begin walking down the center of the hallway., Students on both sides of the hallway create a path and watch them enter. --- Time Code: 00:10-00:11 Camera Move: medium shot, tracking forward Scene: Inside the school hallway. Characters: Two female military officers in Marine Corps Dress Blues Actions: The two women march forward with confidence and discipline., They wear white covers (hats) and dark blue jackets with red piping., The camera moves backward as they advance toward the viewer. --- Time Code: 00:12-00:14 Camera Move: close-up cuts Scene: Close-up of the bully followed by a close-up of the officer. Characters: Bully in the varsity jacket, Female military officer (the mother) Actions: The bully looks down with a nervous and apprehensive expression., The female officer stares straight ahead with a stern, fierce, and determined look., The shot emphasizes the shift in power dynamics.
Comida gelada ou fila no micro-ondas do trabalho? Eu comprei essa marmita elétrica aqui no TikTok Shop, você liga e e...
Comida gelada ou fila no micro-ondas do trabalho? Eu comprei essa marmita elétrica aqui no TikTok Shop, você liga e ela esquenta sozinha. Agora eu almoço comida quente todo dia, sem fila e sem passar raiva. Se você leva marmita pro trabalho, isso aqui resolve! chat não quero anheuma legnda no video, pois se fircar diferente do que esta escrito o tik tok shop esta dando violação preciso que a modelo fale somente o prompt aqui deixado ok
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windo...
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windows | Reverent atmosphere with wooden pews and simple altar All characters are white American, contemporary small-town setting. CHARACTERS: TYLER: Late teens, messy brown hair, wearing casual button-down shirt and khakis, initially smug expression turning to horror HAROLD: Early 70s, silver-gray hair, weathered face, wearing pressed but worn navy suit, dignified despite trembling hands MAYOR WILLIAMS: Mid-50s, professional appearance in dark blazer, holding official document and medal box SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Tyler's face, mid-laugh, mouth open in a cruel smirk. Cut to Harold's trembling hands reaching for communion wafer. Tyler's whispered words are barely audible but his expression shows clear mockery. Harsh contrast between his youth and Harold's dignity. 0:03-0:06: Wide shot of the congregation. Mayor Williams steps forward holding the Medal of Honor box. Camera push in on Tyler's face as his expression begins to shift from amusement to confusion. Harold stands quietly in the background, unaware of the honor coming. 0:06-0:09: Close-up on Mayor Williams' mouth as she speaks the words "Medal of Honor." Rack focus to Tyler's face - his smirk completely vanishes, replaced by dawning horror. His eyes widen, mouth slightly open in shock. 0:09-0:12: Over-the-shoulder shot from Tyler's perspective, watching Harold walk forward with those same trembling hands. The entire congregation rises in applause. Tyler remains seated, frozen, as the camera slowly pushes in on his devastated expression. 0:12-0:15: Handheld follows Tyler as he stands and walks toward Harold. Close-up on their handshake - Tyler's steady young hand grasping Harold's trembling but strong fingers. Hold on Tyler's face showing genuine remorse and newfound respect. DIALOGUE OPTIONS: TYLER (cruel whisper, then voice breaking with shame): "Why's he even up there with those shaky hands?" "Look at grandpa's hands shaking like that." "Someone should help the old guy before he drops it." "What's wrong with his hands? So embarrassing." "Why doesn't someone tell him to sit down?" "Those shaky hands are so distracting." "Can't he see he's making a scene?" "This is painful to watch, honestly." "Someone needs to help that old man." "His hands are shaking so bad it's awkward." TYLER (later, voice cracking with genuine remorse): "Sir, I said terrible things. I'm so sorry." "I'm sorry, sir. I was completely wrong." "Please forgive me. I didn't know." "I'm ashamed of what I said, sir." "Sir, I need to apologize for my words." "I was wrong, sir. I'm truly sorry." "Please accept my apology, sir." "I'm sorry for disrespecting you, sir." "Sir, I said awful things. Forgive me." "I was cruel, sir. I'm deeply sorry." HAROLD (gentle, forgiving dignity): "We all make mistakes, son. What matters is learning." "Son, what counts is growing from our errors." "Everyone stumbles, Tyler. It's getting up that matters." "Mistakes teach us, son. That's how we grow." "We're all learning, Tyler. That's what life's for." "Son, I've made plenty of mistakes myself." "Tyler, wisdom comes from our failures." "We all need forgiveness sometimes, son." "Son, your heart's in the right place now." "Tyler, that took courage to apologize." TECHNICAL NOTES: No logos, brand names, watermarks, or text overlays Natural hand tremors for Harold - consistent throughout Realistic church acoustics - whispers carry, applause echoes Coherent church interior - pews, altar, stained glass positioning Authentic small-town American church atmosphere
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windo...
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windows | Reverent atmosphere with wooden pews and simple altar All characters are white American, contemporary small-town setting. CHARACTERS: TYLER: Late teens, messy brown hair, wearing casual button-down shirt and khakis, initially smug expression turning to horror HAROLD: Early 70s, silver-gray hair, weathered face, wearing pressed but worn navy suit, dignified despite trembling hands MAYOR WILLIAMS: Mid-50s, professional appearance in dark blazer, holding official document and medal box SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Tyler's face, mid-laugh, mouth open in a cruel smirk. Cut to Harold's trembling hands reaching for communion wafer. Tyler's whispered words are barely audible but his expression shows clear mockery. Harsh contrast between his youth and Harold's dignity. 0:03-0:06: Wide shot of the congregation. Mayor Williams steps forward holding the Medal of Honor box. Camera push in on Tyler's face as his expression begins to shift from amusement to confusion. Harold stands quietly in the background, unaware of the honor coming. 0:06-0:09: Close-up on Mayor Williams' mouth as she speaks the words "Medal of Honor." Rack focus to Tyler's face - his smirk completely vanishes, replaced by dawning horror. His eyes widen, mouth slightly open in shock. 0:09-0:12: Over-the-shoulder shot from Tyler's perspective, watching Harold walk forward with those same trembling hands. The entire congregation rises in applause. Tyler remains seated, frozen, as the camera slowly pushes in on his devastated expression. 0:12-0:15: Handheld follows Tyler as he stands and walks toward Harold. Close-up on their handshake - Tyler's steady young hand grasping Harold's trembling but strong fingers. Hold on Tyler's face showing genuine remorse and newfound respect. DIALOGUE OPTIONS: TYLER (cruel whisper, then voice breaking with shame): "Why's he even up there with those shaky hands?" "Look at grandpa's hands shaking like that." "Someone should help the old guy before he drops it." "What's wrong with his hands? So embarrassing." "Why doesn't someone tell him to sit down?" "Those shaky hands are so distracting." "Can't he see he's making a scene?" "This is painful to watch, honestly." "Someone needs to help that old man." "His hands are shaking so bad it's awkward." TYLER (later, voice cracking with genuine remorse): "Sir, I said terrible things. I'm so sorry." "I'm sorry, sir. I was completely wrong." "Please forgive me. I didn't know." "I'm ashamed of what I said, sir." "Sir, I need to apologize for my words." "I was wrong, sir. I'm truly sorry." "Please accept my apology, sir." "I'm sorry for disrespecting you, sir." "Sir, I said awful things. Forgive me." "I was cruel, sir. I'm deeply sorry." HAROLD (gentle, forgiving dignity): "We all make mistakes, son. What matters is learning." "Son, what counts is growing from our errors." "Everyone stumbles, Tyler. It's getting up that matters." "Mistakes teach us, son. That's how we grow." "We're all learning, Tyler. That's what life's for." "Son, I've made plenty of mistakes myself." "Tyler, wisdom comes from our failures." "We all need forgiveness sometimes, son." "Son, your heart's in the right place now." "Tyler, that took courage to apologize." TECHNICAL NOTES: No logos, brand names, watermarks, or text overlays Natural hand tremors for Harold - consistent throughout Realistic church acoustics - whispers carry, applause echoes Coherent church interior - pews, altar, stained glass positioning Authentic small-town American church atmosphere
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windo...
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windows | Reverent atmosphere with wooden pews and simple altar All characters are white American, contemporary small-town setting. CHARACTERS: TYLER: Late teens, messy brown hair, wearing casual button-down shirt and khakis, initially smug expression turning to horror HAROLD: Early 70s, silver-gray hair, weathered face, wearing pressed but worn navy suit, dignified despite trembling hands MAYOR WILLIAMS: Mid-50s, professional appearance in dark blazer, holding official document and medal box SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Tyler's face, mid-laugh, mouth open in a cruel smirk. Cut to Harold's trembling hands reaching for communion wafer. Tyler's whispered words are barely audible but his expression shows clear mockery. Harsh contrast between his youth and Harold's dignity. 0:03-0:06: Wide shot of the congregation. Mayor Williams steps forward holding the Medal of Honor box. Camera push in on Tyler's face as his expression begins to shift from amusement to confusion. Harold stands quietly in the background, unaware of the honor coming. 0:06-0:09: Close-up on Mayor Williams' mouth as she speaks the words "Medal of Honor." Rack focus to Tyler's face - his smirk completely vanishes, replaced by dawning horror. His eyes widen, mouth slightly open in shock. 0:09-0:12: Over-the-shoulder shot from Tyler's perspective, watching Harold walk forward with those same trembling hands. The entire congregation rises in applause. Tyler remains seated, frozen, as the camera slowly pushes in on his devastated expression. 0:12-0:15: Handheld follows Tyler as he stands and walks toward Harold. Close-up on their handshake - Tyler's steady young hand grasping Harold's trembling but strong fingers. Hold on Tyler's face showing genuine remorse and newfound respect. DIALOGUE OPTIONS: TYLER (cruel whisper, then voice breaking with shame): "Why's he even up there with those shaky hands?" "Look at grandpa's hands shaking like that." "Someone should help the old guy before he drops it." "What's wrong with his hands? So embarrassing." "Why doesn't someone tell him to sit down?" "Those shaky hands are so distracting." "Can't he see he's making a scene?" "This is painful to watch, honestly." "Someone needs to help that old man." "His hands are shaking so bad it's awkward." TYLER (later, voice cracking with genuine remorse): "Sir, I said terrible things. I'm so sorry." "I'm sorry, sir. I was completely wrong." "Please forgive me. I didn't know." "I'm ashamed of what I said, sir." "Sir, I need to apologize for my words." "I was wrong, sir. I'm truly sorry." "Please accept my apology, sir." "I'm sorry for disrespecting you, sir." "Sir, I said awful things. Forgive me." "I was cruel, sir. I'm deeply sorry." HAROLD (gentle, forgiving dignity): "We all make mistakes, son. What matters is learning." "Son, what counts is growing from our errors." "Everyone stumbles, Tyler. It's getting up that matters." "Mistakes teach us, son. That's how we grow." "We're all learning, Tyler. That's what life's for." "Son, I've made plenty of mistakes myself." "Tyler, wisdom comes from our failures." "We all need forgiveness sometimes, son." "Son, your heart's in the right place now." "Tyler, that took courage to apologize." TECHNICAL NOTES: No logos, brand names, watermarks, or text overlays Natural hand tremors for Harold - consistent throughout Realistic church acoustics - whispers carry, applause echoes Coherent church interior - pews, altar, stained glass positioning Authentic small-town American church atmosphere
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windo...
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windows | Reverent atmosphere with wooden pews and simple altar All characters are white American, contemporary small-town setting. CHARACTERS: TYLER: Late teens, messy brown hair, wearing casual button-down shirt and khakis, initially smug expression turning to horror HAROLD: Early 70s, silver-gray hair, weathered face, wearing pressed but worn navy suit, dignified despite trembling hands MAYOR WILLIAMS: Mid-50s, professional appearance in dark blazer, holding official document and medal box SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Tyler's face, mid-laugh, mouth open in a cruel smirk. Cut to Harold's trembling hands reaching for communion wafer. Tyler's whispered words are barely audible but his expression shows clear mockery. Harsh contrast between his youth and Harold's dignity. 0:03-0:06: Wide shot of the congregation. Mayor Williams steps forward holding the Medal of Honor box. Camera push in on Tyler's face as his expression begins to shift from amusement to confusion. Harold stands quietly in the background, unaware of the honor coming. 0:06-0:09: Close-up on Mayor Williams' mouth as she speaks the words "Medal of Honor." Rack focus to Tyler's face - his smirk completely vanishes, replaced by dawning horror. His eyes widen, mouth slightly open in shock. 0:09-0:12: Over-the-shoulder shot from Tyler's perspective, watching Harold walk forward with those same trembling hands. The entire congregation rises in applause. Tyler remains seated, frozen, as the camera slowly pushes in on his devastated expression. 0:12-0:15: Handheld follows Tyler as he stands and walks toward Harold. Close-up on their handshake - Tyler's steady young hand grasping Harold's trembling but strong fingers. Hold on Tyler's face showing genuine remorse and newfound respect. DIALOGUE OPTIONS: TYLER (cruel whisper, then voice breaking with shame): "Why's he even up there with those shaky hands?" "Look at grandpa's hands shaking like that." "Someone should help the old guy before he drops it." "What's wrong with his hands? So embarrassing." "Why doesn't someone tell him to sit down?" "Those shaky hands are so distracting." "Can't he see he's making a scene?" "This is painful to watch, honestly." "Someone needs to help that old man." "His hands are shaking so bad it's awkward." TYLER (later, voice cracking with genuine remorse): "Sir, I said terrible things. I'm so sorry." "I'm sorry, sir. I was completely wrong." "Please forgive me. I didn't know." "I'm ashamed of what I said, sir." "Sir, I need to apologize for my words." "I was wrong, sir. I'm truly sorry." "Please accept my apology, sir." "I'm sorry for disrespecting you, sir." "Sir, I said awful things. Forgive me." "I was cruel, sir. I'm deeply sorry." HAROLD (gentle, forgiving dignity): "We all make mistakes, son. What matters is learning." "Son, what counts is growing from our errors." "Everyone stumbles, Tyler. It's getting up that matters." "Mistakes teach us, son. That's how we grow." "We're all learning, Tyler. That's what life's for." "Son, I've made plenty of mistakes myself." "Tyler, wisdom comes from our failures." "We all need forgiveness sometimes, son." "Son, your heart's in the right place now." "Tyler, that took courage to apologize." TECHNICAL NOTES: No logos, brand names, watermarks, or text overlays Natural hand tremors for Harold - consistent throughout Realistic church acoustics - whispers carry, applause echoes Coherent church interior - pews, altar, stained glass positioning Authentic small-town American church atmosphere
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windo...
SETTING: Small American church interior | Sunday morning | Warm golden sunlight streaming through stained glass windows | Reverent atmosphere with wooden pews and simple altar All characters are white American, contemporary small-town setting. CHARACTERS: TYLER: Late teens, messy brown hair, wearing casual button-down shirt and khakis, initially smug expression turning to horror HAROLD: Early 70s, silver-gray hair, weathered face, wearing pressed but worn navy suit, dignified despite trembling hands MAYOR WILLIAMS: Mid-50s, professional appearance in dark blazer, holding official document and medal box SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Tyler's face, mid-laugh, mouth open in a cruel smirk. Cut to Harold's trembling hands reaching for communion wafer. Tyler's whispered words are barely audible but his expression shows clear mockery. Harsh contrast between his youth and Harold's dignity. 0:03-0:06: Wide shot of the congregation. Mayor Williams steps forward holding the Medal of Honor box. Camera push in on Tyler's face as his expression begins to shift from amusement to confusion. Harold stands quietly in the background, unaware of the honor coming. 0:06-0:09: Close-up on Mayor Williams' mouth as she speaks the words "Medal of Honor." Rack focus to Tyler's face - his smirk completely vanishes, replaced by dawning horror. His eyes widen, mouth slightly open in shock. 0:09-0:12: Over-the-shoulder shot from Tyler's perspective, watching Harold walk forward with those same trembling hands. The entire congregation rises in applause. Tyler remains seated, frozen, as the camera slowly pushes in on his devastated expression. 0:12-0:15: Handheld follows Tyler as he stands and walks toward Harold. Close-up on their handshake - Tyler's steady young hand grasping Harold's trembling but strong fingers. Hold on Tyler's face showing genuine remorse and newfound respect. DIALOGUE OPTIONS: TYLER (cruel whisper, then voice breaking with shame): "Why's he even up there with those shaky hands?" "Look at grandpa's hands shaking like that." "Someone should help the old guy before he drops it." "What's wrong with his hands? So embarrassing." "Why doesn't someone tell him to sit down?" "Those shaky hands are so distracting." "Can't he see he's making a scene?" "This is painful to watch, honestly." "Someone needs to help that old man." "His hands are shaking so bad it's awkward." TYLER (later, voice cracking with genuine remorse): "Sir, I said terrible things. I'm so sorry." "I'm sorry, sir. I was completely wrong." "Please forgive me. I didn't know." "I'm ashamed of what I said, sir." "Sir, I need to apologize for my words." "I was wrong, sir. I'm truly sorry." "Please accept my apology, sir." "I'm sorry for disrespecting you, sir." "Sir, I said awful things. Forgive me." "I was cruel, sir. I'm deeply sorry." HAROLD (gentle, forgiving dignity): "We all make mistakes, son. What matters is learning." "Son, what counts is growing from our errors." "Everyone stumbles, Tyler. It's getting up that matters." "Mistakes teach us, son. That's how we grow." "We're all learning, Tyler. That's what life's for." "Son, I've made plenty of mistakes myself." "Tyler, wisdom comes from our failures." "We all need forgiveness sometimes, son." "Son, your heart's in the right place now." "Tyler, that took courage to apologize." TECHNICAL NOTES: No logos, brand names, watermarks, or text overlays Natural hand tremors for Harold - consistent throughout Realistic church acoustics - whispers carry, applause echoes Coherent church interior - pews, altar, stained glass positioning Authentic small-town American church atmosphere
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